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Suddenly Grigori realized that he was at a disadvantage. He had been so caught up in the argument that he had failed to plan what to do when it ended. He had his rifle over his shoulder, but the safety lock was engaged. It would take several seconds to swing it off his shoulder, turn the awkward knob that unlocked the safety catch, and lift the rifle into firing position. The colonel could draw and shoot his pistol a lot faster. Grigori felt a wave of fear, and had to suppress an urge to turn and run.

“Mutiny?” he said, playing for time, trying not to let fear weaken the assertive tone of his voice. “When a sacked general marches on the capital, but his troops refuse to attack their legitimate government, who’s the mutineer? I say it’s the general-and those officers who attempt to carry out his treasonable orders.”

The colonel drew his pistol. “Get out of here, Sergeant.” He turned to the others. “You men, go into the school and assemble in the hall. Remember, disobedience is a crime in the army-and the death penalty has been restored. I’ll shoot anyone who refuses.”

He pointed his gun at the corporal.

Grigori saw that the men were about to obey the authoritative, confident, armed officer. There was now only one way out, he saw in desperation. He had to kill the colonel.

He saw a way. He would have to be very quick indeed, but he thought he could probably do it.

If he was wrong he would die.

He slipped his rifle off his left shoulder and, without pausing to switch it to his right hand, he thrust it forward as hard as he could into the colonel’s side. The sharp point of the long bayonet ripped through the cloth of the uniform, and Grigori felt it sink into the soft stomach. The colonel gave a shout of pain, but he did not fall. Despite his wound he turned, swinging his gun hand around in an arc. He pulled the trigger.

The shot went wild.

Grigori pushed on the rifle, thrusting the bayonet in and up, aiming for the heart. The colonel’s face twisted in agony and his mouth opened, but no sound came out, and he fell to the ground, still clutching his pistol.

Grigori withdrew the bayonet with a jerk.

The colonel’s pistol fell from his fingers.

Everyone stared at the officer writhing in silent torment on the parched grass of the playground. Grigori unlocked the safety on his rifle, aimed at the colonel’s heart, and fired at close range twice. The man became still.

“As you said, Colonel,” Grigori said. “It’s the death penalty.”


{V}


Fitz and Bea took a train from Moscow accompanied only by Bea’s Russian maid, Nina, and Fitz’s valet, Jenkins, a former boxing champion who had been rejected by the army because he could not see farther than ten yards.

They got off the train at Bulovnir, the tiny station that served Prince Andrei’s estate. Fitz’s experts had suggested that Andrei build a small township here, with a timber yard and grain stores and a mill; but nothing had been done, and the peasants still took their produce by horse and cart twenty miles to the old market town.

Andrei had sent an open carriage to meet them, with a surly driver who looked on while Jenkins lifted the trunks onto the back of the vehicle. As they drove along a dirt road through farmland, Fitz recalled his previous visit, when he had come as the new husband of the princess, and the villagers had stood at the roadside and cheered. There was a different atmosphere now. Laborers in the fields barely looked up as the carriage passed, and in villages and hamlets the inhabitants deliberately turned their backs.

This kind of thing irritated Fitz and made him bad-tempered, but his spirits were soothed by the sight of the timeworn stones of the old house, colored a buttery yellow by the low afternoon sun. A little flock of immaculately dressed servants emerged from the front door like ducks coming to be fed, and bustled about the carriage opening doors and manhandling luggage. Andrei’s steward, Georgi, kissed Fitz’s hand and said, in an English phrase he had obviously learned by rote: “Welcome back to your Russian home, Earl Fitzherbert.”

Russian houses were often grandiose but shabby, and Bulovnir was no exception. The double-height hall needed painting, the priceless chandelier was dusty, and a dog had peed on the marble floor. Prince Andrei and Princess Valeriya were waiting beneath a large portrait of Bea’s grandfather frowning sternly down on them.

Bea rushed to Andrei and embraced him.

Valeriya was a classical beauty with regular features and dark hair in a neat coiffure. She shook hands with Fitz and said in French: “Thank you for coming. We’re so happy to see you.”

When Bea detached herself from Andrei, wiping her tears, Fitz offered his hand to shake. Andrei gave him his left hand: the right sleeve of his jacket hung empty. He was pale and thin, as if suffering from a wasting illness, and there was a little gray in his black beard, although he was only thirty-three. “I can’t tell you how relieved I am to see you,” he said.

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Все книги серии Century Trilogy

Fall of Giants
Fall of Giants

Follett takes you to a time long past with brio and razor-sharp storytelling. An epic tale in which you will lose yourself."– The Denver Post on World Without EndKen Follett's World Without End was a global phenomenon, a work of grand historical sweep, beloved by millions of readers and acclaimed by critics as "well-researched, beautifully detailed [with] a terrifically compelling plot" (The Washington Post) and "wonderful history wrapped around a gripping story" (St. Louis Post- Dispatch)Fall of Giants is his magnificent new historical epic. The first novel in The Century Trilogy, it follows the fates of five interrelated families-American, German, Russian, English, and Welsh-as they move through the world-shaking dramas of the First World War, the Russian Revolution, and the struggle for women's suffrage.Thirteen-year-old Billy Williams enters a man's world in the Welsh mining pits…Gus Dewar, an American law student rejected in love, finds a surprising new career in Woodrow Wilson's White House…two orphaned Russian brothers, Grigori and Lev Peshkov, embark on radically different paths half a world apart when their plan to emigrate to America falls afoul of war, conscription, and revolution…Billy's sister, Ethel, a housekeeper for the aristocratic Fitzherberts, takes a fateful step above her station, while Lady Maud Fitzherbert herself crosses deep into forbidden territory when she falls in love with Walter von Ulrich, a spy at the German embassy in London…These characters and many others find their lives inextricably entangled as, in a saga of unfolding drama and intriguing complexity, Fall of Giants moves seamlessly from Washington to St. Petersburg, from the dirt and danger of a coal mine to the glittering chandeliers of a palace, from the corridors of power to the bedrooms of the mighty. As always with Ken Follett, the historical background is brilliantly researched and rendered, the action fast-moving, the characters rich in nuance and emotion. It is destined to be a new classic.In future volumes of The Century Trilogy, subsequent generations of the same families will travel through the great events of the rest of the twentieth century, changing themselves-and the century itself. With passion and the hand of a master, Follett brings us into a world we thought we knew, but now will never seem the same again.

Кен Фоллетт

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