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"No transcontinental trains can leave San Francisco. One of the fighting factions out there—I don't know which one—has seized our terminal and imposed a 'departure tax' on trains. Meaning that they're holding trains for ransom. Our terminal manager has quit. Nobody knows what to do there now."

"I can't leave New York," she answered stonily.

"I know," he said softly. "That's why it's 7 who'll go there to straighten things out. At least, to find a man to put in charge.”

"No! I don't want you to. It's too dangerous. And what for? It doesn't matter now. There's nothing to save."

"It's still Taggart Transcontinental. I'll stand by it, Dagny, wherever you go, you'll always be able to build a railroad. I couldn't. I don't even want to make a new start. Not any more. Not after what I've seen. You should. I can't. Let me do what I can."

"Eddie! Don't you want—" She stopped, knowing that it was useless.

"All right, Eddie. If you wish."

"I'm flying to California tonight. I've arranged for space on an army plane. . . . I know that you will quit as soon as . . . as soon as you can leave New York. You might be gone by the time I return. When you're ready, just go. Don't worry about me. Don't wait to tell me. Go as fast as you can. I . . . I'll say good-bye to you, now."

She rose to her feet. They stood facing each other; in the dim half light of the office, the picture of Nathaniel Taggart hung on the wall between them. They were both seeing the years since- that distant day when they had first learned to walk down the track of a railroad. He inclined his head and held it lowered for a long moment.

She extended her hand. "Good-bye, Eddie."

He clasped her hand firmly, not looking down at his fingers; he was looking at her face.

He started to go, but stopped, turned to her and asked, his voice low, but steady, neither as plea nor as despair, but as a last gesture of conscientious clarity to close a long ledger, "Dagny . . . did you know . . . how I felt about you?"

"Yes," she said softly, realizing in this moment that she had known it wordlessly for years, "I knew it."

"Good-bye, Dagny."

The faint rumble of an underground train went through the walls of the building and swallowed the sound of the door closing after him.

It was snowing, next morning, and melting drops were like an icy, cutting touch on the temples of Dr. Robert Stadler, as he walked down the long corridor of the Wayne-Falkland Hotel, toward the door of the royal suite. Two husky men walked by his sides; they were from the department of Morale Conditioning, but did not trouble to hide what method of conditioning they would welcome a chance to employ, "Just remember Mr. Thompson's orders," one of them told him contemptuously. "One wrong squawk out of you—and you'll regret it, brother."

It was not the snow on his temples—thought Dr. Stadler—it was a burning pressure, it had been there since that scene, last night, when he had screamed to Mr. Thompson that he could not see John Galt. He had screamed in blind terror, begging a circle of impassive faces not to make him do it, sobbing that he would do anything but that. The faces had not condescended to argue or even to threaten him; they had merely given him orders. He had spent a sleepless night, telling himself that he would not obey; but he was walking toward that door. The burning pressure on his temples and the faint, dizzying nausea of unreality came from the fact that he could not recapture the sense of being Dr. Robert Stadler.

He noticed the metallic gleam of the bayonets held by the guards at the door, and the sound of a key being turned in a lock. He found himself walking forward and heard the door being locked behind him.

Across the long room, he saw John Galt sitting on the window sill, a tall, slender figure in slacks and shirt, one leg slanting down to the floor, the other bent, his hands clasping his knee, his head of sun-streaked hair raised against a spread of gray sky—and suddenly Dr. Stadler saw the figure of a young boy sitting on the porch-railing of his home, near the campus of the Patrick Henry University, with the sun on the chestnut hair of a head lifted against a spread of summer blue, and he heard the passionate intensity of his own voice saying twenty-two years ago: "The only sacred value in the world, John, is the human mind, the inviolate human mind . . ." —and he cried to that boy's figure, across the room and across the years: "I couldn't help it, John! I couldn't help it!"

He gripped the edge of a table between them, for support and as a protective barrier, even though the figure on the window sill had not moved.

"I didn't bring you to this!" he cried. "I didn't mean to! I couldn't help it! It's not what I intended! . . . John! I'm not to blame for it!

I'm not! I never had a chance against them! They own the world! They left me no place in it! . . . What's reason to them? What's science?

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Великий французский писатель Виктор Гюго — один из самых ярких представителей прогрессивно-романтической литературы XIX века. Вот уже более ста лет во всем мире зачитываются его блестящими романами, со сцен театров не сходят его драмы. В данном томе представлен один из лучших романов Гюго — «Отверженные». Это громадная эпопея, представляющая целую энциклопедию французской жизни начала XIX века. Сюжет романа чрезвычайно увлекателен, судьбы его героев удивительно связаны между собой неожиданными и таинственными узами. Его основная идея — это путь от зла к добру, моральное совершенствование как средство преобразования жизни.Перевод под редакцией Анатолия Корнелиевича Виноградова (1931).

Виктор Гюго , Вячеслав Александрович Егоров , Джордж Оливер Смит , Лаванда Риз , Марина Колесова , Оксана Сергеевна Головина

Проза / Классическая проза / Классическая проза ХIX века / Историческая литература / Образование и наука