Дизайн для Реального Мира

Spencer, Robert F. The North Alaskan Eskimo: A Study in Ecology

and Society. Washington, D.C.: Smithsonian Institution Press, 1969.

Spies, Walter, and de Zote, Beryl. Dance and Drama in Bali.

London: Faber, 1938.

Suzuki, Daisetz T. Zen and Japanese Culture.

London: Routledge & Kegan Paul, 1959.

Sze, Mai-Mai. The Too of Painting. 2 vols.

London: Routledge & Kegan Paul, 1957.

Tange, Kenzo, and Gropius, Walter. Katsura:

Tradition and Creation in Japanese Architecture.

New Haven, Connecticut: Yale University Press, 1960.

Tange, Kenzo, and Kawazoe, Noboru. Ise: Prototype of Japanese Architecture.

Cambridge, Massachusetts: M.I.T. Press, 1965.

Thiry, Paul and Mary. Eskimo Artifacts: Designed for Use.

Seattle: Superior Publishing Co., 1977.

Valladares, Clarival and do Prado. Artesanato brasileiro.

Rio de Janeiro: Edicao Funarte, 1980.

Vazquez, Ramirez. Mexico: The National Museum of Anthropology. Lausanne:

Helvetica Press, 1968.

Viezzer, Moema. Si mepermiten hablar...

Bolivia: underground pamphlet, 1977.

Wagley Charles. Welcome of Tears: The Tapirape Indians of Central Brazil.

New York; Oxford University Press, 1977.

Watts, Alan R. Beat Zen, Square Zen and Zen.

San Francisco: City Lights, 1959-

___. The Joyous Cosmology. New York: Pantheon Books, 1962.

___. Nature, Man and Woman. New York: Pantheon Books, 1958.

Wichmann, Siegfried. Japonisme. New York: Harmony Books, 1981.

Wyman, Leland C. (ed.~).Beautyway:ANavajo Ceremonial. Princeton,

New Jersey: Bollingen Series, Princeton University Press, 1957.

Yee, Chiang. The Chinese Eye. New York: Norton, 1950.

__. Chinese Calligraphy. London: Methuen, 1954.

Yoshida, Mitsukuni, et al. Japan Style. Tokyo: Kondansha, 1981.

Книги и публикации дизайнеров и других авторов

Akerman, Nordal. Kan Vi Krympa Sverige?

Stockholm: Raben & Sjogren, 1980.

Brecht, Bertolt. Gesammelte Werke.

Frankfurt, Germany: Suhr-kamp Verlag, 1967.

Cleaver, Eldridge. Sou! on Ice. London: Jonathan Cape, 1969.

___. Eldridge Cleaver: Post-Prison Writings and Speeches.

London: Jonathan Cape, 1969.

Debray, Regis. Revolution in the Revolution. Middlesex: Penguin, 1968.

Deshusses, Jerome. The Eighth Night of Creation.

New York: The Dial Press, 1982.

Dow, Alden B. Reflections. Midland, Michigan: Northwood Institute, 1970.

Fanon, Frantz. The Wretched of the Earth. Middlesex: Penguin, 1967.

Fischer, Ernst. The Necessity of Art: A Marxist Approach.

Middlesex: Pelican, 1964.

Freire, Paulo. Cultural Action for Freedom. Middlesex: Penguin, 1972.

___. Educacao como Prdtica da Liberdade. Sao Paulo: P. P. C, 1967.

.__• Pedagogy of the Oppressed. Middlesex: Penguin, 1972.

Frisch, Bruno. Die Vierte Welt: Modell einer neuen Wirklichkeit.

Stuttgart: DVA, 1970.

Gardner, John. On Moral Fiction. New York: Basic Books, 1977.

Gonzales, Xavier. Notes About Painting. New York: World, 1955.

Greene, Herb. Mind & Image: An Essay on Art and Architecture.

Lexington: University Press of Kentucky, 1976.

Greenough, Horatio. Form and Function.

Washington, D.C.: privately published, 1811.

Guevara, Che. Bolivian Diary.

London: Cape & Lorrimer 1968

___. Guerrilla Warfare. Middlesex: Penguin, 1969.

Harris, Marvin. Cultural Materialism: The Struggle for a Science of Cult

New York: Random House, 1979.

Kennedy, Robert F. Го Seek a Newer World.

London: Michael Joseph, 1968.

Koestler, Arthur. Arrow in the Blue. London: Hutchinson, 1969.

___. Dialogue with Death. London: Hutchinson, 1966.

___. The Invisible Writing. London: Hutchinson, 1969.

___. Scum of the Earth. London: Hutchinson, 1968.

Laing, R.D. The Politics of Experience. Middlesex: Penguin, 1970.

Mailer, Norman. The Armies of the Night. Middlesex: Penguin, 1970.

___. Miami and the Siege of Chicago. Middlesex: Penguin, 1971.

Mao Tse-tung. Collected Writings. 5 vols. Peking:

Foreign Language Press, 1964.