A Night to Remember

Lord was motivated by his love of the great liners, which he had travelled in as a boy with his parents, including a trip in the Titanic’s surviving sister-ship, Olympic, in 1927. He was fascinated by the idea of a closed society like a town afloat, even if the passengers were only on board for a week or so. He was researching his book at the right time, partly because many of the survivors were still alive and had fresh memories of events more than forty years before. Perhaps they were far enough from the disaster to get over any survivor’s guilt, or the traumas of the night in question.

But Lord did not make use of one new invention which a modern researcher would regard as essential: the tape recorder. Nor did he take notes during the interviews, for fear of intimidating the witnesses. Instead, he prepared his questions for each interview very carefully, and memorized what was said, writing them down afterwards as soon as he found privacy.

The book was also published at exactly the right time. The television age was just beginning, but the public was already used to the immediacy of newsreel and radio reporting, and the highlighting of individual stories in the midst of historic events. Despite the reactions of some traditional historians, history was no longer about kings, queens and presidents but about how it was shaped by people of both high and low status.

Like most history books, A Night to Remember is about the time in which it was written as well as the period it describes. America in the 1950s was more prosperous than it had ever been, and it felt a great moral superiority after defeating the Nazis and taking on the Soviets in the Cold War. As Lord is careful to point out, it was far more classless than the society of 1912. Yet it too had a huge threat hanging over it, as the Soviets built up an increasingly terrifying nuclear arsenal, with thermonuclear bombs and ballistic missiles. Britain was no less threatened by the bomb, and its people had far less space to hide from it. It was about to face its own sinking moment, when the Suez Crisis of 1956 signalled the end of the British Empire. Lord does not deal with the issue of race, which was about to engulf the United States and, to a lesser extent, Britain. Many British shipping lines employed Africans and Asians as firemen, stewards and seamen, but not White Star. Almost everyone aboard the Titanic, both passengers and crew, was white (though there is casual mention of Chinese and Japanese) and racialism, which was an essential and largely unspoken feature of 1912 society, was directed against what were considered the ‘lesser’ European races such as the Italians.

Lord begins his story with the first sighting of the iceberg, and the world outside the ship appears only incidentally, increasing the feeling of peril and claustrophobia among those on board. He portrays the sinking as a slow-motion disaster, with its extent dawning on crew and passengers only by degrees. As he wrote in 1987, part of the appeal of the story relies on ‘the initial refusal to believe that anything was wrong – card games continued in the smoking room; playful soccer matches on deck with chunks of ice broken off from the berg. Then the gradual dawning that there is real danger – the growing tilt of the deck, the rockets going off. And finally, the realization that the end is at hand, with no apparent escape.’ Lord also starts with different levels in the ship – the lookout at the head of the mast, the officers on the bridge, the passengers in the saloons and the firemen down in the engine room. He explores the alternative hierarchies on board – the normal social one and the sea discipline, with officers commanding seamen, who in turn are nominally in charge of the passengers in a lifeboat – though in real life they were often challenged successfully by the first-class passengers, who believed they had a right to rule in any circumstances.

When he mentions it at all, Lord portrays the world outside the Titanic as a very stable one, only ended in later years by war and taxation, but it is worth remembering that Britain was in turmoil at the time, with militant suffragettes, very bitter strikes and Ireland on the verge of rebellion. Nevertheless, Lord convinces us that the social order was maintained on board the ship, as stewards and valets helped their masters prepare for the lifeboats. And the sacrifice of third-class passengers went largely unchallenged by the inquiries in Britain and the United States. Lord tells many individual stories of heroism and cowardice, selfishness and generosity. The band did indeed play on, though not, apparently, ‘Nearer My God to Thee’. Lord tells how Bruce Ismay bullied his way into a lifeboat, only to live the next twenty-five years in loneliness and shame.