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I must remember where I am—thought Dagny, clenching her fists under the tablecloth, in the obscurity of a side table. It was hard to maintain a sense of double reality in the presence of Galt, thirty feet away from her. She felt that no danger or pain could exist in the world so long as she could see his face—and, simultaneously, an icy terror, when she looked at those who held him in their power, when she remembered the blind irrationality of the event they were staging. She fought to keep her facial muscles rigid, not to betray herself by a smile of happiness or by a scream of panic.

She wondered how his eyes had been able to find her in that crowd.

She had seen the brief pause of his glance, which no one else could notice; the glance had been more than a kiss, it had been a handshake of approval and support.

He did not glance again in her direction. She could not force herself to look away. It was startling to see him in evening clothes and more startling still that he wore them so naturally; he made them look like a work uniform of honor; his figure suggested the kind of banquet, in the days of a distant past, where he would have been receiving an industrial award. Celebrations—she remembered her own words, with a stab of longing—should be only for those who have something to celebrate.

She turned away. She struggled not to look at him too often, not to attract the attention of her companions. She had been placed at a table prominent enough to display her to the assembly, but obscure enough to keep her out of the line of Galt's sight, along with those who had incurred Galt's disfavor: with Dr. Ferris and Eugene Lawson.

Her brother Jim, she noted, had been placed closer to the platform; she could see his sullen face among the nervous figures of Tinky Holloway, Fred Kinnan, Dr. Simon Pritchett. The tortured faces strung out above the speakers' table were not succeeding in their efforts to hide that they looked like men enduring an ordeal; the calm of Galt's face seemed radiant among them; she wondered who was prisoner here and who was master. Her glance moved slowly down the line-up of his table: Mr. Thompson, Wesley Mouch, Chick Morrison, some generals, some members of the Legislature and, preposterously, Mr. Mowen chosen as a bribe to Galt, as a symbol of big business. She glanced about the room, looking for the face of Dr. Stadler; he was not present.

The voices filling the room were like a fever chart, she thought; they kept darting too high and collapsing into patches of silence; the occasional spurts of someone's laughter broke off, incompleted, and attracted the shuddering turn of the heads at the neighboring tables. The faces were drawn and twisted by the most obvious and least dignified form of tension: by forced smiles. These people—she thought—knew, not by means of their reason, but by means of their panic, that this banquet was the ultimate climax and the naked essence of their world. They knew that neither their God nor their guns could make this celebration mean what they were struggling to pretend it meant.

She could not swallow the food that was placed before her; her throat seemed closed by a rigid convulsion. She noticed that the others at her table were also merely pretending to eat. Dr. Ferris was the only one whose appetite seemed unaffected.

When she saw a slush of ice cream in a crystal bowl before her, she noticed the sudden silence of the room and heard the screeching of the television machinery being dragged forward for action. Now—she thought, with a sinking sense of expectation, and knew that the same question mark was on every mind in the room. They were all staring at Galt. His face did not move or change.

No one had to call for silence, when Mr. Thompson waved to an announcer: the room did not seem to breathe.

"Fellow citizens," the announcer cried into a microphone, "of this country and of any other that's able to listen—from the grand ballroom of the Wayne-Falkland Hotel in New York City, we are bringing you the inauguration of the John Galt Plan!"

A rectangle of tensely bluish light appeared on the wall behind the speakers' table—a television screen to project for the guests the images which the country was now to see.

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Великий французский писатель Виктор Гюго — один из самых ярких представителей прогрессивно-романтической литературы XIX века. Вот уже более ста лет во всем мире зачитываются его блестящими романами, со сцен театров не сходят его драмы. В данном томе представлен один из лучших романов Гюго — «Отверженные». Это громадная эпопея, представляющая целую энциклопедию французской жизни начала XIX века. Сюжет романа чрезвычайно увлекателен, судьбы его героев удивительно связаны между собой неожиданными и таинственными узами. Его основная идея — это путь от зла к добру, моральное совершенствование как средство преобразования жизни.Перевод под редакцией Анатолия Корнелиевича Виноградова (1931).

Виктор Гюго , Вячеслав Александрович Егоров , Джордж Оливер Смит , Лаванда Риз , Марина Колесова , Оксана Сергеевна Головина

Проза / Классическая проза / Классическая проза ХIX века / Историческая литература / Образование и наука