A Critical Cinema 2: Interviews with Independent Filmmakers

. 1981. 16mm; 14 minutes; black and white; silent (CC, CFDC; Cinenova, 113 Roman Rd., London E2 OH2, U.K.; Circles; Drift, 83 Warren St., #5, New York, NY 10007; FMC, Friedrich; Lady Slipper, 613 Vickers Ave., Durham, NC 27701; LFC, MoMA, WMM).

But No One

. 1982. 16mm; 9 minutes; black and white; silent (CC, FMC).

The Ties That Bind

. 1984. 16mm; 55 minutes; black and white; sound (CC, CFDC, Cinenova, Circles, Drift, MoMA, WMM).

Damned If You Don't

. 1987. 16mm; 42 minutes; black and white; sound (CC, CFDC, FMC; Frameline, 347 Dolores St., #205, San Francisco, CA 94110; Friedrich, LFC, MoMA, WMM).

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Sink or Swim

. 1990. 16mm; 48 minutes; black and white; sound (CC, CFDC, Drift, Friedrich, LFC, MoMA, WMM).

First Comes Love

. 1991. 16mm; 22 minutes; black and white; sound (CC, CFDC, Drift, Friedrich, LFC, WMM).

Anthony McCall

Landscape for Fire

. 1972. 16mm; 7 minutes; color; silent (McCall, 11 Jay St., New York, NY 10013).

ABCD

. 1973. 16mm; 30 minutes; color; silent.

Line Describing a Cone

. 1973. 16mm; 30 minutes; black and white; silent (CC, LFC, McCall).

Conical Solid

. 1974. 16mm; 10 minutes; black and white; silent (LFC, McCall).

Cone of Variable Volume

. 1974. 16mm; 10 minutes; black and white; silent (McCall).

Partial Cone

. 1974. 16mm; 15 minutes; black and white; silent (McCall).

Long Film for Four Projectors

. 1974. 16mm (4-projector environment); 360 minutes; black and white; silent (McCall).

Four Projected Movements

. 1975. 16mm; 75 minutes; black and white; silent (McCall).

Long Film for Ambient Light

. 1975. Installation; continuous.

Letters IVI

. 197576. Super-8mm; 3 minutes, each letter; color; sound.

Ear

. 1976. Super-8mm; 3 minutes; color; sound.

Carnage

(directed by Ken Burns; cinematography by McCall). 1976. Super-8mm; 90 minutes; color; sound.

Argument

(co-made with Andrew Tyndall). 1978. 16mm; 75 minutes; color; sound (McCall).

Sigmund Freud's Dora

(co-made with Claire Pajaczkowska, Andrew Tyndall, Jane Weinstock). 1979. 16mm; 40 minutes; color; sound (BFI, McCall).

Ross McElwee

20,000 Missing Persons

. 1974. 16mm; 30 minutes; color; sound.

68 Albany Street

. 1976. 16mm; 24 minutes; color; sound.

Energy War

(directed by D. A. Pennebaker, Pat Powell, Chris Hegedus; some cinematography by McElwee). 1977. 16mm; 300 minutes; color; sound (Pennebaker, 56 West 45th St., New York, NY 10036).

Charleen

. 1978. 16mm; 59 minutes; color; sound (Artificial Eye, 211 Camden High St., London NW1 7BT, U.K.; FR).

N!ai: Portrait of a !Kung Woman

(directed by John Marshall; some cinematography by McElwee). 1978. 16mm; 60 minutes; color; sound (1980).

Space Coast

(co-made with Michel Negroponte). 1979. 16mm; 90 minutes; color; sound (Artificial Eye, FR).

Resident Exile

(co-made with Alex Anthony, Michel Negroponte). 1981. 16mm; 30 minutes; color; sound (Artificial Eye, FR).

Backyard

. 1984. 16mm; 40 minutes; color; sound (Artificial Eye, FR).

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Sherman's March

. 1986. 16mm; 155 minutes; color; sound (Artificial Eye, FR).

Something to Do with the Wall

(co-made with Marilyn Levine). 1990. 16mm; 88 minutes; color; sound (Artificial Eye, FR).

Jonas Mekas

Guns of the Trees

. 1961. 35mm; 75 minutes; black and white; sound (FMC).

Film Magazine of the Arts

. 1963. 16mm; 20 minutes; color; sound (FMC).

The Brig

. 1964. 68 minutes; black and white; sound (CC, CFDC, FMC).

Award Presentation to Andy Warhol

. 1964. 16mm; 12 minutes; black and white; sound (FMC).

Report from Millbrook

. 1966. 16mm; 12 minutes; color; sound (CFDC, FMC).

Walden

. 1969. 16mm; 177 minutes; color; sound (FMC).

Hare Krishna

. 1966. 16mm; 4 minutes; color; sound (CFDC, FMC).

Notes on the Circus

. 1966. 16mm; 12 minutes; color; sound (AFA, CC, CFDC, FMC).

Cassis

. 1966. 16mm; 4 1/2 minutes; color; sound (CC, CFDC, FMC).

The Italian Notebook

. 1967. 16mm; 14 3/4 minutes; color; silent (FMC).

Time and Fortune Vietnam Newsreel

. 1968. 16mm; 4 minutes; color; sound (FMC).

Reminiscences of a Journey to Lithuania

. 1972. 16mm; 82 minutes; color; sound (CC, FACETS, FMC).

Lost Lost Lost

. 1976. 16mm; 178 minutes; black and white/color; sound (CFDC, FMC).

In Between

. 1978. 16mm; 52 minutes; black and white/color; sound (FMC).

Notes for Jerome

. 1978. 16mm; 45 minutes; color; sound (FMC, MoMA).

Paradise Not Yet Lost