"I have spoken to the police at home. How can my workers do their jobs if their minds are poisoned by this thing? And what do the police do? They shrug and mumble excuses - and people die. They die from the
"You should see the reports I have to type for the Director."
"Reports," he snorted. "Anyone can write reports. At home, the police write many reports, and the judges do their investigations - and nothing happens. If I ran my factory in this way, soon I would be living in a hillside shack and begging for money in the street! Do your
"More than you might think. There are things going on right now that I cannot speak about. What they're saying around the office is that the rules are changing. But I don't know what that means. The Director is flying down to Colombia soon to meet with the Attorney General, and - oh! I'm not supposed to tell anybody that. It's supposed to be a secret."
"I will tell no one," Cortez assured her.
"I really don't know that much anyway," she went on carefully. "Something new is about to start. I don't know what. The Director doesn't like it very much, whatever it is."
"If it hurts the criminals, why should he not like it?" Cortez asked in a puzzled voice. "You could shoot them all dead in the street, and I would buy your
Moira just smiled. "I'll pass that along. That's what all the letters say - we get letters from all sorts of people."
"Your director should listen to them."
"So does the President."
"Perhaps he will listen," Cortez suggested.
"Maybe he already is. Whatever just changed, it started there."
"But your director doesn't like it?" He shook his head. "I do not understand the government in my country. I should not try to understand yours."
"It
"Can you tell me one thing?"
"What?"
"Call me when your director leaves for Colombia," he said.
"Why?" She was too taken aback to say no.
"For state visits one spends several days, no?"
"Yes, I suppose. I don't really know."
"And if your director is away, and you are his secretary, you will have little work to do, no?"
"No, not much."
"Then I will fly to Washington, of course." Cortez rose from his chair and took three steps around the table. Moira's bathrobe hung loosely around her. He took advantage of that. "I must fly home early tomorrow morning. One day with you is no longer enough, my love. Hmm, you are ready, I think."
"Are you?"
"We will see. There is one thing I will never understand," he said as he helped her from the chair.
"What is that?"
"Why would any fool use powder for pleasure when he can have a woman?" It was, in fact, something that Cortez never would understand. But it wasn't his job to understand it.
"Any woman?" she said, heading for the door.
Cortez pulled the robe from her. "No, not any woman."
"My God," Moira said, half an hour later. Her chest glistened with perspiration, hers and his.
"I was mistaken," he gasped facedown at her side.
"What?"
"When your director of
A giggle. "Perhaps you should not work so hard, Juan."
"How can I not?" He turned to look at her. "I have not felt like this since I was a boy. But I am no longer a boy. How can women stay young when men cannot?" She smiled with amusement at the obvious lie. He had pleased her greatly.
"I cannot call you."
"What?"
"I do not have your number." She laughed. Cortez leaped from the bed and pulled the wallet from his coat pocket, then muttered something that sounded profane.
"I have no cards - ah!" He took the pad from the night table and wrote the number. "This is for my office. Usually I am not there - I spend my days on the shop floor." A grunt. "I spend my nights in the factory. I spend weekends in the factory. Sometimes I sleep in the factory. But Consuela will reach me, wherever I might be."
"And I must leave," Moira said.