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He entered the house and went down the back stairs to the basement, where he found an elderly housemaid in a black dress and a lace cap. She went off to find a shawl.

Walter waited in the hall. The house was decorated in the up-to-date Jugendstil, which did away with the rococo flourishes loved by Walter’s parents and favored well-lit rooms with gentle colors. The pillared hall was all cool gray marble and mushroom-colored carpet.

It seemed to him as if Maud was a million miles away on another planet. And in a way she was, for the prewar world would never come back. He had not seen his wife nor heard from her for almost three years, and he might never meet her again. Although she had not faded from his mind-he would never forget the passion they had shared-he did find, to his distress, that he could no longer recall the fine details of their times together: what she was wearing, where they were when they kissed or held hands, or what they ate and drank and talked about when they met at those endlessly similar London parties. Sometimes it crossed his mind that the war had in a way divorced them. But he pushed the thought aside: it was shamefully disloyal.

The maid brought him a yellow cashmere shawl. He returned to Monika, who was sitting on a tree stump with Pierre at her feet. Walter gave her the shawl and she put it around her shoulders. The color suited her, making her eyes gleam and her skin glow.

She had a strange look on her face, and she handed him his wallet. “This must have fallen out of your coat,” she said.

“Oh, thank you.” He returned it to the inside pocket of the coat that he still had slung over his shoulder.

She said: “Let’s go back to the house.”

“As you wish.”

Her mood had changed. Perhaps she had simply decided to give up on him. Or had something else happened?

He was struck by a frightening thought. Had his wallet really fallen out of his coat? Or had she taken it, like a pickpocket, when she brushed that unlikely bee off his shoulder? “Monika,” he said, and he stopped and turned to face her. “Did you look inside my wallet?”

“You said you had no secrets,” she said, and she blushed bright red.

She must have seen the newspaper clipping he carried: Lady Maud Fitzherbert is always dressed in the latest fashion. “That was most ill-mannered of you,” he said angrily. He was mainly angry with himself. He should not have kept the incriminating photo. If Monika could figure out its significance, so could others. Then he would be disgraced and drummed out of the army. He might be accused of treason and jailed or even shot.

He had been foolish. But he knew he would never throw the picture away. It was all he had of Maud.

Monika put a hand on his arm. “I have never done anything like that in my whole life, and I’m ashamed. But you must see that I was desperate. Oh, Walter, I could fall in love with you so easily, and I can tell that you could love me too-I can see it, in your eyes and the way you smile when you see me. But you said nothing!” There were tears in her eyes. “It was driving me out of my mind.”

“I’m sorry for that.” He could no longer feel indignant. She had now gone beyond the bounds of propriety, and opened her heart to him. He felt terribly sad for her, sad for both of them.

“I just had to understand why you kept turning away from me. Now I do, of course. She’s beautiful. She even looks a bit like me.” She wiped her tears. “She found you before I did, that’s all.” She stared at him with those penetrating amber eyes. “I suppose you’re engaged.”

He could not lie to someone who was being so honest with him. He did not know what to say.

She guessed the reason for his hesitation. “Oh, my goodness!” she said. “You’re married, aren’t you?”

This was disastrous. “If people found out, I would be in serious trouble.”

“I know.”

“I hope I may trust you to keep my secret?”

“How can you ask?” she said. “You’re the best man I’ve ever met. I wouldn’t do anything to harm you. I will never breathe a word.”

“Thank you. I know you’ll keep your promise.”

She looked away, fighting back the tears. “Let’s go inside.”

In the hall she said: “You go ahead. I must wash my face.”

“All right.”

“I hope-” Her voice broke into a sob. “I hope she knows how lucky she is,” she whispered. Then she turned away and slipped into a side room.

Walter put on his coat and composed himself, then went up the marble staircase. The drawing room was done in the same understated style, with blond wood and pale blue-green curtains. Monika’s parents had better taste than his, he decided.

His mother looked at him and knew instantly something was wrong. “Where is Monika?” she said sharply.

He raised an eyebrow at her. It was not like her to ask a question to which the answer might be Gone to the toilet. She was obviously tense. He said quietly: “She will join us in a few minutes.”

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Все книги серии Century Trilogy

Fall of Giants
Fall of Giants

Follett takes you to a time long past with brio and razor-sharp storytelling. An epic tale in which you will lose yourself."– The Denver Post on World Without EndKen Follett's World Without End was a global phenomenon, a work of grand historical sweep, beloved by millions of readers and acclaimed by critics as "well-researched, beautifully detailed [with] a terrifically compelling plot" (The Washington Post) and "wonderful history wrapped around a gripping story" (St. Louis Post- Dispatch)Fall of Giants is his magnificent new historical epic. The first novel in The Century Trilogy, it follows the fates of five interrelated families-American, German, Russian, English, and Welsh-as they move through the world-shaking dramas of the First World War, the Russian Revolution, and the struggle for women's suffrage.Thirteen-year-old Billy Williams enters a man's world in the Welsh mining pits…Gus Dewar, an American law student rejected in love, finds a surprising new career in Woodrow Wilson's White House…two orphaned Russian brothers, Grigori and Lev Peshkov, embark on radically different paths half a world apart when their plan to emigrate to America falls afoul of war, conscription, and revolution…Billy's sister, Ethel, a housekeeper for the aristocratic Fitzherberts, takes a fateful step above her station, while Lady Maud Fitzherbert herself crosses deep into forbidden territory when she falls in love with Walter von Ulrich, a spy at the German embassy in London…These characters and many others find their lives inextricably entangled as, in a saga of unfolding drama and intriguing complexity, Fall of Giants moves seamlessly from Washington to St. Petersburg, from the dirt and danger of a coal mine to the glittering chandeliers of a palace, from the corridors of power to the bedrooms of the mighty. As always with Ken Follett, the historical background is brilliantly researched and rendered, the action fast-moving, the characters rich in nuance and emotion. It is destined to be a new classic.In future volumes of The Century Trilogy, subsequent generations of the same families will travel through the great events of the rest of the twentieth century, changing themselves-and the century itself. With passion and the hand of a master, Follett brings us into a world we thought we knew, but now will never seem the same again.

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