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“Have you and Karin been partners long?” Nora could hear the brittle note in her voice.

Frank didn’t look up. “Two years.” From his tone, she knew he wasn’t in the mood to talk about Karin Bledsoe—or anything else.

She decided not to push. Maybe after that disastrous conversation a few minutes ago, she ought to count herself lucky that Frank was willing to stay here and work with her. That his need for justice was stronger than his pride.

They worked for a long time in silence, Frank removing bagged items one by one from each box and handing them to Nora. They both knew exactly what they were looking for: when Tríona’s body was discovered, her right shoe was missing, presumably lost at the crime scene or somewhere along the way to the parking garage. Her purse had been found in the car trunk with the body, but her cell phone—the same one Nora had tried calling from the hotel lobby—had never turned up.

The evidence collected from Natalie Russo’s grave site at Hidden Falls was mostly an odd assortment of litter. Nora counted at least a dozen cigarette butts, a couple of flattened beer cans, six sodden matchbooks, innumerable food wrappers, two used condoms, an empty spray paint can. How was it possible to focus on what was important? She watched Frank linger over a prescription pill bottle, trying to read the faded label, as she peered through evidence bags at a stone arrowhead; an ancient, corroded pocket watch; a rusty penknife. The next box contained a handful of mildewed pages that looked as though they’d been ripped from a book of poems. Nora watched as Frank flipped through the curled, black-smudged pages, looking for writing in the margin, underlined words, anything that might tell more. How was it possible to know which stories might be connected? Maybe the pill bottle and the cigarette butts were part of the same story—or perhaps the penknife and the poetry? It was also possible that these fragments were all from completely disconnected tales that overlapped only in the physical world, rubbing together in the layers of detritus left by different generations. Two hours later, they were getting near the end of their search through the evidence, with no sign of a shoe or a cell phone.

“There might be more on the way,” Frank said. “The state crime lab is still processing the rest.”

“What’s that?” Nora pointed to a manila envelope, the last item in the box.

Frank checked the label. “‘Soil and plant material.” He used his penknife to slit open the initialed seal and shook out a heap of dirt and organic material onto a large plastic tray.

Nora began to poke at the pile with a pencil. Some of the leaves were easily recognizable: cottonwood, ash and elm, buckthorn, along with loamy soil studded with many different kinds of seeds. She didn’t look up. “Frank, do you remember the stuff Buck Callaway combed from Tríona’s hair?”

“Sure—that’s how we knew her body had been moved.”

“If we compared these leaves and seeds—”

“What could that tell us? We already know Tríona was probably killed somewhere along the river.”

Nora spoke slowly: “Yes, but if Tríona was attacked near the spot where Natalie Russo was buried, she might have carried away something very specific to that site. We never had anything to compare to the material from Tríona’s hair. I’m just thinking—the leaves and seeds from a single parent plant carry the same genetic fingerprint.”

“But DNA testing takes weeks, months, you know that. The state crime lab is always backed up—”

Nora waved a hand to stop him. “The testing wouldn’t have to be done at the state lab. Do you remember Holly Blume, my friend at the University Herbarium? The forensic botanist who identified the seeds from Tríona’s hair. Her specialty is population genetics—she runs DNA profiles on plants all the time. We could ask Holly to compare the samples from the two cases, see if we can’t come up with a match on the crime scenes that way. It may be a long shot, but it’s at least worth a try.”

5

Thirty minutes later, Nora led Frank Cordova down an air-conditioned corridor on the eighth floor of the Biological Sciences Building on the University of Minnesota’s Saint Paul campus. She knocked on an office door, and a small, dark-haired woman answered. Holly Blume’s face brightened at the sight of her two unexpected visitors, but Nora was unprepared for her friend’s fierce embrace.

“Nora Gavin! What happened to you? You dropped off the face of the earth. We were all so worried about you—”

Nora had gone away believing that she’d lost everything, but perhaps she’d been mistaken in thinking she had lost all her friends. As Holly drew back to study her, Nora had to fight to keep her emotions in check. “I’m fine, Holly. I’ve been abroad for a while.”

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False Mermaid
False Mermaid

AWARD-WINNING AUTHOR ERIN HART DELIVERS A SEARING NEW NOVEL OF SUSPENSE, BRILLIANTLY MELDING MODERN FORENSICS AND IRISH MYTH AND MYSTERY IN THIS CHARGED THRILLER.American pathologist Nora Gavin fled to Ireland three years ago, hoping that distance from home would bring her peace. Though she threw herself into the study of bog bodies and the mysteries of their circumstances, she was ultimately led back to the one mystery she was unable to solve: the murder of her sister, Tríona. Nora can't move forward until she goes back—back to her home, to the scene of the crime, to the source of her nightmares and her deepest regrets.Determined to put her sister's case to rest and anxious about her eleven-year-old niece, Elizabeth, Nora returns to Saint Paul, Minnesota, to find that her brother-in-law, Peter Hallett, is about to remarry and has plans to leave the country with his new bride. Nora has long suspected Hallett in Tríona's murder, though there has never been any proof of his involvement, and now she believes that his new wife and Elizabeth may both be in danger. Time is short, and as Nora begins reinvestigating her sister's death, missed clues and ever-more disturbing details come to light. What is the significance of the "false mermaid" seeds found on Tríona's body? Why was her behavior so erratic in the days before her murder?Is there a link between Tríona's death and that of another young woman?Nora's search for answers takes her from the banks of the Mississippi to the cliffs of Ireland, where the eerie story of a fisherman's wife who vanished more than a century ago offers up uncanny parallels. As painful secrets come to light, Nora is drawn deeper into a past that still threatens to engulf her and must determine how much she is prepared to sacrifice to put one tragedy to rest… and to make sure that history doesn't repeat itself.

Эрин Харт

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Эскортница
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— Адель, милая, у нас тут проблема: другу надо настроение поднять. Невеста укатила без обратного билета, — Михаил отрывается от телефона и обращается к приятелям: — Брюнетку или блондинку?— Брюнетку! - требует Степан. — Или блондинку. А двоих можно?— Ади, у нас глаза разбежались. Что-то бы особенное для лучшего друга. О! А такие бывают?Михаил возвращается к гостям:— У них есть студентка юрфака, отличница. Чиста как слеза, в глазах ум, попа орех. Занималась балетом. Либо она, либо две блондинки. В паре девственница не работает. Стесняется, — ржет громко.— Петь, ты лучше всего Артёма знаешь. Целку или двух?— Студентку, — Петр делает движение рукой, дескать, гори всё огнем.— Мы выбрали девицу, Ади. Там перевяжи ее бантом или в коробку посади, — хохот. — Да-да, подарочек же.

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