"To the analytical antinomies he addressed, Berlin affixed the dyad of East and West as he sought in the exertions of 19th century Russian writers a counterweight to the exaggerated pursuit of perfection emblematic of the Enlightenment. . . . Turgenev, Tolstoy, and Herzen, Berlin believed, were expositors of an alternative, corrective, vision, sources for redress and repair for what ails the West's record of ideas. Herzen was his favorite. Berlin appreciated Herzen because he declined to pursue a singular coherent doctrine, and for his open temperament." Ira Katznelson, "Isaiah Berlin's Modernity,"
In the mid-1950s, having witnessed the fruits of Stalinism, Nazism, and the escalating Cold War, Berlin writes: "On the whole, it is Herzen's totalitarian opponents both of the Right and of the Left that have won." Isaiah Berlin, introduction to Herzen,
" ' Lampert sees Herzen as Lampert writ large,' I remember Berlin telling me, when I was embarking on a doctorate on Herzen. Carr's retort, when I recounted this to him, was that 'Berlin sees Berlin as Herzen writ large.' " Edward Acton, "Eugene Lampert: Distinguished Scholar of Russian History" (obituary),
Offord comments that Berlin "established a hagiographic tradition" and that this, in part, accounts for the lack of critical examination of Herzen by later scholars. Derek Offord, "Alexander Herzen and James de Rothschild,"
Franco Venturi,
See Marc Raeff, "The Peasant Commune in the Political Thinking of Russian Publicists: Laissez-Faire Liberalism in the Reign of Alexander II" (Ph.D. thesis, Harvard University, 1950). Also in this vein, in 1951 V. Pirozhkova completed a dissertation that considered the "collapse" of Herzen's utopian vision. Her dissertation was later published as Vera Piroschkow [Vera Aleksandrovna Pirozhkova],
Martin Malia,
Malia conceives of Herzen as a figure influenced to a great degree by the ideational and aesthetic constructs he formed in Russia. "The liberal institutions of England . . . so utterly failed to impress him." Martin E. Malia, "Schiller and the Early Russian Left," in
This omission was noted in Hare's review: "A study of Herzen's contribution to Russian socialism should surely take into account the most mature and influential period of his life, when after the death of Nicholas I (1855), he fascinated the new Emperor and a large Russian reading public through the pages of his London-published journal
Aileen M. Kelly, "Herzen and Proudhon: Two Radical Ironists," in
Monica Partridge,
See Monica Partridge, "Alexander Herzen and the English Press,"
Edward Acton,
Acton argues that Herzen's "private ordeal" "did more than predispose him emotionally" in his thought and attitude. The "personal catastrophe" "touched him at the deepest level" and impacted "his basic approach to historical development." Acton,
Judith E. Zimmerman,
Ibid., xii-xiii.