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As they drove out of the grand iron gates she was struck, as always, by the sudden transition. Inside the grounds all was order, charm, and beauty; outside was the ugliness of the real world. A row of agricultural laborers’ cottages stood beside the road, tiny houses of two rooms, with odd bits of lumber and junk in front and a couple of dirty children playing in the ditch. Soon afterward the miners’ terraces began, superior to the farm cottages but still ungainly and monotonous to an eye such as Ethel’s, spoiled by the perfect proportions of Tŷ Gwyn’s windows and doorways and roofs. The people out here had cheap clothes that quickly became shapeless and worn, and were colored with dyes that faded, so that all the men were in grayish suits and all the women brownish dresses. Ethel’s maid’s outfit was envied for its warm wool skirt and crisp cotton blouse, for all that some of the girls liked to say they would never lower themselves to be servants. But the biggest difference was in the people themselves. Out here they had blemished skin, dirty hair, and black fingernails. The men coughed, the women sniffed, and the children all had runny noses. The poor shambled and limped along roads where the rich strode confidently.

The carriages drove down the mountainside to Mafeking Terrace. Most of the inhabitants were lining the pavements, waiting, but there were no flags, and they did not cheer, just bowed and curtsied, as the cavalcade pulled up outside no. 19.

Ethel jumped down and spoke quietly to Sir Alan. “Sian Evans, five children, lost her husband, David Evans, an underground horse wrangler.” David Evans, known as Dai Ponies, had been familiar to Ethel as an elder of the Bethesda Chapel.

Sir Alan nodded, and Ethel stepped smartly back while he murmured in the ear of the king. Ethel caught Fitz’s eye, and he gave her a nod of approval. She felt a glow. She was assisting the king-and the earl was pleased with her.

The king and queen went to the front door. Its paint was peeling, but the step was polished. I never thought I’d see this, Ethel thought; the king knocking on the door of a collier’s house. The king wore a tailcoat and a tall black hat: Ethel had strongly advised Sir Alan that the people of Aberowen would not wish to see their monarch in the kind of tweed suit that they themselves might wear.

The door was opened by the widow in her Sunday best, complete with hat. Fitz had suggested that the king should surprise people, but Ethel had argued against that, and Sir Alan had agreed with her. On a surprise visit to a distraught family the royal couple might have been confronted with drunken men, half-naked women, and fighting children. Better to forewarn everyone.

“Good morning, I’m the king,” said the king, raising his hat politely. “Are you Mrs. David Evans?”

She looked blank for a moment. She was more used to being called Mrs. Dai Ponies.

“I have come to say how very sorry I am about your husband, David,” said the king.

Mrs. Dai Ponies seemed too nervous to feel any emotion. “Thank you very much,” she said stiffly.

It was too formal, Ethel saw. The king was as uncomfortable as the widow. Neither was able to say how they really felt.

Then the queen touched Mrs. Dai’s arm. “It must be very hard for you, my dear,” she said.

“Yes, ma’am, it is,” said the widow in a whisper, and then she burst into tears.

Ethel wiped a tear from her own cheek.

The king was embarrassed, but to his credit, he stood his ground, murmuring: “Very sad, very sad.”

Mrs. Evans sobbed uncontrollably, but she seemed rooted to the spot, and did not turn her face away. There was nothing gracious about grief, Ethel saw: Mrs. Dai’s face was blotched red, her open mouth showed that she had lost half her teeth, and her sobs were hoarse with desperation.

“There, there,” said the queen. She pressed her handkerchief into Mrs. Dai’s hand. “Take this.”

Mrs. Dai was not yet thirty, but her big hands were knotted and lumpy with arthritis like an old woman’s. She wiped her face with the queen’s handkerchief. Her sobs subsided. “He was a good man, ma’am,” she said. “Never raised a hand to me.”

The queen did not know what to say about a man whose virtue was that he did not beat his wife.

“He was even kind to his ponies,” Mrs. Dai added.

“I’m sure he was,” said the queen, back on familiar ground.

A toddler emerged from the depths of the house and clung to its mother’s skirt. The king tried again. “I believe you have five children,” he said.

“Oh, sir, what are they going to do with no da?”

“It’s very sad,” the king repeated.

Sir Alan coughed, and the king said: “We’re going on to see some other people in the same sad position as yourself.”

“Oh, sir, it was kind of you to come. I can’t tell you how much it means to me. Thank you, thank you.”

The king turned away.

The queen said: “I will pray for you tonight, Mrs. Evans.” Then she followed the king.

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Fall of Giants
Fall of Giants

Follett takes you to a time long past with brio and razor-sharp storytelling. An epic tale in which you will lose yourself."– The Denver Post on World Without EndKen Follett's World Without End was a global phenomenon, a work of grand historical sweep, beloved by millions of readers and acclaimed by critics as "well-researched, beautifully detailed [with] a terrifically compelling plot" (The Washington Post) and "wonderful history wrapped around a gripping story" (St. Louis Post- Dispatch)Fall of Giants is his magnificent new historical epic. The first novel in The Century Trilogy, it follows the fates of five interrelated families-American, German, Russian, English, and Welsh-as they move through the world-shaking dramas of the First World War, the Russian Revolution, and the struggle for women's suffrage.Thirteen-year-old Billy Williams enters a man's world in the Welsh mining pits…Gus Dewar, an American law student rejected in love, finds a surprising new career in Woodrow Wilson's White House…two orphaned Russian brothers, Grigori and Lev Peshkov, embark on radically different paths half a world apart when their plan to emigrate to America falls afoul of war, conscription, and revolution…Billy's sister, Ethel, a housekeeper for the aristocratic Fitzherberts, takes a fateful step above her station, while Lady Maud Fitzherbert herself crosses deep into forbidden territory when she falls in love with Walter von Ulrich, a spy at the German embassy in London…These characters and many others find their lives inextricably entangled as, in a saga of unfolding drama and intriguing complexity, Fall of Giants moves seamlessly from Washington to St. Petersburg, from the dirt and danger of a coal mine to the glittering chandeliers of a palace, from the corridors of power to the bedrooms of the mighty. As always with Ken Follett, the historical background is brilliantly researched and rendered, the action fast-moving, the characters rich in nuance and emotion. It is destined to be a new classic.In future volumes of The Century Trilogy, subsequent generations of the same families will travel through the great events of the rest of the twentieth century, changing themselves-and the century itself. With passion and the hand of a master, Follett brings us into a world we thought we knew, but now will never seem the same again.

Кен Фоллетт

Историческая проза

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Проза / Историческая проза