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Arensberg, Conrad M., and Niehoff, Arthur H. Introducing Social Change.

Chicago: Aldine, 1964.

Boorstin, Daniel J. The Image: A Guide to Pseudo-Events in America.

New York: Harper & Row, 1964.

Brightbill, Charles K. The Challenge of Leisure. New York: Spectrum, 1960.

Brown, James A.C. Techniques of Persuasion. Middlesex: Penguin, 1963.

Cassirer, Ernst. An Essay on Man. New Haven, Connecticut:

Yale University Press, 1944.

___. Language and Myth. New York: Harper & Brothers, 1946.

___. The Myth of the State. London: Oxford University Press, 1946.

Galbraith, John Kenneth. The Voice of the Poor.

Cambridge, Massachusetts: Harvard University Press, 1983.

Goodman, Paul. Art and Social Nature.

New York: Arts and Science Press, 1946.

___. Compulsory Mis-education. Middlesex: Penguin, 1971.

___. Drawing the Line. New York: Random House, 1962.

___. Growing Up Absurd. London: Sphere, 1970.

___. Like a Conquered Province: The Moral Ambiguity of America.

New York: Random House, 1967.

___. Notes of a Neolithic Conservative. New York: Random House, 1970.

___. Utopian Essays and Practical Proposals. New York: Vintage, 1964.

Gorer, Geoffrey. Hot Strip Tease. London: Graywells Press, 1934.

Gurko, Leo. Heros, Highbrows and the Popular Mind.

New York: Charter Books, 1962.

Hofstadter, Richard. Anti-intellectualism in American Life.

London: Jonathan Cape, 1964.

Hofstadter, Richard, and Wallace, Michael. American Violence.

New York: Knopf, 1970.

Jacobs, Norman (ed.). Culture for the Millions? Boston: Beacon, 1964.

Joad, C.E.M. Decadence. London: Faber, 1948.

Kefauver, Estes. In a Few Hands: Monopoly Power in America.

Middlesex: Penguin, 1966.

Kerr, Walter. The Decline of Pleasure.

New York: Simon & Schuster, 1964.

Kronhausen, Dr. Phyllis, and Kronhausen, Dr. Eberhard. Erotic Art.

London: W.H. Alien, 1971.

___. The First International Exhibition of Erotic Art. Catalogue.

Copenhagen, Denmark: Uniprint, 1968.

___. The Second International Exhibition of Erotic Art. Catalogue.

Copenhagen, Denmark: Uniprint, 1969.

Kiinen, James Simon. The Strawberry Statement: Notes of a College

Revolutionary. New York: Random House, 1969.

Larrabee, Eric, and Meyersohn, Rolf (eds.). Mass Leisure.

New York: Free Press, 1958.

Legman, Gershon. The Fake Revolt.

New York: The Breaking Point Press, 1966.

___. Love and Death: A Study in Censorship.

New York; The Breaking Point Press, 1949.

___. (ed.). Neurotica: 1948-1951. New York: Hacker, 1963.

___. Rationale of the Dirty Joke: An Analysis of Sexual Humour.

London: Panther, 1972.

Levy, Mervyn. The Moons of Paradise: Reflections on the Female Breast in Art.

New York: Citadel, 1965.

MacDonald, Dwight. Masscult and Midcult.

New York: Random House, 1961.

McLuhan, Marshall. Culture is Our Business. New York: McGraw-Hill, 1970.

___. The Gutenberg Galaxy. London: Routledge & Kegan Paul, 1962.

___. The Mechanical Bride. London: Routledge & Kegan Paul, 1967.398 Библиография

___. Understanding Media. London: Routledge & Kegan Paul, 1964

___. and Carpenter, Edmund. Explorations in Communication.

London: Jonathan Cape, 1970.

___. and Watson, Wilfred. From Cliche to Archetype. New York: Viking 1

___. and Fiore, Quentin. The Medium Is the Message.

Middlesex: Penguin, 1971.

___. and Parker, Harley. Through the Vanishing Point.

New York: Harper & Row, 1968.

___. and Papanek, Victor). Verbi-voco- Visual Explorations.

New York: Something Else Press, 1967.

___. and Fiore, Quentin. War and Peace in the Global Village.

New York: Bantam, 1968.

Mannheim, Karl. Ideology and Utopia.

London: Routledge & Kegan Paul, 1966.

Mehling, Harold. The Great Time Killer. New York: World, 1962.

Mesthene, Emmanuel G. Technological Change.

Cambridge, Massachusetts: Harvard University Press, 1970.

Molnar, Thomas. The Decline of the Intellectual.