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Ireland and Brittany remain especially the regions in which fairy beliefs widely prevail; and the attachment of the people there to religion may have something to do with the continuance of the belief in fairies…

There is a queer imagination about this. When fairies want to take a person away from this world into fairy-land, the Irish say that they make the person melancholy, tired of life. If you are melancholy and do not care whether you live or die, the fairies get power to take you away. You die and your soul becomes a fairy… Mysterious disappearances of peasant women are sometimes thus accounted for in Ireland. Very possibly the woman has been killed, or lost in a bog.

Life and Literature, by Lafcadio Hearn, from a series of lectures delivered at the University of Tokyo between 1896 and 1902, selected and edited with an introduction by John Erskine, Ph.D., Professor of English at Columbia University, 1917
<p>1</p>

Frank Cordova held the phone receiver to his ear, unsure that he had heard correctly. He felt as if he’d taken a hard punch to the sternum. It didn’t seem possible that Peter Hallett was dead. Five long years and it was all over, just like that.

Miranda Staunton had confessed to killing Tríona, but everything he had suspected since that conversation with Gordon MacLeish was true. Peter Hallett had murdered his wife as surely as if he had crushed her skull himself. Just as he had murdered his aunt and uncle all those years ago in Maine. But when Nora told him how it all went down, Frank hadn’t felt vindicated at all—he felt robbed, cheated out of his chance to look that bastard in the face inside a courtroom, to present the evidence and hear the word pronounced from the bench: Guilty.

Did Nora feel as betrayed as he did, the whole focus of her life for the past five years suddenly snatched away? Maybe she’d found something else to replace it already. The pain in his chest wouldn’t seem to go away.

“Frank—are you still there?” Her voice sounded distant. “There’s so much we haven’t talked about—”

He felt her presence at the other end of the connection and wondered if things had been different between them, if they had met in other circumstances—

But things had been as they were. Nothing to be done about it now. He cleared his throat. “I should let you get back to Elizabeth. Thanks for calling—”

After a pause, she said: “Look after yourself, Frank.” He closed his eyes and felt her hand brush against his face as it had that one brief, haunting night. “Promise me.”

“You too.” He felt the door of possibility about to close again, this time forever. “Good-bye, Nora.”

He hung up the phone. Looking at the piles on his desk, thinking about all the misdirected, messed-up lives they represented, he felt an immense, cavernous emptiness. It was as if all his insides had been removed, and the open space left behind had been scoured clean. And yet there was one thing, one tiny detail that tugged at him: how Elizabeth Hallett had not only survived a fall that had killed her father and Miranda, but was apparently uninjured. Sometimes the innocents survived. The only way to describe it was miraculous.

Milagroso! The word fluttered up from somewhere inside him, and with it he felt the breath of the curandero’s fan.

<p>2</p>

After washing up on the beach at Port na Rón, Elizabeth slept. She was not in a coma, the doctors said, but in a state of hypersomnia, long hours of deep slumber from which she could be roused only with great difficulty. Her eyes would open occasionally, but the wakefulness didn’t last. The larger mystery, from a medical standpoint, was how she hadn’t sustained any major physical injuries—either internal or external—in her fall from the cliff. No one could explain it.

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False Mermaid
False Mermaid

AWARD-WINNING AUTHOR ERIN HART DELIVERS A SEARING NEW NOVEL OF SUSPENSE, BRILLIANTLY MELDING MODERN FORENSICS AND IRISH MYTH AND MYSTERY IN THIS CHARGED THRILLER.American pathologist Nora Gavin fled to Ireland three years ago, hoping that distance from home would bring her peace. Though she threw herself into the study of bog bodies and the mysteries of their circumstances, she was ultimately led back to the one mystery she was unable to solve: the murder of her sister, Tríona. Nora can't move forward until she goes back—back to her home, to the scene of the crime, to the source of her nightmares and her deepest regrets.Determined to put her sister's case to rest and anxious about her eleven-year-old niece, Elizabeth, Nora returns to Saint Paul, Minnesota, to find that her brother-in-law, Peter Hallett, is about to remarry and has plans to leave the country with his new bride. Nora has long suspected Hallett in Tríona's murder, though there has never been any proof of his involvement, and now she believes that his new wife and Elizabeth may both be in danger. Time is short, and as Nora begins reinvestigating her sister's death, missed clues and ever-more disturbing details come to light. What is the significance of the "false mermaid" seeds found on Tríona's body? Why was her behavior so erratic in the days before her murder?Is there a link between Tríona's death and that of another young woman?Nora's search for answers takes her from the banks of the Mississippi to the cliffs of Ireland, where the eerie story of a fisherman's wife who vanished more than a century ago offers up uncanny parallels. As painful secrets come to light, Nora is drawn deeper into a past that still threatens to engulf her and must determine how much she is prepared to sacrifice to put one tragedy to rest… and to make sure that history doesn't repeat itself.

Эрин Харт

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Эскортница
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— Адель, милая, у нас тут проблема: другу надо настроение поднять. Невеста укатила без обратного билета, — Михаил отрывается от телефона и обращается к приятелям: — Брюнетку или блондинку?— Брюнетку! - требует Степан. — Или блондинку. А двоих можно?— Ади, у нас глаза разбежались. Что-то бы особенное для лучшего друга. О! А такие бывают?Михаил возвращается к гостям:— У них есть студентка юрфака, отличница. Чиста как слеза, в глазах ум, попа орех. Занималась балетом. Либо она, либо две блондинки. В паре девственница не работает. Стесняется, — ржет громко.— Петь, ты лучше всего Артёма знаешь. Целку или двух?— Студентку, — Петр делает движение рукой, дескать, гори всё огнем.— Мы выбрали девицу, Ади. Там перевяжи ее бантом или в коробку посади, — хохот. — Да-да, подарочек же.

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