Читаем Fall of Giants полностью

“Thank you, Len,” said Da. “I have two motions on the table, then: Strike tomorrow, or strike Monday. Who else would like to speak?”

Billy watched his father manage the meeting. The next man called was Giuseppe “Joey” Ponti, top soloist with the Aberowen Male Voice Choir, older brother of Billy’s schoolmate Johnny. Despite his Italian name, he had been born in Aberowen and spoke with the same accent as every other man in the room. He, too, argued for an immediate strike.

Da then said: “In fairness, may I have a speaker in favor of striking on Monday?”

Billy wondered why Da did not throw his personal authority into the balance. If he argued for Monday he might change their minds. But then, if he failed, he would be in an awkward position, leading a strike that he had argued against. Da was not completely free to say what he felt, Billy realized.

The discussion ranged widely. Coal stocks were high, so the management could hold out; but demand was high too, and they would want to sell while they could. Spring was coming, so miners’ families would soon be able to manage without their ration of free coal. The miners’ case was well grounded in long-established practise, but the letter of the law was on the management’s side.

Da let the discussion run on, and some of the speeches became tedious. Billy wondered what his father’s motivation was, and guessed he was hoping that heads would cool. But in the end he had to put it to the vote.

“First, all those in favor of no strike at all.”

A few men raised their hands.

“Next, those in favor of a strike starting Monday.”

There was a strong vote for this, but Billy was not sure if it was enough to win. It would depend upon how many men abstained.

“Finally, those in favor of a strike starting tomorrow.”

There was a cheer, and a forest of arms waved in the air. There could be no doubt about the result.

“The motion to strike tomorrow is passed,” Da said. No one proposed a count.

The meeting broke up. As they went out, Tommy said brightly: “Day off, tomorrow, then.”

“Aye,” said Billy. “And no money to spend.”

{IV}

The first time Fitz went with a prostitute, he had tried to kiss her-not because he wanted to, but he assumed it was the done thing. “I don’t kiss,” she had said abruptly in her cockney accent, and after that he had never tried it again. Bing Westhampton said a lot of prostitutes refused to kiss, which was odd, considering what other intimacies they permitted. Perhaps that trivial prohibition preserved a remnant of their dignity.

Girls of Fitz’s social class were not supposed to kiss anyone before marriage. They did, of course, but only in rare moments of brief privacy, in a suddenly deserted side room at a ball, or behind a rhododendron bush in a country garden. There was never time for passion to develop.

The only woman Fitz had kissed properly was his wife, Bea. She gave him her body as a cook might present a special cake, fragrant and sugared and beautifully decorated for his enjoyment. She let him do anything, but made no demands. She offered her lips for him to kiss, and opened her mouth to his tongue, but he never felt she was hungry for his touch.

Ethel kissed as if she had one minute left to live.

They stood in the Gardenia Suite, beside the bed covered with its dust sheet, wrapped in each other’s arms. She sucked his tongue and bit his lips and licked his throat, and at the same time she stroked his hair, clutched the back of his neck, and thrust her hands under his waistcoat so that she could rub her palms against his chest. When at last they broke apart, out of breath, she put her hands either side of his face, holding his head still, staring at him, and said: “You are so beautiful.”

He sat on the edge of the bed, holding her hands, and she stood in front of him. He knew that some men regularly seduced their servants, but he did not. When he was fifteen he had fallen in love with a parlor maid at the London house: his mother had guessed it within a few days and sacked the girl immediately. His father had smiled and said: “Good choice, though.” Since then he had not touched an employee. But he could not resist Ethel.

She said: “Why have you come back? You were expected to stay in London all of May.”

“I wanted to see you.” He could tell that she found it hard to believe him. “I kept thinking about you, all day, every day, and I just had to come back.”

She bent down and kissed him again. Holding the kiss, he slowly fell back on the bed, pulling her with him until she was lying on top of him. She was so slim that she weighed no more than a child. Her hair escaped from its pins and he buried his fingers in her glossy curls.

After a while she rolled off and lay beside him, panting. He leaned on his elbow and looked at her. She had said he was beautiful, but right now she was the prettiest thing he had ever seen. Her cheeks were flushed, her hair was mussed, and her red lips were moist and parted. Her dark eyes gazed at him with adoration.

