Eleanor Oliphant is Completely Fine

Friday was bright, although it was impossible to tell if it would stay that way. I showered and put on my new clothes. It had been many years since I’d worn tights, preferring a handy pair of pop socks under my slacks, but I still remembered how to roll them on. I was very careful, as they were thin and delicate, and could be ripped in an instant by a careless fingernail. I felt enclosed in them, somehow, as though I was wearing someone else’s skin.

I’d made my legs black, and my hair blonde. I’d lengthened and darkened my eyelashes, dusted a flush of pink onto my cheeks and painted my lips a shade of dark red which was rarely found in nature. I should, by rights, look less like a human woman than I’d ever done, and yet it seemed that this was the most acceptable, the most appropriate appearance that I’d ever made before the world. It was puzzling. I supposed I could have gone further – made my skin glow with tanning agent, scented myself with a spray made from chemicals manufactured in a laboratory, distilled from plants and animal parts. I did not want to do that. I picked up my new bag and locked the door behind me.

For safety and security reasons, I had specified that I should be collected from a location on a main road near my flat rather than disclose my home address, and an unprepossessing vehicle drew up outside the building at the correct time. The driver glanced quickly in the rear-view mirror as I slid into the seat behind him, next to Raymond. It took a while, as I was conscious of my dress, trying to make sure that it did not reveal more of my legs than it was designed to.

Everything took so long. Before, I’d simply bathed, run a comb through my hair and pulled on my trousers. Being feminine apparently meant taking an eternity to do anything, and involved quite a bit of advanced planning. I couldn’t imagine how it would be possible to hike to the source of the Nile, or to climb up a ladder to investigate a malfunction inside a particle accelerator, wearing kitten heels and ten denier tights.

It was hard to gauge the full effect of Raymond’s outfit, but it was apparent, even from this position, that he was wearing an ironed white shirt, a black tie, and black trousers. I couldn’t see his feet, and issued a silent prayer that he was not shod in training shoes, even black ones.

‘You look nice,’ he said.

I nodded, feeling slightly self-conscious in my new dress, and looked at him again. He hadn’t shaved off his odd little beard, but it had been trimmed, and his hair was combed neatly. The taxi moved off, and we joined the slow morning traffic. The radio jabbered nonsense, and we didn’t look at one another or speak. There was really nothing to be said.

The crematorium was in the suburbs, a 1970s monstrosity of white concrete and brutal angles. The gardens were neat in a sterile, municipal way, but, surprisingly, were full of beautiful blown roses. There were lots of mature trees around the perimeter, which pleased me. I liked to think of their roots, coursing with life, snaking under this place. We drew up in an enormous car park which was already almost full, although it was only ten thirty. The place was out of the way and would be impossible to reach by public transport, which was completely illogical. There ought to be a train or a shuttle bus, I thought. It was a place we were all guaranteed to be visiting at some point.

Raymond paid the driver and we stood for a moment, taking it in.

‘Ready?’ he said.

I nodded. There were lots of other mourners, moving through the grounds like slow black beetles. We walked up the path, in silent agreement that we were in no hurry to leave the trees and the roses and the sunshine and go inside. A long hearse sat at the front door, and we looked at the coffin, which was covered in wreaths. A coffin was a wooden box in which Sammy’s corpse would be lying. What was he wearing in there, I wondered. I hoped it was that nice red jumper; cosy, smelling of him.

We sat down on the left-hand side of the room, in a pew not too far from the front. The place was half full already, and there was a low hum of muttered conversation, a muted, insect-like buzzing that I hadn’t heard in any other venue or set of circumstances.

I picked up one of the sheets that had been placed along the pews: Samuel McMurray Thom, it said, 1940–2017. Inside it told us what would happen, listed the readings and hymns, and suddenly I was overwhelmed with a desire for it to be over, not to have to be there and experience it all.