Circe

Penelope: Cousin to Helen of Sparta, wife of Odysseus, mother of Telemachus, celebrated for her cleverness and faithfulness. When Odysseus failed to come home after the war, she was besieged by suitors who took over her house, trying to pressure her into marrying one of them. She famously promised to choose from among them when a shroud she was weaving was finished. She stalled them this way for years, unweaving every night what she had woven during the day.

Pyrrhus: The son of Achilles, who was instrumental in the sack of Troy. He killed Priam, king of Troy, and in some retellings also Astyanax, Hector’s baby, to prevent him from growing up and exacting vengeance.

Telegonus: The son of Odysseus and Circe, credited as the mythical founder of the cities of Tusculum and Praeneste in Italy.

Telemachus: Odysseus and Penelope’s only child, the prince of Ithaca. In the Odyssey, Homer shows him helping his father plot and enact his vengeance against the suitors besieging their home.

Theseus: Prince of Athens, sent to Crete as part of Athens’ promised tribute of fourteen youths to feed the Minotaur’s savage appetite. Instead, Theseus killed the Minotaur with the princess Ariadne’s help. Monsters

Charybdis: A powerful whirlpool set on one side of narrow straits, across from the monster Scylla. Ships seeking to avoid Scylla’s teeth were swallowed whole.

Minotaur: Named after Minos, the king of Crete, the Minotaur was actually the child of the queen Pasiphaë and a sacred white bull. Daedalus built the Labyrinth to contain the flesh-eating monster, and Minos demanded that Athens send fourteen boys and girls as sacrifices to feed it. One of these was the Athenian prince Theseus, who slew the beast.

Polyphemus: A cyclops (one-eyed giant), and a son of Poseidon. In the Odyssey, Odysseus and his men land upon Polyphemus’ island, enter his cave, and begin eating his stores. When Polyphemus catches them, he traps them in the cave, devouring several of Odysseus’ men. Odysseus tricks the monster with friendly words, giving his name as Outis, No one. He blinds the monster to escape, and as he sails off, he reveals his true name. Polyphemus calls on his father, Poseidon, to punish Odysseus.

Scylla: According to Homer, a ferocious monster with six heads and twelve dangling legs who hid in a cave on one side of narrow straits, across from the whirlpool Charybdis. When boats passed she would dart down, snatch up a sailor in each of her mouths, and devour them. In later depictions she was given the head of a woman, a sea-monster tail, and savage dogs erupting from her belly. In Ovid’s Metamorphoses, Scylla was originally a nymph who was transformed into a monster.

Sirens: Often depicted with women’s heads and birds’ bodies, the Sirens perched atop craggy rocks, singing. Their voices were so sweet that men would forget their reason when hearing them. In the Odyssey, Circe advises Odysseus to put beeswax in his men’s ears so as to pass safely, and further suggests that he tie himself to the mast with his own ears free, so he may be the first to hear their enchanting song and live.

Acknowledgments

So many people were supportive of this book’s journey that I cannot possibly list them all. I must settle instead for a heartfelt Thank You: to my friends, family, students, readers, and all those who engage passionately with these ancient stories and stop to tell me about it.

Thanks to Dan Burfoot for his time and keen literary insight on an early draft. Huge thanks to Jonah Ramu Cohen for always being enthusiastic about my work, willing to read multiple drafts and to talk storytelling, myths, and feminism.

I continue to be grateful to and inspired by my classics mentors, most especially David Rich, Joseph Pucci, and Michael C. J. Putnam. I am grateful as well to the gracious David Elmer, who let me pick his brain on a few key matters. They all bear no responsibility for my distortions.

Many thanks to Margo Rabb, Adam Rosenblatt,  and Amanda Levinson for cheering me on through the writing process, and likewise to Sarah Yardney and Michelle Wofsey Rowe. Much love to my brother, Tull, and his wife, Beverly, for their continued support.

Deepest gratitude to Gatewood West for insight, crucial wisdom, and great warmth that was with me throughout this journey.

I offer eternal devotions to my amazing editor, Lee Boudreaux, for brilliant and patient feedback, for all her faith in my work, and for being generally sublime. Thank you as well to the fabulous team: Pamela Brown, Carina Guiterman, Gregg Kulick, Karen Landry, Carrie Neill, Craig Young, and everyone else at Little, Brown. Very special thanks also to the wonderful Judy Clain and Reagan Arthur for their enthusiasm and support.