Читаем Dubliners / Дублинцы. Книга для чтения на английском языке полностью

Jesus Christ was not a hard taskmaster[252]. He understood our little failings, understood the weakness of our poor fallen nature, understood the temptations of this life. We might have had, we all had from time to time, our temptations: we might have, we all had, our failings.

But one thing only, he said, he would ask of his hearers.

And that was: to be straight and manly with God. If their accounts tallied in every point to say:

“Well, I have verified my accounts. I find all well.”

But if, as might happen, there were some discrepancies, to admit the truth, to be frank and say like a man:

“Well, I have looked into my accounts. I find this wrong and this wrong. But, with God’s grace, I will rectify this and this. I will set right my accounts.”

The Dead

Lily, the caretaker’s daughter, was literally run off her feet. Hardly had she brought one gentleman into the little pantry behind the office on the ground floor and helped him off with his overcoat than the wheezy hall-door bell clanged again and she had to scamper along the bare hallway to let in another guest. It was well for her she had not to attend to the ladies also. But Miss Kate and Miss Julia had thought of that and had converted the bathroom upstairs into a ladies’ dressing-room. Miss Kate and Miss Julia were there, gossiping and laughing and fussing, walking after each other to the head of the stairs, peering down over the banisters and calling down to Lily to ask her who had come.

It was always a great affair, the Misses Morkan’s annual dance. Everybody who knew them came to it, members of the family, old friends of the family, the members of Julia’s choir, any of Kate’s pupils that were grown up enough, and even some of Mary Jane’s pupils too. Never once had it fallen flat.[253] For years and years it had gone off in splendid style, as long as anyone could remember; ever since Kate and Julia, after the death of their brother Pat, had left the house in Stoney Batter and taken Mary Jane, their only niece, to live with them in the dark, gaunt house on Usher’s Island, the upper part of which they had rented from Mr. Fulham, the corn-factor on the ground floor. That was a good thirty years ago if it was a day[254]. Mary Jane, who was then a little girl in short clothes, was now the main prop of the household, for she had the organ in Haddington Road. She had been through the Academy and gave a pupils’ concert every year in the upper room of the Antient Concert Rooms. Many of her pupils belonged to the better-class families on the Kingstown and Dalkey line. Old as they were, her aunts also did their share. Julia, though she was quite grey, was still the leading soprano in Adam and Eve’s, and Kate, being too feeble to go about much, gave music lessons to beginners on the old square piano in the back room. Lily, the caretaker’s daughter, did housemaid’s work for them. Though their life was modest, they believed in eating well; the best of everything: diamond-bone sirloins, three-shilling tea and the best bottled stout. But Lily seldom made a mistake in the orders, so that she got on well with her three mistresses. They were fussy, that was all. But the only thing they would not stand was back answers[255].

Of course, they had good reason to be fussy on such a night. And then it was long after ten o’clock and yet there was no sign of Gabriel and his wife. Besides they were dreadfully afraid that Freddy Malins might turn up screwed[256]. They would not wish for worlds that any of Mary Jane’s pupils should see him under the influence; and when he was like that it was sometimes very hard to manage him. Freddy Malins always came late, but they wondered what could be keeping Gabriel: and that was what brought them every two minutes to the banisters to ask Lily had Gabriel or Freddy come.

“O, Mr. Conroy,” said Lily to Gabriel when she opened the door for him, “Miss Kate and Miss Julia thought you were never coming. Good-night, Mrs. Conroy.”

“I’ll engage they did,” said Gabriel, “but they forget that my wife here takes three mortal hours to dress herself.”

He stood on the mat, scraping the snow from his goloshes, while Lily led his wife to the foot of the stairs and called out:

“Miss Kate, here’s Mrs. Conroy.”

Kate and Julia came toddling down the dark stairs at once. Both of them kissed Gabriel’s wife, said she must be perished alive, and asked was Gabriel with her.

“Here I am as right as the mail[257], Aunt Kate! Go on up. I’ll follow,” called out Gabriel from the dark.

He continued scraping his feet vigorously while the three women went upstairs, laughing, to the ladies’ dressing-room. A light fringe of snow lay like a cape on the shoulders of his overcoat and like toecaps on the toes of his goloshes; and, as the buttons of his overcoat slipped with a squeaking noise through the snow-stiffened frieze, a cold, fragrant air from out-of-doors escaped from crevices and folds.

“Is it snowing again, Mr. Conroy?” asked Lily.

Перейти на страницу:

Все книги серии Modern Prose

Похожие книги

Хмель
Хмель

Роман «Хмель» – первая часть знаменитой трилогии «Сказания о людях тайги», прославившей имя русского советского писателя Алексея Черкасова. Созданию романа предшествовала удивительная история: загадочное письмо, полученное Черкасовым в 1941 г., «написанное с буквой ять, с фитой, ижицей, прямым, окаменелым почерком», послужило поводом для знакомства с лично видевшей Наполеона 136-летней бабушкой Ефимией. Ее рассказы легли в основу сюжета первой книги «Сказаний».В глубине Сибири обосновалась старообрядческая община старца Филарета, куда волею случая попадает мичман Лопарев – бежавший с каторги участник восстания декабристов. В общине царят суровые законы, и жизнь здесь по плечу лишь сильным духом…Годы идут, сменяются поколения, и вот уже на фоне исторических катаклизмов начала XX в. проживают свои судьбы потомки героев первой части романа. Унаследовав фамильные черты, многие из них утратили память рода…

Алексей Тимофеевич Черкасов , Николай Алексеевич Ивеншев

Проза / Историческая проза / Классическая проза ХX века / Современная русская и зарубежная проза / Современная проза