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One of the few aboard the Oregon from the army, George “Gomez” Adams had earned his reputation flying special ops teams into Bosnia, Afghanistan, and Iraq. Unmarried at forty, Adams cut the figure of a fighter pilot. He was dark-haired and dark-eyed, tall and lean with a charming cockiness that never failed to make him a center of attention with women. His good looks had been used in more than one past Corporation mission. He’d earned his nickname after one such mission when he seduced the mistress of a Peruvian drug trafficker who bore a striking resemblance to the television character Morticia Addams.

The telepresence given to Adams through the video link allowed him to see what was in front of and below the gimballed camera in the UAV’s nose, but he couldn’t feel the subtle updrafts or crosswinds that affected the five-foot-long airplane. He adjusted for the sudden gust that hit the plane and eased back on the stick to gain a bit more altitude.

“What’s the range?” he asked Linda Ross, who was monitoring the radar picture.

“We’re four miles astern the Maus and three miles to port.”

The UAV was too small to be seen by even the Oregon’s powerful search radar, but the massive drydock and the pair of tugs towing her showed crisp on her repeater screen.

Adams used a thumb control to pan the camera mounted in the model plane’s nose. The ocean was still streaked with eerie green lines of sea foam, but a few miles ahead of the UAV a bright emerald slash cut the otherwise dark water.

“There,” someone called unnecessarily.

The glowing wedge was the Maus’s wake as she was hauled southward. Just ahead of her were bright, glowing points, searchlights mounted at the stern of the towboats to illuminate their ponderous charge. The thick hawsers securing the vessels looked as fine as gossamer from five thousand feet. There were a couple less powerful lights along the side of the drydock, but her cavernous hold was completely dark.

“Okay, George. Take us in,” Max Hanley ordered from the command station. He then pressed a cell phone to his ear. “You getting this, Chairman?”

“Kind of,” Juan Cabrillo said from his Tokyo suite. “I can’t make out much on this one-inch screen.”

“I’m going for a high pass first,” Adams said as he worked the joystick. “If we don’t get anything, I’ll cut the engine and glide in for a closer look.” He took his eyes off his screen to glance at Hanley. “If the engine doesn’t refire, the UAV’s a write-off.”

“I heard that,” Juan said. “Tell George that we can’t lose the element of surprise if we have to send over boarders. Tell him it’s okay to ditch the drone.”

Max relayed the message, saying, “George, Juan says that if you crash the UAV, it’s coming out of your paycheck.”

“You tell him,” Adams said, fully concentrating on his screen once again, “that I’ll cut him a check as soon as Eddie pays for that submarine he banged up.”

George slowed the UAV to just above stall speed, but it still overtook the slow-moving caravan of ships. There was no chance the black airplane could be spotted from either the drydock or the tugboats; however, it was possible that an attentive crewman could hear the high whine of the UAV’s engine. He kept the drone five hundred feet to the starboard side of the convoy and panned the camera as it flew down the eight-hundred-foot length of the drydock.

It looked more like a fortress than a vessel designed to travel across the ocean. Her sides were sheer vertical walls of steel, and there was only the barest hint of streamlining at her blunt bows. The pair of hundred-plus-foot tugs looked like toys compared to the behemoth in their charge.

Even as the pictures came in, Eric Stone and Mark Murphy were filtering the video through computer software to enhance the image. The pair of tech geeks cycled the feed to increase contrast and eliminate distortion caused by the UAV’s engine vibration. By the time George had completed his run and peeled the drone away from the Maus, they had sharpened the raw data and played it back on the main screen.

“What the hell am I supposed to be looking at here?” Juan asked through the cell phone.

“Damn,” Max said, staring at the big plasma display. He held his cell phone in one hand and his unlit pipe in the other.

“What is it?”

“The lights along the Maus’s rail make it impossible to see into her hold. It’s just a black hole in the middle of the ship. We need to make a run directly over her.”

“Coming around now,” Gomez Adams said, his body unconsciously leaning as the UAV swooped in a tight turn.

A few minutes later he had the drone lined up behind the drydock at two thousand feet. Rather than bleed off speed, he pressed the throttle to its stop, hurtling the tiny plane directly at the Maus on what he was sure would be a suicide run. The UAV’s ignition system was temperamental at best, and a crewman usually had to hand crank the little propeller on deck prior to launch.

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Приключения / Морские приключения / Проза / Классическая проза
Дом в Порубежье
Дом в Порубежье

В глуши Западной Ирландии, на самом краю бездонной пропасти, возвышаются руины причудливого старинного особняка. Какую мрачную тайну скрывает дневник старого отшельника, найденный в этом доме на границе миров?..Солнце погасло, и ныне о днях света рассказывают легенды. Остатки человечества укрываются от порождений кошмаров в колоссальной металлической пирамиде, но конец их близок – слишком уж беспросветна ночь, окутавшая земли и души. И в эту тьму уходит одинокий воин – уходит на поиски той, которую он любил когда-то прежде… или полюбит когда-то в будущем…Моряк, культурист, фотограф, военный, писатель и поэт, один из самых ярких и самобытных авторов ранней фантастики, оказавший наибольшее влияние на творчество Г. Ф. Лавкрафта, высоко ценимый К. Э. Смитом, К. С. Льюисом, А. Дерлетом и Л. Картером и многими другими мастерами – все это Уильям Хоуп Ходжсон!

Уильям Хоуп Ходжсон

Морские приключения / Ужасы / Фэнтези