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Sergeant Wheeler leaned over the recruits. Every time a recruit opened his mouth or shifted his weight, Sergeant Wheeler asked him who the hell he thought he was, and if he thought he was someone, well, he, Sergeant Wheeler, was there to fucking teach him a lesson. Where was that soldier from? From Texas? Well, all they had here in Texas was steers and queers, and Sergeant Wheeler didn’t see any horns on that soldier! Was he from California? Well, all they had in California was homos and strip shows, and he didn’t see a G-string on that soldier! And then that soldier (sometimes but not often Tim) would be sent to do two or four laps at top speed around the training field, and he had better not pass out. Sergeant George stood in front of a recruit, practically on the guy’s toes, staring into his face, and screaming until it seemed like he was going to knock the kid over, but he never did — they weren’t allowed to actually touch you, Tim realized. Twenty-five push-ups, shouting what kind of pansy are you? the whole time. Sergeant George asked him where the fuck had he learned to make a bed like that, and ripped off the covers and told him to do it over. Sergeant Wheeler told him to present his weapon, and peered down the barrel and asked him who the fuck he thought he was, that he didn’t clean every last trace of powder out of that fucking barrel? Twenty-five push-ups right now!

Soldiers fell down. Soldiers passed out. Soldiers cried. Soldiers got concussions, broke arms and legs and noses. A kid from Omaha broke his jaw. Soldiers disappeared. Tim, who had climbed to the top of the bookcase when he was two years old and then gotten himself down again; who had ridden his bicycle for miles when he was six; Tim, who had thought nothing of running the whole five blocks to second grade as fast as he could go — didn’t mind the regimen. He enjoyed how the other recruits, in spite of wearing the same clothes and having the same haircuts and being told to do the same things over and over again, persisted in remaining intransigently themselves: Harry Pine was slow; no matter how they yelled at him, he could not make his limbs or his reflexes move faster. Eddie Briggs was hotheaded — Sergeant George could make him do fifty push-ups, and he still couldn’t learn not to tell Sergeant George to fuck off. Everything made Jack Saylor, a black guy from Chicago, laugh, even Sergeant George leaping into his face and shouting, “What the fuck you laughing at, soldier?” As for Tim, when he did push-ups or ran around the field, he thought music — Tell him that you’re always gonna love him, / Tell him, tell him, tell him right now.

He took tests. He had to answer problems about if you had four gallons of gas in the tank and the truck got seven miles to the gallon, could you get to Kansas City if it was thirty-five miles away, and if you had seventeen apples and twelve pears, how many men could you feed if half of the men wanted two apples and half wanted a pear and an apple? What he would do if three men in a jeep went over a ten-foot cliff, and what he would do if he saw someone in water of unknown depth screaming for help? He listened to recordings of tapping and thought of the tapping as a kind of rhythm that reminded him of playing in the Colts with Steve and Stanley Sloan. He turned out to have some commo talent, along with three other white guys and six black guys.

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Early Warning
Early Warning

From the Pulitzer Prize winner: a journey through mid-century America, as lived by the extraordinary Langdon family we first met in Some Luck, a national best seller published to rave reviews from coast to coast.Early Warning opens in 1953 with the Langdons at a crossroads. Their stalwart patriarch Walter, who with his wife had sustained their Iowa farm for three decades, has suddenly died, leaving their five children looking to the future. Only one will remain to work the land, while the others scatter to Washington, DC, California, and everywhere in between. As the country moves out of postwar optimism through the Cold War, the social and sexual revolutions of the 1960s and '70s, and then into the unprecedented wealth — for some — of the early '80s, the Langdon children will have children of their own: twin boys who are best friends and vicious rivals; a girl whose rebellious spirit takes her to the notorious Peoples Temple in San Francisco; and a golden boy who drops out of college to fight in Vietnam — leaving behind a secret legacy that will send shockwaves through the Langdon family into the next generation. Capturing an indelible period in America through the lens of richly drawn characters we come to know and love, Early Warning is an engrossing, beautifully told story of the challenges — and rich rewards — of family and home, even in the most turbulent of times.

Джейн Смайли

Современная русская и зарубежная проза

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