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So, her life had been moving forward according to this plan. She lived in a small flat, one bedroom, walls painted 'white, scented candles, everything kept simple (very like a secular anchorite in fact) and socialized minimally with the other staff. There were a couple of middle-aged divorcees that she sometimes went to the cinema with or with whom she shared a bottle of wine, someplace where it was quiet enough to talk. The conversation generally bemoaned the lack of suitable men – "all the good ones married or gay" – the usual stuff, and when they poked around in her own life she said, "One bad marriage is enough" in a way that suggested it had been too bad to talk about. She was taking a break from relationships, she said, only she didn't say how long that break had been. Twenty-two years since she'd been with a man! The middle-aged divorcees would be astonished if they knew that. But then, celibacy was a part of being an anchorite, wasn't it? Or was it anchoress? The Reverend Burton would know ("Call me John, for God's sake." He laughed). Of course, she'd had sex with women in that time, so you couldn't really call it celibacy.

He was a funny chap, John Burton. Sandy, gingery hair, quite small and fine boned, nothing like Jonathan. He had a sweetness about him, a kind of essential goodness that was lovely. He had been an inner-city penitent too, but it had broken him in some way, and so now he was interred in the country like a convalescent. Jonathan wasn't the kind of man who would ever have a breakdown. Jonathan had incredibly good manners (from his mother, from Ampleforth College, although the Weavers weren't Catholics, far from it), which was one of the things that attracted her to him, but underneath he was flinty and indestructible, which was also what attracted her. ("Adamantine" – that would be a very good word for him. From the Greek, but the origin somewhat obscure.)

Gillian, a friend from teacher training college, had invited her to stay on her parents' farm for the August bank-holiday weekend. They had paired up at college because they were older than most of the other students. They weren't close friends – although Gillian thought they were closer than they actually were – but Gillian was easy company, funny, cynical, yet unchallenging, so, after debating long and hard with herself (as she did about everything), Caroline finally accepted the invitation. "A weekend in the country," she said to herself, "What harm can there be in that? Really?"

And it was lovely, really lovely. Gillian's parents were jolly types and Gillian's mother wanted to feed them all the time, which was fine by both of them. Gillian's mother told them how admirable it was that they were such independent "girls" with careers and mortgages and choices when what she really meant was that Gillian – an only child – was well into her thirties now and wasn't she ever going to produce a grandchild?

The guest bedroom was clean and comfortable and Caroline slept better than she had for years, probably because it was so peaceful. The only sounds were the sheep bleating and the cocks crowing, the never-ending birdsong, the acceptable noise of the occasional tractor. The air smelled sweet and it made her realize what a long time it had been since she had breathed really good clean air. The vista from her bedroom window was of rolling green dales, seamed and braided with gray stone walls that ran on forever, into infinity, and she thought it was the most beautiful view she'd ever had in her life (although she'd had some rotten views), so that she was in love with the landscape before she fell in love with Jonathan, who in some ways was just a kind of extension and embodiment of the countryside.

And it was hot, much hotter than she'd expected Yorkshire to be, not that she'd known what to expect of Yorkshire, not having been there before. ("What, never visited God's own county?" Jonathan said in mock horror. "I've been hardly anywhere," she replied truthfully.)

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