We’d parked kind of on the road because the parking area (what
Across the orchard I could see they’d built a stage on the foundation where the house used to stand. At the microphone a girl was playing a zither and singing scripture in a nervous shaky voice. Devlin asked me if I knew the verse she was singing and playing. I says I thought the singing vas verse than the playing, but it vas a toss-up.
Back behind the stage we found Betsy and the kids. The kids wanted to give me my presents right off but Betsy told them to wait for the cake. The men went off to take care of getting the next act onstage and I went off with Betsy and the kids to look how their garden already was coming up. Caleb led Toby on ahead through the gate, hollering, “I’ll show
“She just has one kitten. She had six hidden out in the hay barn but Devlin backed the tractor over five of them. She brought the last one into the garden. He’s old enough to wean but that mama cat just won’t let him out of the rhubarb.”
We strolled along, looking how high the peas were and how the perennials had stood the big freeze. When we got to the rhubarb there was little Toby amongst the leaves hugging the kitten and grinning for all he was worth.
“That’s the first time I seen the little scoot smile,” I told Betsy.
“Toby can’t have our kitten, can he, Mom?” Caleb asks. Betsy says if it’s all right with his folks it was most decidedly all right with her. I said with all the traffic maybe we’d better leave the kitty in the garden until he asks
All the rest of the afternoon Toby hung on to that cat for dear life, Caleb worrying at him from one side and the anxious mama cat from the other.
Sherree took me in to show me her new curtains and we all had some mint tea. We could hear things out at the stage getting worked up. We moseyed back just as an all-boy chorus from Utah was finishing up. People had commenced to push in towards the stage so’s it was pretty thick, but the kids had saved me a nice shady spot with a blanket and some of those tie-dyed pillows.
I didn’t see Devlin or Mr. Keller-Brown, but that Otis, he was impossible to miss. He was reeling around in front of the stage making a real spectacle of himself, getting all tripped up in his sword, which was worked round between his legs, hollering Hallelujah and Amen and Remember Pearl Harbor. And somebody had spray-painted across the rump of his baggy pants: “The Other Cheek.” I told Betsy he hadn’t better turn that other cheek to
The announcer was one of the local ministers. After the all-boys from Utah he asked if we couldn’t have a little quiet and a little respect—he said this right at Otis, too—“a little respect for one of the all-time great gospel groups of all time: The Sounding Brass!” I says good, just in time, and sits me down on one of them pillows.
It started just like in Colorado Springs; a gong was rung backstage, soft and slow at first, then faster and faster and louder and louder. It’s very effective. Even Otis set down. The gonging rose and rose until you thought the very sky was gonna open and, when you thought you couldn’t stand it a moment more, made one last hard loud bang and they came running on stage and went right into “Ring Them Bells,” the world-famous Sounding Brass.
At first I thought we all had been tricked! The Sounding Brass? These five old butterballs? Why, the Sounding Brass is tall and lean with natural red hair that shines like five halos, not these sorry old jokes. Because I mean to tell you the men didn’t have a hundred scraggly old white hairs divided between the four of them! Plus the woman was wearing a wig looked like it had been made out of wire and rusted. And I’m darned if she didn’t have on a minidress! I could see the veins from fifty feet away.