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He looked in at his father, and decided it was no mystery why the ancient gods had been so often imagined as moody, capricious parents. Something buried deep within the life-giving force bestowed a kind of extraordinary, mythic stature. How strange it was to see the person he had once imagined as a divine being, a colossus, reduced to mere mortal once again. Cormac turned away from that unsettling sight and stared down at the pale, bitter tea in his cup, now gone cold.

BOOK TWO

It was delightful and refreshing to see them disporting themselves in their native element. And their eyes! Such eyes! they were simply the loveliest I ever saw in any creature—large, dark, liquid, and lustrous, with a wistful, pleading, melancholy expression that went far to justify the local legend which represents them as a certain class of fallen spirits in metempsychosis, enduring a mitigated punishment for their sins. The seal has a way of looking right into your eyes, as though asking for sympathy and kind treatment. It makes one feel pitiful towards them, and I wonder exceedingly how the sailors who prosecute “seal-fishing” in the polar regions can have the heart to knock them on the head with a bludgeon.

The Home of a Naturalist, by the Reverend Biot Edmondston and his sister, Jessie M. E. Saxby, 1890

1

The light was all that Nora could register, because her whole body was on fire. Strong hands held her wrists while soft, slow kisses found her most sensitive places. When her phantom lover raised his head, the face belonged not to Cormac but to Frank Cordova. Caught in his grip, she watched his lips move in slow motion: Don’t be afraid. I’ll catch you. When she tried to pull away, the face altered again, and this time the eyes looking into hers belonged to Peter Hallett. She struggled harder. How could this be happening? It wasn’t real. She jerked awake and threw off the tangled sheets, shot through with cold fear and disoriented by the half light in the unfamiliar room. Heart still racing, she checked the locks on the doors and windows. Everything was secure; it was just a terrible dream. She didn’t dare try to sleep again.

When the doorbell buzzed at a quarter-past eight, she had been awake and dressed and going through the case files for nearly two hours. She tried to look out and see who was downstairs, without success. Who besides Frank Cordova even knew she was here? After the bell sounded a second time, she ventured down the narrow stairs and peered through the peephole to see Frank standing outside, freshly showered and shaved, looking not much the worse for wear after last night.

“I figured with the jet lag, you wouldn’t be able to sleep in,” he said, when she opened the door. “I’m really sorry about last night.” He was staring down at the threshold between them. “I shouldn’t drink. I was way out of line. Sorry.”

“I was nervous about seeing you, too.” The memory of his looming countenance in the dream this morning made her flush, but he didn’t seem to notice.

“So we’re okay?”

“Yeah, we’re okay. You want to come in?”

Relief broke over his face. “Yeah, sure.” He followed her upstairs into the small kitchen.

“Are you hungry? I don’t have much—”

He waved a hand, looking a little queasy at the prospect of solid food. “No—just coffee, if it’s handy.” He took a seat at the table, looking uncomfortable. He wasn’t tall, barely six feet, but he had the sort of masculine bulk that made the kitchen furniture seem almost child-sized. Nora kept the door to the sitting room closed. For some reason, she didn’t want him to see her makeshift incident room with files still spread across the floor.

She poured two cups of coffee, while he cast an appraising glance.

“Seems like Ireland agrees with you.”

Nora felt the blood rising to her face again, and this time, Frank seemed to take note.

“It was good to get some distance,” she said. “From everything. I think going away was the only thing that saved my sanity. You remember what it was like.”

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False Mermaid
False Mermaid

AWARD-WINNING AUTHOR ERIN HART DELIVERS A SEARING NEW NOVEL OF SUSPENSE, BRILLIANTLY MELDING MODERN FORENSICS AND IRISH MYTH AND MYSTERY IN THIS CHARGED THRILLER.American pathologist Nora Gavin fled to Ireland three years ago, hoping that distance from home would bring her peace. Though she threw herself into the study of bog bodies and the mysteries of their circumstances, she was ultimately led back to the one mystery she was unable to solve: the murder of her sister, Tríona. Nora can't move forward until she goes back—back to her home, to the scene of the crime, to the source of her nightmares and her deepest regrets.Determined to put her sister's case to rest and anxious about her eleven-year-old niece, Elizabeth, Nora returns to Saint Paul, Minnesota, to find that her brother-in-law, Peter Hallett, is about to remarry and has plans to leave the country with his new bride. Nora has long suspected Hallett in Tríona's murder, though there has never been any proof of his involvement, and now she believes that his new wife and Elizabeth may both be in danger. Time is short, and as Nora begins reinvestigating her sister's death, missed clues and ever-more disturbing details come to light. What is the significance of the "false mermaid" seeds found on Tríona's body? Why was her behavior so erratic in the days before her murder?Is there a link between Tríona's death and that of another young woman?Nora's search for answers takes her from the banks of the Mississippi to the cliffs of Ireland, where the eerie story of a fisherman's wife who vanished more than a century ago offers up uncanny parallels. As painful secrets come to light, Nora is drawn deeper into a past that still threatens to engulf her and must determine how much she is prepared to sacrifice to put one tragedy to rest… and to make sure that history doesn't repeat itself.

Эрин Харт

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Эскортница
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— Адель, милая, у нас тут проблема: другу надо настроение поднять. Невеста укатила без обратного билета, — Михаил отрывается от телефона и обращается к приятелям: — Брюнетку или блондинку?— Брюнетку! - требует Степан. — Или блондинку. А двоих можно?— Ади, у нас глаза разбежались. Что-то бы особенное для лучшего друга. О! А такие бывают?Михаил возвращается к гостям:— У них есть студентка юрфака, отличница. Чиста как слеза, в глазах ум, попа орех. Занималась балетом. Либо она, либо две блондинки. В паре девственница не работает. Стесняется, — ржет громко.— Петь, ты лучше всего Артёма знаешь. Целку или двух?— Студентку, — Петр делает движение рукой, дескать, гори всё огнем.— Мы выбрали девицу, Ади. Там перевяжи ее бантом или в коробку посади, — хохот. — Да-да, подарочек же.

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