Дизайн для Реального Мира

___. Totem and Taboo. Translated by Brill. London: Routledge

& Kegan Paul, 1950. Fromm, Erich. The Art of Loving.

London: Alien & Unwin, 1957.

___. The Revolution of Hope. New York: Harper, 1968.

Ghiselin, Brewster (ed.). The Creative Process. New York: Mentor Books.

Gibson, James J. The Perception of the Visual World.

Boston: Hough ton Mifflin, 1950.

Gordon, William J.J. Synectics. New York: Harper, 1961.

Gregory, R.L. The Intelligent Eye. London: Wiedenfield & Nicholson, 1970.

Gregory, R.L., and Gombrich, E. H. (eds.). Illusion in Nature and Art.

London: Duckworth, 1973.

Grotjahn, Martin. Beyond Laughter. New York: McGraw-Hill, 1957.

Gunther, Bernard. Sense Relaxation. London: MacDonald, 1969. J

Jung, C.G. Archetypes and the Collective Unconscious. 2 vols. London:

Routledge & Kegan Paul, 1922.

___. Psychology of the Unconscious. London: Routledge & Kegan Paul, 1922.

Katz, David. Gestalt Psychology. New York: Ronald Press, 1950.

Koehler, Wolfgang. Cestalt Psychology, rev. ed. New York: Liverigb, 1970.

Koehler, Arthur. The Act oj Creation. London: Hutchinson, 1969.

Kofka, K. Principles oj Gestalt Psychology. London:

Routledge & Kegan Paul, 1935.

Korzybski, Alfred. The Manhood oj Humanity. Chicago:

Library of General Semantics, 1950.

___. Science and Sanity. Chicago: Library of General Semantics,1948.

Kubie, Lawrence S. The Neurotic Distortion oj the Creative Process.

Lawrence, Kansas: The University of Kansas Press, 1958.

Leonard, George B. Education and Ecstasy. London: John Мurray, 1970.

Lindner, Robert. Must You Conform? New York: Rinehart, 1956.

__. Prescription for Rebellion. New York: Rinehart, 1952.

Neumann, Erich. The Archetypal World of Henry Moore. Londor:

Routledge & Kegan Paul, 1959.

Parnes, Sidney, and Harding, H. A Source Book of Creative Thinking.

New York: Scribner, 1962.

Peris, F.S. Ego, Hunger and Aggression. New York: Random Houses, 1969.

___. Gestalt Therapy Verbatim. Edited by J. Stephens. Lafayette, California:

Real People Press, 1969.

___. In and Out of the Garbage Pail. Lafayette, California:

Real People Press, 1969.

Petermann, Bruno. The Gestalt Theory and the Problem of Configuration.

New York: Harcourt, Brace, 1932.

Rawlins, Ian. Aesthetics and the Gestalt. London: Nelson, 1953.

Reich, Wilhelm. The Cancer Biopathy.

New York: Orgone Institute Press, n.d.

___. The Function of the Orgasm. London: Panther, 1968.

___. The Mass Psychology oj Fascism. New York: Orgone Institute Press, 1946.

___. Selected Writings: An Introduction to Orgonomy.

New York: Vision Press, 1972.

___. The Sexual Revolution. New York: Vision Press, 1969.

Rolf, Dr. Ida P. Structural Integration.

Santa Monica, California: Esalen Press, 1962.

Ruesch, Jurgen. Communication. New York: Norton, 1951.

___. Disturbed Communication. New York: Norton, 1957.

___. Non-Verbal Communication.

Berkeley: University of California Press, 1956.

Shanks, Michael. The Innovators. Middlesex: Penguin, 1967.

Smith, Paul. Creativity. New York: Hastings House, 1959.

Spence, Lewis. Myth and Ritual in Dance, Came and Rhyme.

London: Watts Ltd., 1947.

Vernon, Magdalen D. A Further Study of Visual Perception.

Cambridge: Cambridge University Press, 1952.

Wertham, Fredric. Dark Legend. New York: Paperback Library, 1966.

___. Seduction of the Innocent. New York: Macmillan, 1954.

 – The Show of Violence. New York: Paperback Library, 1966.

___.A Sign for Cain: An Exploration of Human Violence.

New York: Macmillan, 1966.

Wiener, Norbert. Cybernetics. New York: Wiley, 1948.

___. The Human Use of Human Beings. London: Sphere, 1969.

Массовая культура, социальные факторы и дизайн

Adams, Brooks. The Law of Civilization and Decay. New York: Vintage, n.d.