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A moment later, Ethel heard Walter sing a snatch of a tune. Maud joined in, then they stopped and laughed. Maud loved music, and could play the piano quite well, unlike Fitz, who was tone-deaf. It seemed Walter was also musical. His voice was a pleasant light baritone that would have been much appreciated, Ethel thought, in the Bethesda Chapel.

Her mind wandered to her work. She had not seen polished pairs of shoes outside any of the bedroom doors. She needed to chase the boot boys and hurry them up. She wondered fretfully what the time was. If this went on much longer she might have to insist on returning to the house.

She glanced back, but this time she could not see Walter or Maud. Had they stopped, or gone off in a different direction? She stood still for a minute or two, but she could not wait out there all morning, so she retraced her steps through the trees.

A moment later she saw them. They were locked in an embrace, kissing passionately. Walter’s hands were on Maud’s behind and he was pressing her to him. Their mouths were open, and Ethel heard Maud groan.

She stared at them. She wondered whether a man would ever kiss her that way. Spotty Llewellyn had kissed her on the beach during a chapel outing, but it had not been with mouths open and bodies pressed together, and it certainly had not made Ethel moan. Little Dai Chops, the son of the butcher, had put his hand up her skirt in the Palace Cinema in Cardiff, but she had pushed it away after a few seconds. She had really liked Llewellyn Davies, a schoolteacher’s son, who had talked to her about the Liberal government, and told her she had breasts like warm baby birds in a nest; but he had gone away to college and never written. With them she had been intrigued, and curious to do more, but never passionate. She envied Maud.

Then Maud opened her eyes, caught a glimpse of Ethel, and broke the embrace.

Gelert whined suddenly and walked around in a circle with his tail between his legs. What was the matter with him?

A moment later Ethel felt a tremor in the ground, as if an express train were passing, even though the railway line ended a mile away.

Maud frowned and opened her mouth to speak, then there was a crack like a clap of thunder.

“What on earth was that?” said Maud.

Ethel knew.

She screamed, and began to run.

{V}

Billy Williams and Tommy Griffiths were having a break.

They were working a seam called the Four-Foot Coal, only six hundred yards deep, not as far down as the Main Level. The seam was divided into five districts, all named after British racecourses, and they were in Ascot, the one nearest to the upcast shaft. Both boys were working as butties, assistants to older miners. The collier used his mandrel, a straight-bladed pick, to hew the coal away from the coal face, and his butty shoveled it into a wheeled dram. They had started work at six o’clock in the morning, as always, and now after a couple of hours they were taking a rest, sitting on the damp ground with their backs to the side of the tunnel, letting the soft breath of the ventilation system cool their skin, drinking long drafts of lukewarm sweet tea from their flasks.

They had been born on the same day in 1898, and were six months away from their sixteenth birthday. The difference in their physical development, so embarrassing to Billy when he was thirteen, had vanished. Now they were both young men, broad-shouldered and strong-armed, and they shaved once a week though they did not really need to. They were dressed only in their shorts and boots, and their bodies were black with a mixture of perspiration and coal dust. In the dim lamplight they gleamed like ebony statues of pagan gods. The effect was spoiled only by their caps.

The work was hard, but they were used to it. They did not complain of aching backs and stiff joints, as older men did. They had energy to spare, and on days off they found equally strenuous things to do, playing rugby or digging flower beds or even bare-knuckle boxing in the barn behind the Two Crowns pub.

Billy had not forgotten his initiation three years ago-indeed, he still burned with indignation when he thought of it. He had vowed then that he would never mistreat new boys. Only today he had warned little Bert Morgan: “Don’t be surprised if the men play a trick on you. They may leave you in the dark for an hour or something stupid like that. Little things please little minds.” The older men in the cage had glared at him, but he met their eyes: he knew he was in the right, and so did they.

Mam had been even angrier than Billy. “Tell me,” she had said to Da, standing in the middle of the living room with her hands on her hips and her dark eyes flashing righteousness, “how is the Lord’s purpose served by torturing little boys?”

“You wouldn’t understand, you’re a woman,” Da had replied, an uncharacteristically weak response from him.

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Все книги серии Century Trilogy

Fall of Giants
Fall of Giants

Follett takes you to a time long past with brio and razor-sharp storytelling. An epic tale in which you will lose yourself."– The Denver Post on World Without EndKen Follett's World Without End was a global phenomenon, a work of grand historical sweep, beloved by millions of readers and acclaimed by critics as "well-researched, beautifully detailed [with] a terrifically compelling plot" (The Washington Post) and "wonderful history wrapped around a gripping story" (St. Louis Post- Dispatch)Fall of Giants is his magnificent new historical epic. The first novel in The Century Trilogy, it follows the fates of five interrelated families-American, German, Russian, English, and Welsh-as they move through the world-shaking dramas of the First World War, the Russian Revolution, and the struggle for women's suffrage.Thirteen-year-old Billy Williams enters a man's world in the Welsh mining pits…Gus Dewar, an American law student rejected in love, finds a surprising new career in Woodrow Wilson's White House…two orphaned Russian brothers, Grigori and Lev Peshkov, embark on radically different paths half a world apart when their plan to emigrate to America falls afoul of war, conscription, and revolution…Billy's sister, Ethel, a housekeeper for the aristocratic Fitzherberts, takes a fateful step above her station, while Lady Maud Fitzherbert herself crosses deep into forbidden territory when she falls in love with Walter von Ulrich, a spy at the German embassy in London…These characters and many others find their lives inextricably entangled as, in a saga of unfolding drama and intriguing complexity, Fall of Giants moves seamlessly from Washington to St. Petersburg, from the dirt and danger of a coal mine to the glittering chandeliers of a palace, from the corridors of power to the bedrooms of the mighty. As always with Ken Follett, the historical background is brilliantly researched and rendered, the action fast-moving, the characters rich in nuance and emotion. It is destined to be a new classic.In future volumes of The Century Trilogy, subsequent generations of the same families will travel through the great events of the rest of the twentieth century, changing themselves-and the century itself. With passion and the hand of a master, Follett brings us into a world we thought we knew, but now will never seem the same again.

Кен Фоллетт

Историческая проза

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Владимир Бартол

Проза / Историческая проза