Levick, Barbara.
Meijer, Fik.
Powell, Anthony, and Kathryn Welch, eds.
Southern, Pat.
Stambaugh, John E.
Van Hoof, Anton J. L.
Walker, Susan, and Peter Higgs.
Wildfang, Robin Lorsch, and Jacob Isager.
Williams, Craig A.
Some monuments of Victorian and early-twentieth-century scholarship retain their value, if consulted with care, as reservoirs of interesting but often obscure information. They include William Smith’s splendid
* See p. 240.
Return to text.
ACKNOWLEDGMENTS
A generous grant from the Authors’ Foundation enabled me to visit places associated with Augustus’ career. I am most grateful to Dr. Irene Jacopi, director of the Palatine Hill and the Roman Forum, and architect Giovanna Tedone, both of the Soprintendenza per i beni archeologici di Roma, for taking the trouble to show me around the houses of Augustus and Livia (closed to the public for restoration).
The London Library, its helpful staff and its wide collection, greatly assisted my researches.
I am grateful to the following copyright-holders for reproduction permissions: Roman Forum reconstruction by John Connolly, akg-images; Palatine Hill, Photo Scala, Florence; Julius Caesar, Staatliche Museen zu Berlin; Mark Antony at Kingston Lacy, Bankes Collection, the National Trust; Sextus Pompeius, Hermitage Museum, Saint Petersburg; a Roman warship at the Gregorio Profano Museum, the Vatican Museums; water-color of Alexandria by J-P Golvin, George Braziller, Inc.; Cleopatra, Staatliche Museen zu Berlin; Octavia, Museo Nazionale Romano, Roma; Livia, Musei Capitolini, Roma, author’s photograph; Augustus, trustees of the British Museum; Agrippa, Musée du Louvre; Ara Pacis at Rome, Alinari; Tiberius at the museum of Ventotene, author’s photograph; Gaius Caesar, trustees of the British Museum; Agrippa Postumus, Musei Capitolini, author’s photograph; Gemma Augustea, Kunsthistorisches Museum, Wien oder KHM, Vienna; Room of the Masks, Photo Scala, Florence; Augustus of Prima Porta, Alinari.