Читаем Ada, or Ador: A Family Chronicle полностью

‘Impossible, my dear, they are all in heaven or on Terra. But what would Ada like, what would my silent love like for her birthday? It’s next Saturday, po razschyotu po moemu (by my reckoning), isn’t it? Une rivière de diamants?’

‘Protestuyu!’ cried Marina. ‘Yes, I’m speaking seriozno. I object to your giving her kvaka sesva (quoi que ce soit), Dan and I will take care of all that.’

‘Besides you’ll forget,’ said Ada laughing, and very deftly showed the tip of her tongue to Van who had been on the lookout for her conditional reaction to ‘diamonds.’

Van asked: ‘Provided what?’

‘Provided you don’t have one waiting already for you in George’s Garage, Ranta Road.’

‘Ada, you’ll be jikkering alone soon,’ he continued, ‘I’m going to have Mascodagama round out his vacation in Paris. Qui something sur son front, en accuse la beauté!’

So the trivial patter went. Who does not harbor in the darkest gulf of his mind such bright recollections? Who has not squirmed and covered his face with his hands as the dazzling past leered at him? Who, in the terror and solitude of a long night —

‘What was that?’ exclaimed Marina, whom certicle storms terrified even more than they did the Antiamberians of Ladore County.

‘Sheet lightning,’ suggested Van.

‘If you ask me,’ said Demon, turning on his chair to consider the billowing drapery, ‘I’d guess it was a photographer’s flash. After all, we have here a famous actress and a sensational acrobat.’

Ada ran to the window. From under the anxious magnolias a white-faced boy flanked by two gaping handmaids stood aiming a camera at the harmless, gay family group. But it was only a nocturnal mirage, not unusual in July. Nobody was taking pictures except Perun, the unmentionable god of thunder. In expectation of the rumble, Marina started to count under her breath, as if she were praying or checking the pulse of a very sick person. One heartbeat was supposed to span one mile of black night between the living heart and a doomed herdsman, felled somewhere — oh, very far — on the top of a mountain. The rumble came — but sounded rather subdued. A second flash revealed the structure of the French window.

Ada returned to her seat. Van picked up her napkin from under her chair and in the course of his brief plunge and ascent brushed the side of her knee with his temple.

‘Might I have another helping of Peterson’s Grouse, Tetrastes bonasia windriverensis?’ asked Ada loftily.

Marina jangled a diminutive cowbell of bronze. Demon placed his palm on the back of Ada’s hand and asked her to pass him the oddly evocative object. She did so in a staccato arc. Demon inserted his monocle and, muffling the tongue of memory, examined the bell; but it was not the one that had once stood on a bed-tray in a dim room of Dr Lapiner’s chalet; was not even of Swiss make; was merely one of those sweet-sounding translations which reveal a paraphrast’s crass counterfeit as soon as you look up the original.

Alas, the bird had not survived ‘the honor one had made to it,’ and after a brief consultation with Bouteillan a somewhat incongruous but highly palatable bit of saucisson d’Arles added itself to the young lady’s fare of asperges en branches that everybody was now enjoying. It almost awed one to see the pleasure with which she and Demon distorted their shiny-lipped mouths in exactly the same way to introduce orally from some heavenly height the voluptuous ally of the prim lily of the valley, holding the shaft with an identical bunching of the fingers, not unlike the reformed ‘sign of the cross’ for protesting against which (a ridiculous little schism measuring an inch or so from thumb to index) so many Russians had been burnt by other Russians only two centuries earlier on the banks of the Great Lake of Slaves. Van remembered that his tutor’s great friend, the learned but prudish Semyon Afanasievich Vengerov, then a young associate professor but already a celebrated Pushkinist (1855–1954), used to say that the only vulgar passage in his author’s work was the cannibal joy of young gourmets tearing ‘plump and live’ oysters out of their ‘cloisters’ in an unfinished canto of Eugene Onegin. But then ‘everyone has his own taste,’ as the British writer Richard Leonard Churchill mistranslates a trite French phrase (chacun à son gout) twice in the course of his novel about a certain Crimean Khan once popular with reporters and politicians, ‘A Great Good Man’ — according, of course, to the cattish and prejudiced Guillaume Monparnasse about whose new celebrity Ada, while dipping the reversed corolla of one hand in a bowl, was now telling Demon, who was performing the same rite in the same graceful fashion.

Перейти на страницу:

Похожие книги