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The only thing which stopped Albina from drowning herself in the River Ural was that she could not imagine without horror the state her husband would be in on receiving the news of her suicide. But it was hard for her to go on living. Hitherto always active and solicitous, she now handed over all her concerns to Ludwika and would sit for hours doing nothing, gazing mutely at whatever met her eyes, then suddenly jump up and run off to her tiny room and there, ignoring the consolations offered by her husband and Ludwika, she would weep silently, merely shaking her head and begging them to go away and leave her alone.

In the summer she would go to her children’s grave and sit there, lacerating her heart with memories of what had been and of what might have been. She was particularly tormented by the thought that her children would still have been alive, had they all been living in a town where medical aid was to be had. ‘Why? What for?’ she thought. ‘And Juzio and I, we want nothing from anybody, except for him to be able to live in the way he was born to live, as his grandparents and his forefathers lived, and all I want is to live with him and to love him, and to love my little ones and to bring them up.

‘Yet suddenly they start tormenting him, and send him into exile, and they take away from me what is dearer to me than the whole world. Why? What for?’ – she hurled this question at men and at God. And she could not conceive of the possibility of any kind of answer. Yet without an answer there was no life for her. And so her life came to a standstill. This wretched life of banishment, which she had previously managed to beautify by her feminine good taste and elegance, now became intolerable not only to her, but to Migurski, who suffered both on her account and because he did not know how to help her.

VII

At this most terrible time for the Migurskis there appeared in Uralsk a Pole by the name of Rosolowski who had been involved in a grandiose plan for a rebellion and escape, drawn up at that time in Siberia by the exiled Catholic priest Sirocynsky.

Rosolowksi, like Migurski and thousands of others condemned to Siberian exile for having desired to live in the manner to which they were born, that is as Poles, had got involved in this cause and had been flogged with birch rods and assigned to serve as a soldier in the same battalion as Migurski. Rosolowksi, a former mathematics teacher, was a long, thin stooping man with sunken cheeks and a furrowed brow.

So it was that on the very first evening of his time in Uralsk Rosolowski, as he sat drinking tea in the Migurskis’ quarters, inevitably began in his slow, calm bass voice to recount the circumstances which had led to his suffering so cruelly. It appeared that Sirocynsky had been organizing a secret society with members all over Siberia whose aim was to incite a mutiny among the soldiers and convicts with the help of the Poles enlisted in the Cossack and line regiments, to rouse the deported settlers to revolt, seize the artillery at Omsk and set everyone free.

‘But would that really have been possible?’ enquired Migurski.

‘Quite possible, everything had been prepared,’ said Rosolowski frowning gloomily, and slowly and calmly he proceeded to tell them all about the plan of liberation and the measures which had been taken to assure the success of the enterprise and, in case it should fail, to ensure the safety of the conspirators. Their success would have been certain, but for the treachery of two villains. According to Rosolowski, Sirocynsky had been a man of genius and of great spiritual power, and his death too had been that of a hero and a martyr. And Rosolowski began in his calm, deep, measured voice to recount the details of the execution at which, by the order of the authorities, he and all the others found guilty in the case were compelled to be present.

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Иван Павлович Мележ — талантливый белорусский писатель Его книги, в частности роман "Минское направление", неоднократно издавались на русском языке. Писатель ярко отобразил в них подвиги советских людей в годы Великой Отечественной войны и трудовые послевоенные будни.Романы "Люди на болоте" и "Дыхание грозы" посвящены людям белорусской деревни 20 — 30-х годов. Это было время подготовки "великого перелома" решительного перехода трудового крестьянства к строительству новых, социалистических форм жизни Повествуя о судьбах жителей глухой полесской деревни Курени, писатель с большой реалистической силой рисует картины крестьянского труда, острую социальную борьбу того времени.Иван Мележ — художник слова, превосходно знающий жизнь и быт своего народа. Психологически тонко, поэтично, взволнованно, словно заново переживая и осмысливая недавнее прошлое, автор сумел на фоне больших исторических событий передать сложность человеческих отношений, напряженность духовной жизни героев.

Иван Павлович Мележ

Проза / Русская классическая проза / Советская классическая проза