The church was called St. Anne's. Caroline had no idea who St. Anne was. She had been brought up without religion, had never even been to a proper church service, not one in a regular church anyway, not even for her wedding to Jonathan, which had taken place in a registry office because Jonathan's first wife was alive and well, although, thankfully, living in Argentina with a horse breeder. The church was on a back road, small and very old with a squat Saxon tower and a graveyard that had closed its gates to business years ago and was now overgrown, in a picturesque way, with wildflowers and briar. She couldn't identify any of the flowers and thought maybe she would get a book, order it online from Amazon, because of course they lived miles away from any bookshop. The church was midway between their own small village and another even smaller one, so Caroline supposed that at some time in the medieval past the church had decided to economize and make the two villages share a priest. And of course in those days no one thought anything about walking long distances. Country children used to walk five miles to school in the morning and five miles home at night without complaining. Or perhaps they did complain but no one ever recorded their comments for posterity. That was how history worked, wasn't it? If it wasn't written down it never existed. You might leave behind jewelry and pottery, ornamental tombs, you might leave behind your own bones to be dug up at a later age, but none of those artifacts could express how you
Caroline had driven past the church several times, but it had never struck her until now that she could actually go inside. She knew the vicar, of course, or at least, she had known him: he died last year and his replacement hadn't arrived yet. The new incumbent wouldn't have just the two churches to look after: there were four or five denuded parishes under his care nowadays (or perhaps it would be a woman?) because no one went to church anymore, not even Jonathan's mother.
It had nothing to do with religion – Caroline was just sheltering from the rain. She'd taken the dogs for a walk, the church was about a mile from their own house (which was an estate, really), and the dogs had got into the graveyard and were now moving like Hoovers across the ground, their noses down, their tails up, their small dog brains consumed with the idea of uncharted territory and a thousand new scents. Caroline could only smell the one scent – the sour, melancholy smell of greenery.
The dogs had already urinated on several gravestones and Caroline hoped no one was spying on her. Watching, not spying. "God, you're so paranoid, Caro," Jonathan said. "That's what comes from being a townie." The dogs were Labradors and they belonged to Jonathan. That's what he brought to the marriage, two dogs and two children. James and Hannah, Meg and Bruce. Meg and Bruce were the dogs. The dogs and the children behaved well for Jonathan, less well for Caroline, although the dogs were better than the children. When it had started to rain she tied the dogs up on the porch (it would be good if she could do that with the children). She hadn't realized that "Caro" was a diminutive of Caroline until she met Jonathan. It sounded very Regency, like in all those old-fashioned historical novels she used to read when she was younger. Much younger. Of course, he came from the kind of background – county – where people were called "Caroline." And Lucy, and Amanda and Jemima, so he should know.
She suspected there might be a special ecclesiastical word for "porch," but if there was she didn't know it, although she knew there were all kinds of particular terms for the bones of the church, its carcass and ribs, like medieval poetry – apse, chancel, nave, transept, clerestory, sacristy, misericord – although she wasn't too sure what any of them meant, except for "misericord," because it was one of those words that once you'd come across it you always remembered it.
The misericords in St. Anne's were ancient, made of oak, not the oak of the church door, which was gray and bleached like old driftwood, as if it had been at sea for a long time, the misericords were the color of peat or wet tea leaves. If you looked at them closely you realized they were carved with weird, pagan creatures, more like hobgoblins than men, half hidden among trees and leaves – here acanthus and there what looked like a palm tree. This must be the "green man," only there were lots of them on the ends of the pews – all different – so green