A Critical Cinema 2: Interviews with Independent Filmmakers

(a.k.a. ''Oona's Third Year"). 1979. 16mm; 96 1/2 minutes; color; sound (FMC).

Street Songs

. 1983. 16mm; 10 1/2 minutes; black and white; sound (FMC).

Cup/Saucer/Two Dancers/Radio

. 1983. 16mm; 23 minutes; color; sound (FMC).

Erick Hawkins: Excerpts from "Here and Now with Watchers"/Lucia Dlugoszewski Performs

. 1983. 16mm; 5 3/4 minutes; black and white; sound (FMC).

He Stands in a Desert Counting the Seconds of His Life

. 1985. 16mm; 150 minutes; color; sound (FMC).

Laura Mulvey

Penthesilea

(co-made with Peter Wollen). 1974. 16mm; 90 minutes; color; sound (Mulvey, 207 Ladbroke Grove, London W11, U.K.; Wollen, 11005 Strathmore Dr., Los Angeles, CA 90024).

Riddles of the Sphinx

(co-made with Peter Wollen). 1977. 16mm; 92 minutes; color; sound (BFI, MoMA; New Cinema; 75 Horner Ave., #1, Toronto, Ont., M8Z 4X5 Canada).

Amy!

(co-made with Peter Wollen). 1979. 16mm; 33 minutes; color; sound (BFI, MoMA).

Crystal Gazing

(co-made with Peter Wollen). 1981. 16mm; 90 minutes; color; sound (BFI).

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Frida Kahlo and Tina Modotti

(co-made with Peter Wollen). 1983. 16mm; 30 minutes; color; sound (ACGB; MoMA).

The Bad Sister

(co-made with Peter Wollen). 1983. Video; 90 minutes; color; sound (Channel 4, U.K.).

New Horizons

(co-made with Chris Welsby). 1987. 16mm (transferred to video and presented on 36-monitor video wall); 2 1/2 minutes (longer in video wall version); color; sound (Mulvey).

Andrew Noren

A Change of Heart

. 1965. 16mm; 81 minutes; black and white; sound (lost).

Say Nothing

. 1965. 16mm; 30 minutes; black and white; sound (Noren, 76 Cypress Lane, Aberdeen, NJ 07747-2222).

Recognitions

(a series of eight portraits). 196567. 16mm; 240 minutes (30 minutes/portrait); black and white; sound (all lost except Say Nothing: see separate listing).

The New York Miseries

. 1966. 16mm; 180 minutes (in interchangeable 3-minute, 100-foot, single-take rolls); black and white; sound (lost).

Untitled

. 196667. 16mm film loops; indeterminate running times; black and white/color; silent (lost).

Untitled

. 196667. 16mm (found footage compilation films); various running times; black and white/color; sound (lost).

Bathing

. 1967. 16mm; interchangeable 10-minute, 400-foot, single-take rolls; color; sound (lost).

The Wind Variations

. 1969. 16mm; 18 minutes; color; silent (Noren).

Huge Pupils

(Part I of

The Adventures of the Exquisite Corpse

). 1968. 16mm; 61 minutes; color; silent (LFC, Noren).

Scenes from Life

. 1972. 2 screen 16mm; 30 minutes; color; silent (Noren).

False Pretenses

(Part II of

The Adventures of the Exquisite Corpse

). 1974. 16mm; 67 minutes; color; silent (Noren).

The Phantom Enthusiast

(Part III of

The Adventures of the Exquisite Corpse

). 1975. 16mm; 70 minutes; color; silent (Noren).

Charmed Particles

(Part IV of

The Adventures of the Exquisite Corpse

). 1979. 16mm; 78 minutes; black and white; silent (FMC).

The Lighted Field

(Part V of

The Adventures of the Exquisite Corpse

). 1987. 16mm; 61 minutes; black and white; silent (FMC).

Yoko Ono

During the sixties and seventies, Ono conceptualized and, in some cases, executed installation pieces and works in other forms, often in connection with Fluxus. Many included film (including some that recycled films listed here). For a description of Ono's installations and of all her work with Fluxus, see Jon Hendricks,

Fluxus Codex

(New York: Harry N. Abrams, 1988), pp. 415426.

Eyeblink

(a.k.a.

One

and

One Blink, Fluxfilm

#15 and #19). 1966. 16mm; 5 minutes; black and white; silent (FMC, as part of

Fluxfilm Program

).

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No. 1

(a.k.a.

Match, Fluxfilm

#14). 1966. 16mm; 10 minutes; black and white; silent (in Gilbert and Lila Silverman Fluxus Collection Foundation, Detroit, MI).

No. 4

(a.k.a.

Fluxfilm

#16). 1966. 16mm; 5 1/2 minutes; black and white; silent (FMC, as part of

Fluxfilm Program

).

No. 4 (Bottoms)

. 1966. 16mm; 80 minutes; black and white; sound (AFA).

Film No. 5 (Smile)

. 1968. 16mm; 51 minutes; color; sound (AFA).

Two Virgins

(co-made with John Lennon). 1968. 16mm; 19 minutes; color; sound (AFA).

Bed-In

(co-made with John Lennon). 1969. 16mm; 61 minutes; color; sound (AFA).

Rape

(co-made with John Lennon). 1969. 16mm; 77 minutes; color; sound (AFA).

Apotheosis