Дизайн для Реального Мира

Paper and Clay. New York: Abrams, 1967.

Jenness, Diamond. The People of the Twilight.

Chicago: University of Chicago Press, Phoenix, 1959.

Kakuzo, Okakura. The Book of Tea. Tokyo: Turtle, 1963.

Kitzo, Harumichi. Cha-No-Yu. Tokyo: Shokokusha, 1953.

___.Formation of Bamboo. Tokyo: Shokokusha, 1958.

___.Formation of Stone. Tokyo: Shokokusha, 1958.

Kubler, Geerge. The Shape of Time.

New Haven, Connecticut: Yale University Press, 1962.

Lee, Sherman E. The Genius of Japanese Design. Tokyo: Kodansha, 1981.

Leppe, Markus. Vaivaisukot. Helsinki, Finland: Werner Soderstrom, 1967.

Liebow, Elliot. Tally's Corner. Boston: Little, Brown, 1967.

Linton, Ralph. The Tree of Culture. New York: Knopf, 1955.

Lip, Evelyn. Chinese Geomancy. Singapore: Times Books International, 1979-

Lopez, Oscar Hidalgo. Manual de construction con bambu.

Bogota: National University of Colombia, 1981.

McPhee, Collin. A House in Bali. New York: John Day, 1946.

Music in Bali. New Haven, Connecticut: Yale University Press, 1966.

Malinowski, Bronislaw. Magic, Science and Religion.

New York: Anchor, 1954.

___. Sex and Repression in Savage Society.

London: Routledge & Kegan Paul, 1927.

Manker, Ernst. People of Eight Seasons: The Story of the Lapps.

New York: Viking, 1964.

Mead, Margaret. Coming of Age in Samoa. Middlesex: Penguin, 1971.

__. Cultural Patterns and Technological Change. New York: Mentor, n.d.

__. Growing up in New Guinea. Middlesex: Penguin, 1970.

__. Male and Female. Middlesex: Penguin, 1970.

___. Sex and Temperament. New York: Morrow, 1935.

Meyer, Karl. Teotihuacan. Milan: Mondadori, 1973.

Michener, James A. Hokusai Sketchbooks. Tokyo: Tuttle, 1958.

Mookerjee, Ajit. TantraArt. New Delhi, India: Kumar Gallery, 1967.

Mowat, Parley. People of the Deer. New York: Pyramid, 1968.

Nicolaisen, Johannes. Ecology and Culture of the Pastoral Tuareg.

Copenhagen: National Museum of Copenhagen, 1963.

Oka, Hideyuki. How to Wrap Five Eggs. New York: Harper & Row, 1967.

Ortega у Gasset, Josft. The Dehumanization of Art. Translated by Weyl.

Princeton, New Jersey: Princeton University Press, 1948.

Ortiz, Alfonso. The Tewa World: Space, Time, Being,

& Becoming in a Pueblo Society.

Chicago: University of Chicago Press, 1969.

Page, Susanne, and Page, Jake. Hopi. New York: Abrams, 1982.

Pianzola, Maurice. Brasil Barroco. Rio de Janeiro: Edicao Funarte, 1980.

Ramseyer, Urs. The Art and Culture of Bali.

Oxford: Oxford University Press, 1977.

Reichard, Gladys A. Navajo Religion: A Study of Symbolism.

Princeton, New Jersey: Bollingen Series,

Princeton University Press, 1950.

Richards, Audrey I. Hunger and Work in a Savage Tribe.

New York: Meridian, 1964.

Rodman, Selven. Popular Artists of Brazil.

Old Greenwich: Devin-Adair, 1977.

Roediger, Virginia More. Ceremonial Costumes of the Pueblo Indians.

Berkeley: University of California Press, 1961.

Rudofsky, Bernard. Architecture without Architects.

New York: Museum of Modern Art, 1964.

___. Are Our Clothes Modern? Chicago: Paul Theobald, 1949.

___. Behind the Picture Window. New York: Oxford University Press 10

___. The Kimono Mind. London: Gollancz, 1965.

___. The Prodigious Builders. New York: Harcourt Brace Jovanovich 197

___. Streets for People. New York: Doubleday, 1969.

___. The Unfashionable Human Body. New York: Doubleday, 1971.

Saunders, E. Dale. Mudra: A Study of Symbolic Gestures in Japanese Buddhist

Sculpture. London: Routledge & Kegan Paul, 1960.

Schafer, Edward H. The Golden Peaches of Samarkand:

A Study of Tang Exotics. Berkeley: University of California Press, 1963.

___. Tu Wan's Stone Catalogue of Cloudy Forest. Berkeley:

University of California Press, 1961.

Scully, Vincent. Pueblo: Mountain, Village, Dance.

New York: Viking Press, 1975.

Sesoko, Tsune. The I-Ro-Ha of Japan. Tokyo: Cosmo Corporation, 1979.