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Miranda’s voice was cold. “I told you to stop talking.” She pulled a flare gun from her waistband and pointed it at Elizabeth’s head. “Not another word.”

They continued to edge upward, and Miranda’s foothold on the small ridges grew increasingly precarious. Nora stayed silent. She forced herself to keep from focusing on the muzzle pressed to Elizabeth’s temple, and looked instead into the child’s frightened eyes. Don’t speak, Lizzabet, she urged silently. Keep still—

Without warning, Miranda’s right foot went from under her. This was their only chance.

Seizing Elizabeth by the hand, Nora pushed the child ahead of her, shouting: “Keep going up! Don’t look down, just keep going. Go!” She followed, feeling for footholds, struggling to keep from slipping down the steep incline. As a cloud of mist began to envelop the headland, Nora knew that Miranda was close behind, but the only sounds she could hear were her own ragged breathing and the pulse of the surf below.

After a few seconds, she felt Miranda’s fingers grasp at her ankle. “Keep going,” she urged Elizabeth. “Don’t stop!” Giving a sharp thrust downward, Nora heard a cry as her foot made contact with some part of Miranda’s body. “Not much farther,” she shouted upward again. “Keep going. Can you see the top?”

Through the mist she saw a pair of legs cantilever out for a few seconds, and then disappear from view. “Run back to the house, Elizabeth. Find Cormac.”

Reaching the top a few seconds later, Nora heaved herself up over the edge and staggered to her feet, scrabbling up the gravel wash where Elizabeth had fled. She hadn’t gone more than ten yards when Miranda tackled her from behind. They rolled down the steep incline, until Nora’s head and arms dangled over the edge. The wind had come up, and now waves below churned violently.

<p>9</p>

Nora was pinned, with Miranda astride her, holding a stone in both hands above her head. She grabbed for Miranda’s wrists, trying to keep the deadly weapon at arm’s length. They struggled, and finally, with a sharp twist, Nora pushed Miranda aside and scrambled to her feet. She raced for the top of the hill, but again Miranda came from behind and lunged at her, sending them both sprawling down the rocky bed of scree. They struggled to their feet, hanging on to one another, banged up and breathing heavily, like grapplers in a ring. A voice sounded above them: “Miranda—what are you doing?”

They both looked up to see Peter at the top of the ridge. He came skidding down the loose stones, nearly losing his balance. “What’s going on?”

Nora knew she only had one more chance. She took Miranda by the shoulders. “Tell me—do you ever wake up and not remember what happened?”

Peter cut in: “Miranda, don’t listen to that—”

But Nora could see that her question had struck home, and she kept talking. “How many times has it happened? Once, twice—more? That’s GHB—liquid ecstasy—you can’t remember anything. He’s already turned on you, Miranda. Just like he turned on Tríona.”

“That’s a lie, Miranda. You know how she twists everything—” Peter began to inch forward, but Miranda raised a hand to warn him off.

“Shut up—just shut up, both of you!”

No one spoke. Nora’s left foot, bracing against the rim of the precipice, began to tremble. She glanced down as a few small pebbles tumbled off the edge and disappeared.

Miranda spoke: “That stuff—how does it make you feel?”

“Ready to fuck anything. And then it makes you sleep—”

Peter had begun to edge closer. Nora looked into his eyes and saw the same expression she’d seen there the morning after Tríona’s murder. He was perfectly calm. A person might even imagine that he was enjoying himself. And why shouldn’t he, when his two biggest troubles were about to take care of each other? He didn’t have to lift a finger, and he was about to triumph yet again.

Nora suddenly stopped struggling. She felt so outrageously tired. “Go ahead,” she said to Miranda. “Push me. See what happens. He’ll tell the police he tried to stop you. You’ll go down for murder, and he’ll be rid of us both. That’s what he really wants.” She started to pull Miranda closer to the edge. “It would be even more convenient if we went down together.” Miranda’s feet were skidding along the gravel bed as Nora pulled her along.

“Peter—help me! She’s trying to kill me!”

But Peter kept his distance, as Nora knew he would. “Miranda, don’t try anything foolish.”

Nora could see the fear in Miranda’s eyes. “He wants you to try something foolish, don’t you see? That’s exactly what he wants. Whatever happens here, he’s sitting pretty, rid of us both—just like that.”

All at once, something happened that Nora had not anticipated. Elizabeth slid down the gravel wash, shouting, “Stop it, stop it—all of you!” She began to flail with both fists against Miranda’s back. “Leave her alone! Leave Nora alone!”

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False Mermaid
False Mermaid

AWARD-WINNING AUTHOR ERIN HART DELIVERS A SEARING NEW NOVEL OF SUSPENSE, BRILLIANTLY MELDING MODERN FORENSICS AND IRISH MYTH AND MYSTERY IN THIS CHARGED THRILLER.American pathologist Nora Gavin fled to Ireland three years ago, hoping that distance from home would bring her peace. Though she threw herself into the study of bog bodies and the mysteries of their circumstances, she was ultimately led back to the one mystery she was unable to solve: the murder of her sister, Tríona. Nora can't move forward until she goes back—back to her home, to the scene of the crime, to the source of her nightmares and her deepest regrets.Determined to put her sister's case to rest and anxious about her eleven-year-old niece, Elizabeth, Nora returns to Saint Paul, Minnesota, to find that her brother-in-law, Peter Hallett, is about to remarry and has plans to leave the country with his new bride. Nora has long suspected Hallett in Tríona's murder, though there has never been any proof of his involvement, and now she believes that his new wife and Elizabeth may both be in danger. Time is short, and as Nora begins reinvestigating her sister's death, missed clues and ever-more disturbing details come to light. What is the significance of the "false mermaid" seeds found on Tríona's body? Why was her behavior so erratic in the days before her murder?Is there a link between Tríona's death and that of another young woman?Nora's search for answers takes her from the banks of the Mississippi to the cliffs of Ireland, where the eerie story of a fisherman's wife who vanished more than a century ago offers up uncanny parallels. As painful secrets come to light, Nora is drawn deeper into a past that still threatens to engulf her and must determine how much she is prepared to sacrifice to put one tragedy to rest… and to make sure that history doesn't repeat itself.

Эрин Харт

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— Адель, милая, у нас тут проблема: другу надо настроение поднять. Невеста укатила без обратного билета, — Михаил отрывается от телефона и обращается к приятелям: — Брюнетку или блондинку?— Брюнетку! - требует Степан. — Или блондинку. А двоих можно?— Ади, у нас глаза разбежались. Что-то бы особенное для лучшего друга. О! А такие бывают?Михаил возвращается к гостям:— У них есть студентка юрфака, отличница. Чиста как слеза, в глазах ум, попа орех. Занималась балетом. Либо она, либо две блондинки. В паре девственница не работает. Стесняется, — ржет громко.— Петь, ты лучше всего Артёма знаешь. Целку или двух?— Студентку, — Петр делает движение рукой, дескать, гори всё огнем.— Мы выбрали девицу, Ади. Там перевяжи ее бантом или в коробку посади, — хохот. — Да-да, подарочек же.

Агата Рат , Арина Теплова , Елена Михайловна Бурунова , Михаил Еремович Погосов , Ольга Вечная

Детективы / Триллер / Современные любовные романы / Прочие Детективы / Эро литература