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Amelia was not dressed in black for her father's funeral, not a hint of it, quite the opposite in fact as she was sporting ribbed woolen tights in a bright scarlet that was quite alarming. Jackson wondered if there were a symbolic significance to this – there was probably some ancient Cambridge custom that dictated a bluestocking replaced her legwear with red on the death of her father. There seemed to be ancient Cambridge customs for most things (sorry, Oxford ). Why would anyone wear woolen tights in the middle of summer? The crematorium chapel was chilled by the air-conditioning, but outside it was hot. Julia was just as bad, rejecting the black of bereavement and muffling herself from head to toe in a vintage coat in grass-green velvet (were they cold-blooded, like reptiles?). Her mad hair looked as if it had been groomed by a troupe of circus dogs. Jackson, in his black funeral suit and severe black tie, was the only one who appeared to be mourning Victor.

Amelia's brazen legs reminded him of the legs of a bird he'd seen recently in a National Geographic in his dentist's waiting room.

Julia twisted round to face Jackson. "I always think on these occasions," she said, "well, not so much these occasions" – she indicated the coffin in an offhand way – "as, you know, family stuff, birthdays, Christmas, that Olivia might turn up."

"That's ridiculous," Amelia said.

"I know." They both lapsed into sadness but then Julia rallied herself and said, "You look very handsome in a suit, Mr. Brodie." Amelia gave Julia a disparaging look. Julia's eyes were watering and she sounded choked up but she declared it was hay fever rather than grief "in case you get the wrong idea." She swallowed a Be-cotide and offered one to Jackson, which he refused. Jackson had never had an allergy in his life (except to people, perhaps). He considered his constitution to be robustly northern. He'd watched a documentary recently on the Discovery Channel that showed how northerners still had hardy Viking DNA and southerners had something else, something softer, Saxon or French.

"The decor in here is so dreary," Julia whispered loudly, and Amelia tutted as if she were at the theater and Julia were an annoying stranger. "What?" Julia said to her crossly. "He's not going to leap out of his coffin and object, is he?" A brief spasm of horror gripped Amelia's features at this idea, but at least the notion of a resurrected Victor shut them both up, even if only momentarily. Even a tedious Anglican service would have been preferable to the squabbling Land sisters.

On his way to Victor's funeral, Jackson had paid a visit to the old offices of Holroyd, Wyre, and Stanton, now a beauty parlor called Bliss. "Beauty Therapists" – that's how they styled themselves, which made Jackson think of psychiatry rather than facials and manicures. Healing people with beauty. How would you do that? Music? Poetry? Landscape? Sex? What did he turn to when he needed healing? "From Boulder to Birmingham," Emmylou Harris. His daughter's face. That was corny, but it was true.

There was a room in Theo's house. Theo had invited him to his house to show him the room. Jackson could not have lived with a room like that in his house. An upstairs bedroom that looked like a police incident room – photographs and maps pinned to the wall, flowcharts and whiteboards, timetables of events. Two metal filing cabinets, bursting with files, boxes on the floor containing yet more files. Anything that could possibly have been relevant to his daughter's death was in that room. And a good number of those things Theo shouldn't have been in possession of- the scene-of-crime photographs, for example, not tacked up on the wall (for which small mercy Jackson gave thanks) but that Theo produced from the filing cabinet. Ghastly pictures of his daughter's body that Theo handled with a kind of professional detachment, as if they were holiday snaps that might interest Jackson. He knew it wasn't like that, that time had somehow inured Theo to every horror, but Jackson was shocked nonetheless. "I've got a few contacts," Theo said, without expounding. He'd been a lawyer, and lawyers, in Jackson 's experience, always had contacts.

Theo had spent the last ten years of his life doing nothing but investigating his daughter's death. Was that the right thing to do or was it the crazy thing to do? The room was like something a psychopath might have kept, not any psychopath Jackson had ever come across, of course, but the psychopaths who inhabited crime novels and television programs. Jackson thought they should make more television drama about car crime committed by fourteen-year-old boys high on glue and cider and boredom – it would be a lot more realistic, just not very interesting.

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