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“There are Jews in Britain. Father, don’t you remember how Lord Rothschild in London tried his best to prevent the war? There are Jews in France, in Russia, in America. They’re not conspiring to betray their governments. What makes you think ours are peculiarly evil? Most of them only want to earn enough to feed their families and send their children to school-just the same as everyone else.”

Robert surprised Maud by speaking up. “I agree with Uncle Otto,” he said. “Democracy is enfeebling. Germany needs strong leadership. Jörg and I have joined the National Socialists.”

“Oh, Robert, for God’s sake!” said Walter disgustedly. “How could you?”

Maud stood up. “Would anyone like a piece of birthday cake?” she said brightly.

{II}

Maud left the party at nine to go to work. “Where’s your uniform?” said her mother-in-law as she said good-bye. Susanne thought Maud was a night nurse for a wealthy old gentleman.

“I keep it there and change when I arrive,” Maud said. In fact she played the piano in a nightclub called Nachtleben. However, it was true that she kept her uniform at work.

She had to earn money, and she had never been taught to do much except dress up and go to parties. She had had a small inheritance from her father, but she had converted it to marks when she moved to Germany, and now it was worthless. Fitz refused to give her money because he was still angry with her for marrying without his permission. Walter’s salary at the Foreign Office was raised every month, but it never kept pace with inflation. In partial compensation, the rent they paid for their house was now negligible, and the landlord no longer bothered to collect it. But they had to buy food.

Maud got to the club at nine thirty. The place was newly furnished and decorated, and looked good even with the lights up. Waiters were polishing glasses, the barman was chipping ice, and a blind man was tuning the piano. Maud changed into a low-cut evening dress and fake jewelry, and made up her face heavily with powder, eyeliner, and lipstick. She was at the piano when the place opened at ten.

It rapidly filled up with men and women in evening clothes, dancing and smoking. They bought champagne cocktails and discreetly sniffed cocaine. Despite poverty and inflation, Berlin’s nightlife was hot. Money was no problem to these people. Either they had income from abroad, or they had something better than money: stocks of coal, a slaughterhouse, a tobacco warehouse, or, best of all, gold.

Maud was part of an all-female band playing the new music called jazz. Fitz would have been horrified to see it, but she liked the job. She had always rebelled against the restrictions of her upbringing. Doing the same tunes every night could be tedious, but despite that it released something repressed within her. She wiggled on her piano stool and batted her eyelashes at the customers.

At midnight she had a spot of her own, singing and playing songs made popular by Negro singers such as Alberta Hunter, which she learned from American discs played on a gramophone that belonged to Nachtleben’s owner. She was billed as Mississippi Maud.

Between numbers a customer staggered up to the piano and said: “Play ‘Downhearted Blues,’ will you?”

She knew the song, a big hit for Bessie Smith. She started to play blues chords in E flat. “I might,” she said. “What’s it worth?”

He held out a billion-mark note.

Maud laughed. “That won’t buy you the first bar,” she said. “Haven’t you got any foreign currency?”

He handed her a dollar bill.

She took the money, stuffed it into her sleeve, and played “Downhearted Blues.”

Maud was overjoyed to have a dollar, which was worth about a trillion marks. Nevertheless she felt a little down, and her heart was really in the blues. It was quite an achievement for a woman of her background to have learned to hustle tips, but the process was demeaning.

After her spot, the same customer accosted her on her way back to her dressing room. He put his hand on her hip and said: “Would you like to have breakfast with me, sweetheart?”

Most nights she was pawed, although at thirty-three she was one of the oldest women there: many were girls of nineteen and twenty. When this happened the girls were not allowed to make a fuss. They were supposed to smile sweetly, remove the man’s hand gently, and say: “Not tonight, sir.” But this was not always sufficiently discouraging, and the other girls had taught Maud a more effective line. “I’ve got these tiny insects in my cunt hair,” she said. “Do you think it’s anything to worry about?” The man disappeared.

Maud spoke German effortlessly after four years there, and working at the club she had learned all the vulgar words too.

The club closed at four in the morning. Maud took off her makeup and changed back into her street clothes. She went to the kitchen and begged some coffee beans. A cook who liked her gave her a few in a twist of paper.

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Fall of Giants
Fall of Giants

Follett takes you to a time long past with brio and razor-sharp storytelling. An epic tale in which you will lose yourself."– The Denver Post on World Without EndKen Follett's World Without End was a global phenomenon, a work of grand historical sweep, beloved by millions of readers and acclaimed by critics as "well-researched, beautifully detailed [with] a terrifically compelling plot" (The Washington Post) and "wonderful history wrapped around a gripping story" (St. Louis Post- Dispatch)Fall of Giants is his magnificent new historical epic. The first novel in The Century Trilogy, it follows the fates of five interrelated families-American, German, Russian, English, and Welsh-as they move through the world-shaking dramas of the First World War, the Russian Revolution, and the struggle for women's suffrage.Thirteen-year-old Billy Williams enters a man's world in the Welsh mining pits…Gus Dewar, an American law student rejected in love, finds a surprising new career in Woodrow Wilson's White House…two orphaned Russian brothers, Grigori and Lev Peshkov, embark on radically different paths half a world apart when their plan to emigrate to America falls afoul of war, conscription, and revolution…Billy's sister, Ethel, a housekeeper for the aristocratic Fitzherberts, takes a fateful step above her station, while Lady Maud Fitzherbert herself crosses deep into forbidden territory when she falls in love with Walter von Ulrich, a spy at the German embassy in London…These characters and many others find their lives inextricably entangled as, in a saga of unfolding drama and intriguing complexity, Fall of Giants moves seamlessly from Washington to St. Petersburg, from the dirt and danger of a coal mine to the glittering chandeliers of a palace, from the corridors of power to the bedrooms of the mighty. As always with Ken Follett, the historical background is brilliantly researched and rendered, the action fast-moving, the characters rich in nuance and emotion. It is destined to be a new classic.In future volumes of The Century Trilogy, subsequent generations of the same families will travel through the great events of the rest of the twentieth century, changing themselves-and the century itself. With passion and the hand of a master, Follett brings us into a world we thought we knew, but now will never seem the same again.

Кен Фоллетт

Историческая проза

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Владимир Бартол

Проза / Историческая проза