“I’m an art dealer.” The man produced his card and Gamache took it, examining the cream background with the simple embossed black lettering. Just the man’s name and a phone number. Nothing more. The paper was thick and textured. A fine-quality business card. No doubt for a fine-quality business.
“Do you know Clara’s work?” Gamache asked, tucking the card into his breast pocket.
“Not at all, but I’m friends with the chief curator of the Musée and she slipped me one of the brochures. I was frankly astonished. The description says Madame Morrow has been living in Québec all her life and is almost fifty. And yet no one seems to know her. She came out of nowhere.”
“She came out of Three Pines,” said Gamache and at the blank look from his companion, he explained. “It’s a tiny village south of here. By the Vermont border. Not many people know it.”
“Or know her. An unknown artist in an anonymous village. And yet—”
Monsieur Marois opened his arms in an elegant and eloquent gesture, to indicate the surroundings and the event.
They both went back to gazing at the portrait in front of them. It showed the head and scrawny shoulders of a very old woman. A veined and arthritic hand clutched a rough blue shawl to her throat. It had slipped to reveal skin stretched over collarbone and sinew.
But it was her face that captivated the men.
She looked straight at them. Into the gathering, with the clink of glasses, the lively conversations, the merriment.
She was angry. Filled with contempt. Hating what she heard and saw. The happiness all around her. The laughter. Hating the world that had left her behind. Left her alone on this wall. To see, to watch and to never be included.
Like Prometheus Bound, here was a great spirit endlessly tormented. Grown bitter and petty.
Beside him Gamache heard a small gasp and knew what it was. The art dealer, François Marois, had understood the painting. Not the obvious rage, there for all to see, but something more complex and subtle. Marois had got it. What Clara had really created.
He looked from the painting to Gamache.
* * *
Across the room Clara nodded and smiled, and took in almost nothing.
There was a howl in her ears and a swirl before her eyes, her hands were numb. She was losing her senses.
Peter had brought her a glass of wine and her friend Myrna had offered a plate of hors d’oeuvres, but Clara was shaking so badly she’d had to give them both back.
And now she concentrated on trying not to look demented. Her new suit itched and she realized she looked like an accountant. From the old Eastern Bloc. Or maybe a Maoist. A Maoist accountant.
It wasn’t the look she’d been going for when she’d bought the suit at a swank boutique on rue St-Denis in Montréal. She’d wanted a change, something different from her usual billowy skirts and dresses. Something sharp and sleek. Something minimalist and coordinated.
And in the store she’d looked just great, smiling at the smiling saleswoman in the mirror and telling her all about the upcoming solo show. She told everyone about it. Cab drivers, waiters, the kid sitting next to her on the bus, plugged into his iPod and deaf. Clara hadn’t cared. She’d told him anyway.
And now the day had finally arrived.
That morning, sitting in her garden in Three Pines, she’d dared to think this would be different. She’d imagined walking through those two huge, frosted glass doors at the end of the corridor to wild applause. Looking fabulous in her new suit. The art community would be dazzled. Critics and curators would rush over, anxious to spend a moment with her. Falling all over themselves to congratulate her. To find just the right words,
Masterpieces, each and every one.
In her quiet garden that morning Clara had closed her eyes and tilted her face to the young sun, and smiled.
The dream come true.
Perfect strangers would hang on her every word. Some might even take notes. Ask advice. They’d listen, rapt, as she talked about her vision, her philosophy, her insights into the art world. Where it was going, where it had been.
She’d be adored and respected. Smart and beautiful. Elegant women would ask where she’d bought her outfit. She would start a movement. A trend.
Instead, she felt like a messy bride at a wedding gone bad. Where the guests ignored her, concentrating instead on the food and drink. Where no one wanted to catch her bouquet or walk her down the aisle. Or dance with her. And she looked like a Maoist accountant.
She scratched her hip, and smoothed pâté into her hair. Then looked at her watch.
Dear God, another hour to go.