Читаем Fall of Giants полностью

He put his hand on her hip, then stroked her thigh. She covered his hand with her own, holding it still, as if afraid he was going too far. She said: “Why do they call you Fitz? Your name is Edward, isn’t it?”

She was talking in an attempt to let their passion cool, he felt sure. “It started at school,” he said. “All the boys had nicknames. Then Walter von Ulrich came home with me one vacation, and Maud picked it up from him.”

“Before that, what did your parents call you?”

“Teddy.”

“Teddy,” she said, trying it on her tongue. “I like it better than Fitz.”

He started to stroke her thigh again, and this time she let him. Kissing her, he slowly pulled up the long skirt of her black housekeeper’s dress. She wore calf-length stockings, and he stroked her bare knees. Above the knee she had long cotton underdrawers. He touched her legs through the cotton, then moved his hand to the fork of her thighs. When he touched her there, she groaned and thrust upward against his hand.

“Take them off,” he whispered.

“No!”

He found the drawstring at the waist. It was tied in a bow. He undid the knot with a tug.

She put her hand over his again. “Stop.”

“I just want to touch you there.”

“I want it more than you do,” she said. “But no.”

He knelt up on the bed. “We won’t do anything you don’t want,” he said. “I promise.” Then he took the waist of her drawers in both hands and ripped the material apart. She gasped with shock, but she did not protest. He lay down again and explored her with his hand. She parted her legs immediately. Her eyes were closed and she was breathing hard, as if she had been running. He guessed that no one had done this to her before, and a faint voice told him he should not take advantage of her innocence, but he was too far gone in desire to listen.

He unbuttoned his trousers and lay on top of her.

“No,” she said.

“Please.”

“What if I fall for a baby?”

“I’ll withdraw before the end.”

“Promise?”

“I promise,” he said, and he slid inside her.

He felt an obstruction. She was a virgin. His conscience spoke again, and this time its voice was not so faint. He stopped. But now it was she who was too far gone. She grasped his hips and pulled him into her, raising herself slightly at the same time. He felt something break, and she gave a sharp cry of pain, then the obstruction was gone. As he moved in and out, she matched his rhythm eagerly. She opened her eyes and looked at his face. “Oh, Teddy, Teddy,” she said, and he saw that she loved him. The thought moved him almost to tears, and at the same time excited him beyond control, and his climax came unexpectedly soon. In desperate haste he withdrew, and spilled his seed on her thigh with a groan of passion mingled with disappointment. She put her hand behind his head and pulled his face to hers, kissing him wildly, then she closed her eyes and gave a small cry that sounded like surprise and pleasure; and then it was over.

I hope I pulled out in time, he thought.

{V}

Ethel went about her work as usual, but all the time she felt as if she had a secret diamond in her pocket that she could touch from time to time, feeling its slick surfaces and its sharp edges when no one was looking.

In her more sober moments she worried about what this love meant and where it was going, and now and again she was horrified by the thought of what her God-fearing socialist father would think if he found out. But most of the time she just felt as if she was dropping through the air with no way to arrest her fall. She loved the way he walked, the way he smelled, his clothes, his careful good manners, his air of authority. She also loved the way he occasionally looked bewildered. And when he came out of his wife’s room with that hurt look on his face, she could cry. She was in love and out of control.

Most days she spoke to him at least once, and they usually managed a few moments alone and a long, yearning kiss. Just kissing him made her wet, and she sometimes had to wash her drawers in the middle of the day. He took other liberties, too, whenever there was a chance, touching her body all over, which made her more excited. Twice more they had been able to meet in the Gardenia Suite and lie on the bed.

One thing puzzled Ethel: both times they had lain together, Fitz had bitten her, quite hard, once on her inner thigh and once on her breast. It had caused her to give a cry of pain, hastily muffled. The cry seemed to inflame him more. And, although it hurt, at the same time she, too, was aroused by the bite, or at least by the thought that his desire for her was so overwhelming that he was driven to express it that way. She had no idea whether this was normal, and no one she could ask.

But her main worry was that one day Fitz would fail to withdraw at the crucial moment. The tension was so high that it was almost a relief when he and Princess Bea had to go back to London.

Перейти на страницу:

