Английский с Эдгаром По. Падение дома Ашеров / Edgar Allan Poe. The Fall of the House of Usher

But the fervid facility of his impromptus could not be so accounted for (но пламенная легкость его экспромтов не могла быть так объяснена; to account for – объяснять). They must have been, and were (они должны были быть и были), in the notes, as well as in the words of his wild fantasias (в нотах, как и в словах его безудержных фантазий) (for he not unfrequently accompanied himself with rhymed verbal improvisations) (ибо он нередко: «не нечасто» аккомпанировал себе рифмованными словесными импровизациями), the result of that intense mental collectedness and concentration (результатом той интенсивной умственной собранности и концентрации) to which I have previously alluded as observable only in particular moments of the highest artificial excitement (о которых я ранее вскользь упоминал как о наблюдаемых только в некоторые моменты высочайшего искусственного = экзальтированного возбуждения).

But the fervid facility of his impromptus could not be so accounted for. They must have been, and were, in the notes, as well as in the words of his wild fantasias (for he not unfrequently accompanied himself with rhymed verbal improvisations), the result of that intense mental collectedness and concentration to which I have previously alluded as observable only in particular moments of the highest artificial excitement.

The words of one of these rhapsodies I have easily remembered (слова одной из этих рапсодий я легко запомнил). I was, perhaps, the more forcibly impressed with it, as he gave it (я был, возможно, тем более сильно впечатлен ею, когда он исполнил ее: «дал»), because, in the under or mystic current of its meaning (потому что в скрытом: «нижнем» или мистическом течении его значения), I fancied that I perceived, and for the first time (мне почудилось, что я увидел, к тому же в первый раз; to fancy – воображать; to perceive – воспринимать), a full consciousness on the part of Usher, of the tottering of his lofty reason upon his throne (полное осознание Ашером: «со стороны Ашера» колебаний его высокого рассудка на своем троне; part – часть; зд.: сторона). The verses, which were entitled “The Haunted Palace,” ran very nearly, if not accurately, thus (стихи, которые были названы «Дворец с привидениями», бежали = звучали почти, если и не точно, так; to run – бежать; гласить, звучать; nearly – почти):

The words of one of these rhapsodies I have easily remembered. I was, perhaps, the more forcibly impressed with it, as he gave it, because, in the under or mystic current of its meaning, I fancied that I perceived, and for the first time, a full consciousness on the part of Usher, of the tottering of his lofty reason upon his throne. The verses, which were entitled “The Haunted Palace,” ran very nearly, if not accurately, thus: