Catherine was not a simple, romantic young woman. The empress, nevertheless, worried about her reaction to her nephew’s appearance. Fearing that the girl might impulsively reject so appalling-looking a future spouse and ask her parents to withdraw their consent to the match, Elizabeth redoubled her show of affection. On February 10, Peter’s seventeenth birthday, with her nephew still in no condition to appear in public, the empress invited Catherine to dine with her alone. During the meal, she complimented Catherine on her letters in Russian, spoke to her in Russian, praised her pronunciation, and told her that she was becoming a handsome young woman.
Elizabeth’s efforts were gratifying to Catherine, but unnecessary. Catherine had no intention of breaking her engagement. Not for a moment, whatever her fiancé’s appearance, did she think of returning to Germany. There was one promise to which Catherine was faithful throughout her life, one commitment on which she would never renege: this was to her own ambition. She had come not to marry a face, handsome or hideous, but to marry the heir to an empire.
Peter was more affected emotionally and psychologically than Catherine by what smallpox had done to him. But once the disease had done its damage, the fault in behavior lay with Catherine. Her initial reaction was natural enough; most young women would shrink from seeing horrible disfigurement, and probably few would possess the self-control to disguise their feelings. In this case, however, if the relationship was going to surmount this challenge and continue successfully, the moment of meeting demanded something more than Catherine was able to give. And this was something she could not summon: a warm, unrestrained affection, the kind of spontaneous tenderness that came naturally to Empress Elizabeth.
Peter was distressed to feel himself physically repulsive to his fiancée. At the moment they met in the dimly lit hall, Peter was able to read her thoughts in her eyes and voice. Thereafter, he believed himself “hideous” and therefore unlovable. This new sense of inferiority reinforced feelings that had afflicted him all his life. Throughout his bleak and lonely childhood, Peter had never had an intimate friend. Now, just as the cousin he was being forced to marry was becoming a comrade, a shocking ugliness had been added to the list of his disadvantages. When he had asked, “Do you recognize me?” Peter had revealed his anxiety about the effect his changed appearance would have on her. That was precisely the moment that Catherine had unknowingly failed him. Had she managed to give him a compassionate smile and a word of affection, it might have ensured some kind of amicable future. The smile was not given; the word not spoken. The frightened young man saw his trusted playmate shuddering at the sight of him; he knew that he was, in her word, “hideous.”
Catherine understood none of this. At first, she was confused; she would have been astonished to learn that her involuntary reaction had alienated him. Once his reaction was clear, her own pride dictated that she respond to his coolness with a corresponding reserve of her own. In turn, her reserved behavior could only reinforce Peter’s belief that he had become repulsive to her. It did not take long for his dismay and loneliness to turn to perversity and spite. He decided that when she was friendly to him, it was merely for form’s sake. He hated her success. He held it against her that she was blooming into womanhood. The more beautiful, spontaneous, and gay she became in company, the more he felt himself isolated in his own ugliness. Catherine danced and charmed while Peter mocked and withdrew. Both were miserable.
It was Catherine’s wish, however, that the deterioration of their private relationship be kept hidden. Peter, lacking both the inner resources and Catherine’s consuming ambition, could put on no such show. Smallpox had delivered a shattering blow to his mental as well as his physical health; his gross disfigurement had affected his psychological balance. Under these pressures, the young man retreated into the world of his childhood. In the spring and summer of 1745, Peter made elaborate excuses to remain in his own room, where he was surrounded and protected by his servants. His joy was to dress them in uniforms and drill them. Even as a child, uniforms, military drill, and words of command had helped him to forget his loneliness. Now, unloved and ever more conscious of being alone, he sought relief in the old remedy. His indoor parades with a squad of costumed servants were Peter’s way of protesting the prison he considered his life to be and the unwelcome destiny toward which he was being driven.
Marriage