Перейти на страницу:

Все книги серии Century Trilogy

Fall of Giants
Fall of Giants

Follett takes you to a time long past with brio and razor-sharp storytelling. An epic tale in which you will lose yourself."– The Denver Post on World Without EndKen Follett's World Without End was a global phenomenon, a work of grand historical sweep, beloved by millions of readers and acclaimed by critics as "well-researched, beautifully detailed [with] a terrifically compelling plot" (The Washington Post) and "wonderful history wrapped around a gripping story" (St. Louis Post- Dispatch)Fall of Giants is his magnificent new historical epic. The first novel in The Century Trilogy, it follows the fates of five interrelated families-American, German, Russian, English, and Welsh-as they move through the world-shaking dramas of the First World War, the Russian Revolution, and the struggle for women's suffrage.Thirteen-year-old Billy Williams enters a man's world in the Welsh mining pits…Gus Dewar, an American law student rejected in love, finds a surprising new career in Woodrow Wilson's White House…two orphaned Russian brothers, Grigori and Lev Peshkov, embark on radically different paths half a world apart when their plan to emigrate to America falls afoul of war, conscription, and revolution…Billy's sister, Ethel, a housekeeper for the aristocratic Fitzherberts, takes a fateful step above her station, while Lady Maud Fitzherbert herself crosses deep into forbidden territory when she falls in love with Walter von Ulrich, a spy at the German embassy in London…These characters and many others find their lives inextricably entangled as, in a saga of unfolding drama and intriguing complexity, Fall of Giants moves seamlessly from Washington to St. Petersburg, from the dirt and danger of a coal mine to the glittering chandeliers of a palace, from the corridors of power to the bedrooms of the mighty. As always with Ken Follett, the historical background is brilliantly researched and rendered, the action fast-moving, the characters rich in nuance and emotion. It is destined to be a new classic.In future volumes of The Century Trilogy, subsequent generations of the same families will travel through the great events of the rest of the twentieth century, changing themselves-and the century itself. With passion and the hand of a master, Follett brings us into a world we thought we knew, but now will never seem the same again.

Кен Фоллетт

Историческая проза

Похожие книги

Живая вещь
Живая вещь

«Живая вещь» — это второй роман «Квартета Фредерики», считающегося, пожалуй, главным произведением кавалерственной дамы ордена Британской империи Антонии Сьюзен Байетт. Тетралогия писалась в течение четверти века, и сюжет ее также имеет четвертьвековой охват, причем первые два романа вышли еще до удостоенного Букеровской премии международного бестселлера «Обладать», а третий и четвертый — после. Итак, Фредерика Поттер начинает учиться в Кембридже, неистово жадная до знаний, до самостоятельной, взрослой жизни, до любви, — ровно в тот момент истории, когда традиционно изолированная Британия получает массированную прививку европейской культуры и начинает необратимо меняться. Пока ее старшая сестра Стефани жертвует учебой и научной карьерой ради семьи, а младший брат Маркус оправляется от нервного срыва, Фредерика, в противовес Моне и Малларме, настаивавшим на «счастье постепенного угадывания предмета», предпочитает называть вещи своими именами. И ни Фредерика, ни Стефани, ни Маркус не догадываются, какая в будущем их всех ждет трагедия…Впервые на русском!

Антония Сьюзен Байетт

Историческая проза / Историческая литература / Документальное
Добро не оставляйте на потом
Добро не оставляйте на потом

Матильда, матриарх семьи Кабрелли, с юности была резкой и уверенной в себе. Но она никогда не рассказывала родным об истории своей матери. На закате жизни она понимает, что время пришло и история незаурядной женщины, какой была ее мать Доменика, не должна уйти в небытие…Доменика росла в прибрежном Виареджо, маленьком провинциальном городке, с детства она выделялась среди сверстников – свободолюбием, умом и желанием вырваться из традиционной канвы, уготованной для женщины. Выучившись на медсестру, она планирует связать свою жизнь с медициной. Но и ее планы, и жизнь всей Европы разрушены подступающей войной. Судьба Доменики окажется связана с Шотландией, с морским капитаном Джоном Мак-Викарсом, но сердце ее по-прежнему принадлежит Италии и любимому Виареджо.Удивительно насыщенный роман, в основе которого лежит реальная история, рассказывающий не только о жизни итальянской семьи, но и о судьбе британских итальянцев, которые во Вторую мировую войну оказались париями, отвергнутыми новой родиной.Семейная сага, исторический роман, пейзажи тосканского побережья и прекрасные герои – новый роман Адрианы Трижиани, автора «Жены башмачника», гарантирует настоящее погружение в удивительную, очень красивую и не самую обычную историю, охватывающую почти весь двадцатый век.

Адриана Трижиани

Историческая проза / Современная русская и зарубежная проза
Испанский вариант
Испанский вариант

Издательство «Вече» в рамках популярной серии «Военные приключения» открывает новый проект «Мастера», в котором представляет творчество известного русского писателя Юлиана Семёнова. В этот проект будут включены самые известные произведения автора, в том числе полный рассказ о жизни и опасной работе легендарного литературного героя разведчика Исаева Штирлица. В данную книгу включена повесть «Нежность», где автор рассуждает о буднях разведчика, одиночестве и ностальгии, конф­ликте долга и чувства, а также романы «Испанский вариант», переносящий читателя вместе с героем в истекающую кровью республиканскую Испанию, и «Альтернатива» — захватывающее повествование о последних месяцах перед нападением гитлеровской Германии на Советский Союз и о трагедиях, разыгравшихся тогда в Югославии и на Западной Украине.

Юлиан Семенов , Юлиан Семенович Семенов

Детективы / Исторический детектив / Политический детектив / Проза / Историческая проза