Все книги серии Century Trilogy

Fall of Giants
Fall of Giants

Follett takes you to a time long past with brio and razor-sharp storytelling. An epic tale in which you will lose yourself."– The Denver Post on World Without EndKen Follett's World Without End was a global phenomenon, a work of grand historical sweep, beloved by millions of readers and acclaimed by critics as "well-researched, beautifully detailed [with] a terrifically compelling plot" (The Washington Post) and "wonderful history wrapped around a gripping story" (St. Louis Post- Dispatch)Fall of Giants is his magnificent new historical epic. The first novel in The Century Trilogy, it follows the fates of five interrelated families-American, German, Russian, English, and Welsh-as they move through the world-shaking dramas of the First World War, the Russian Revolution, and the struggle for women's suffrage.Thirteen-year-old Billy Williams enters a man's world in the Welsh mining pits…Gus Dewar, an American law student rejected in love, finds a surprising new career in Woodrow Wilson's White House…two orphaned Russian brothers, Grigori and Lev Peshkov, embark on radically different paths half a world apart when their plan to emigrate to America falls afoul of war, conscription, and revolution…Billy's sister, Ethel, a housekeeper for the aristocratic Fitzherberts, takes a fateful step above her station, while Lady Maud Fitzherbert herself crosses deep into forbidden territory when she falls in love with Walter von Ulrich, a spy at the German embassy in London…These characters and many others find their lives inextricably entangled as, in a saga of unfolding drama and intriguing complexity, Fall of Giants moves seamlessly from Washington to St. Petersburg, from the dirt and danger of a coal mine to the glittering chandeliers of a palace, from the corridors of power to the bedrooms of the mighty. As always with Ken Follett, the historical background is brilliantly researched and rendered, the action fast-moving, the characters rich in nuance and emotion. It is destined to be a new classic.In future volumes of The Century Trilogy, subsequent generations of the same families will travel through the great events of the rest of the twentieth century, changing themselves-and the century itself. With passion and the hand of a master, Follett brings us into a world we thought we knew, but now will never seem the same again.

Кен Фоллетт

Историческая проза

Похожие книги

Живая вещь
Живая вещь

«Живая вещь» — это второй роман «Квартета Фредерики», считающегося, пожалуй, главным произведением кавалерственной дамы ордена Британской империи Антонии Сьюзен Байетт. Тетралогия писалась в течение четверти века, и сюжет ее также имеет четвертьвековой охват, причем первые два романа вышли еще до удостоенного Букеровской премии международного бестселлера «Обладать», а третий и четвертый — после. Итак, Фредерика Поттер начинает учиться в Кембридже, неистово жадная до знаний, до самостоятельной, взрослой жизни, до любви, — ровно в тот момент истории, когда традиционно изолированная Британия получает массированную прививку европейской культуры и начинает необратимо меняться. Пока ее старшая сестра Стефани жертвует учебой и научной карьерой ради семьи, а младший брат Маркус оправляется от нервного срыва, Фредерика, в противовес Моне и Малларме, настаивавшим на «счастье постепенного угадывания предмета», предпочитает называть вещи своими именами. И ни Фредерика, ни Стефани, ни Маркус не догадываются, какая в будущем их всех ждет трагедия…Впервые на русском!

Антония Сьюзен Байетт

Историческая проза / Историческая литература / Документальное
Добро не оставляйте на потом
Добро не оставляйте на потом

Матильда, матриарх семьи Кабрелли, с юности была резкой и уверенной в себе. Но она никогда не рассказывала родным об истории своей матери. На закате жизни она понимает, что время пришло и история незаурядной женщины, какой была ее мать Доменика, не должна уйти в небытие…Доменика росла в прибрежном Виареджо, маленьком провинциальном городке, с детства она выделялась среди сверстников – свободолюбием, умом и желанием вырваться из традиционной канвы, уготованной для женщины. Выучившись на медсестру, она планирует связать свою жизнь с медициной. Но и ее планы, и жизнь всей Европы разрушены подступающей войной. Судьба Доменики окажется связана с Шотландией, с морским капитаном Джоном Мак-Викарсом, но сердце ее по-прежнему принадлежит Италии и любимому Виареджо.Удивительно насыщенный роман, в основе которого лежит реальная история, рассказывающий не только о жизни итальянской семьи, но и о судьбе британских итальянцев, которые во Вторую мировую войну оказались париями, отвергнутыми новой родиной.Семейная сага, исторический роман, пейзажи тосканского побережья и прекрасные герои – новый роман Адрианы Трижиани, автора «Жены башмачника», гарантирует настоящее погружение в удивительную, очень красивую и не самую обычную историю, охватывающую почти весь двадцатый век.

Адриана Трижиани

Историческая проза / Современная русская и зарубежная проза
Испанский вариант
Испанский вариант

Издательство «Вече» в рамках популярной серии «Военные приключения» открывает новый проект «Мастера», в котором представляет творчество известного русского писателя Юлиана Семёнова. В этот проект будут включены самые известные произведения автора, в том числе полный рассказ о жизни и опасной работе легендарного литературного героя разведчика Исаева Штирлица. В данную книгу включена повесть «Нежность», где автор рассуждает о буднях разведчика, одиночестве и ностальгии, конф­ликте долга и чувства, а также романы «Испанский вариант», переносящий читателя вместе с героем в истекающую кровью республиканскую Испанию, и «Альтернатива» — захватывающее повествование о последних месяцах перед нападением гитлеровской Германии на Советский Союз и о трагедиях, разыгравшихся тогда в Югославии и на Западной Украине.

Юлиан Семенов , Юлиан Семенович Семенов

Детективы / Исторический детектив / Политический детектив / Проза / Историческая проза