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They allowed me to pull on a tracksuit and a pair of sneakers before cuffing me. I was marched through the hotel, past guests peering anxiously from their rooms, to a waiting police car. In a second car, her face pale and her hair matted from sleep, sat Rachel. I shrugged helplessly at her before we were driven in convoy from the Quarter.

I was questioned for three hours, then given a cup of coffee and grilled again for another hour. The room was small and brightly lit. It smelled of cigarette smoke and stale sweat. In one corner, where the plaster was broken and worn, I could see what looked like a bloodstain. Two detectives, Dale and Klein, did most of the questioning, Dale assuming the role of aggressive interrogator, threatening to dump me in the swamp with a bullet in the head for killing a Louisiana cop, Klein taking the part of the reasonable, sensitive man trying to protect me while ensuring that the truth was told. Even with other cops as the object of their attentions, the good cop-bad cop thing never went out of fashion.

I told them all I could, again and again and again. I told them of my visit to Morphy, the work on the house, the dinner, the departure, all of the reasons why my prints were all over the house. No, Morphy hadn’t given me the police files found in my room. No, I couldn’t say who did. No, only the night porter saw me re-enter the hotel, I didn’t speak to anyone else. No, I didn’t leave my room again that night. No, there was no one to confirm that fact. No. No. No. No. No.

Then Woolrich arrived and the merry-go-round started all over again. More questions, this time with the feds in attendance. And still, no one told me why I was there or what had happened to Morphy and his wife. In the end, Klein returned and told me I could go. Behind a slatted-rail divider, which separated the detective squadroom from the main corridor, Rachel sat with a mug of tea while the detectives around her studiously ignored her. In a cage ten feet behind her, a skinny white man with tattooed arms whispered obscenely to her.

Toussaint appeared. He was an overweight, balding man in his early fifties, with straggly white curls around his pate like the top of a hill erupting from out of a mist. He looked red eyed and nauseous and was as out of place here as I was.

A patrolman motioned to Rachel. “We’ll take you back to your hotel now, ma’am.” She stood. Behind her, the guy in the cage made sucking noises and grabbed his crotch in his hand.

“You okay?” I asked as she passed by.

She nodded dumbly, then: “Are you coming with me?”

Toussaint was at my left hand. “He’ll follow later,” he said. Rachel looked over her shoulder at me as the patrolman led her away. I gave her a smile and tried to make it look reassuring, but my heart wasn’t in it.

“Come on, I’ll drive you back and buy you a coffee on the way,” said Toussaint, and I followed him from the building.

We ended up in Mother’s, where less than twenty-four hours before I had sat waiting for Morphy’s call and where Toussaint would tell me how John Charles Morphy and his wife, Angela, had died.

Morphy had been due to work a special early duty that morning and Toussaint had dropped by to pick him up. They alternated pickup duties as it suited. That day, it happened to be Toussaint’s turn.

The screen door was closed, but the front door behind stood open. Toussaint called Morphy’s name, just as I had the afternoon before. He followed in my footsteps through the central hallway, checking the kitchen and the rooms to the right and left. He thought Morphy might have slept in, although he had never been late before, so he called up the stairs to the bedroom. There was no reply. He recalled that his stomach was already tightening as he worked his way up the stairs, calling Morphy’s name, then Angie’s, as he advanced. The door of their bedroom was partially open, but the angle obscured their bed.

He knocked once, then slowly opened the door. For a moment, the merest flashing splinter of a second, he thought he had disturbed their lovemaking, until the blood registered and he knew that this was a parody of all that love stood for, of all that it meant, and he wept then for his friend and his wife.

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