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Holly considered for a moment. “In order to have any statistical credibility, you need enough material to establish allele frequencies, to say definitively that the plants in your two samples are related. I’d have to go down to the site myself to collect more samples—thirty is usually the magic number.”

Frank said: “The crime scene crews are finished up down there, but I’ll talk to the supervisor, let them know what you’ll need. They can give you a hand, if they know what to look for.”

“Even after I get the samples, you realize DNA results are going to take a few days.”

Frank said: “Unfortunately, time is the one thing we haven’t got. Our suspect is leaving the country Saturday. If we could find something before then—”

Holly stood and held up a hand. “Say no more—the sooner you two are on your way, the sooner I can get cracking.”

They were halfway down the hall when Holly stuck her head out the lab door and called after them. “I nearly forgot to say—you’ll also want to double check any clothing you might have in evidence for seeds and pollen grains. Plants are clever stowaways. They’re all about survival.”

6

After dropping Nora back at her apartment, Frank Cordova sat at the corner, waiting to turn east onto Summit Avenue. He happened to glance into the rearview mirror, and instead of seeing Nora, he saw a small, dark-eyed child standing in the car’s backseat. Suddenly he was that child, feeling hot vinyl upholstery burning the backs of his arms and legs, the soles of his feet as he stood looking into a pair of dark eyes that glared at him from the rearview mirror. There was no story, no context for the image, just terrible, crushing dread. And then the vision was gone; another random fragment of the past that floated briefly to the surface only to become submerged again. Frank put it out of his head. He had interviews to conduct, evidence to compare; there was no time for chasing phantoms.

But another memory surfaced: that girl’s body laid out on the table this morning, and he felt an almost electrical surge, then another. The vague fear that usually lived deep in his gut began to rise, and with it came the smell of dust, and the air of a closed-up space. He felt the unwelcome heat of someone close beside him, heard the rough breathing, the loud whisper that kept asking, Paco, what’s the matter? Why is Papi yelling? Stopping the questions took two hands. It also left his own ears open, but he had no choice. No one was supposed to know where they were. He cradled the back of his brother’s head with his left hand and clamped the other tight over Chago’s slobbery mouth, still mumbling beneath his fingers. He began to rock back and forth, hunching his shoulders, as if that might block his ears. He tried to drown out the noises in the next room by filling his head with a constant torrent of words: Please o h please oh please oh please—Díos te salve, María, llena eres de gracia, el Señor es contigo, bendita tú eres entre todas las mujeres, y bendito es el fruto de tu vientre, Jesús. Santa María, Madre de Dios, ruega por nosotros pecadores, ahora y en la hora de nuestra muerte. Amén. Please oh please oh please oh please oh please oh please— hoping somehow his hundreds of unvoiced prayers would help speed the merciful silence that always followed.

The noise of squealing tires suddenly roused him, as if from a trance. He swerved instinctively to avoid the car that came careening toward him, and jammed on the brakes. The other driver pulled up just short of a collision, his shocked face visible through the windshield. Cordova felt his heart pumping; he suddenly felt woozy and light-headed. The other car had come to a full stop just inches from his driver’s side door in the middle of the intersection. The cathedral was directly in front of him, and all at once he knew what had happened—he’d run the red light. The other driver pulled alongside and lowered his passenger window to let go a string of curses. Frank could see the man’s lips moving, but the words didn’t register. It occurred to him, in some faraway part of his brain, that he must be in shock. The other driver eventually gave up and sped off, raising his middle finger in the rearview mirror as a parting salute. Cordova stared down at his own hands, still gripping the steering wheel. He remembered dropping Nora, and the next thing he recalled was the sound of squealing tires. The time in between was blank. His hands were clammy and his mouth felt dry. He finally shifted his foot from the brake and pulled away from the intersection. Behind him, the normal flow of traffic resumed.

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False Mermaid
False Mermaid

AWARD-WINNING AUTHOR ERIN HART DELIVERS A SEARING NEW NOVEL OF SUSPENSE, BRILLIANTLY MELDING MODERN FORENSICS AND IRISH MYTH AND MYSTERY IN THIS CHARGED THRILLER.American pathologist Nora Gavin fled to Ireland three years ago, hoping that distance from home would bring her peace. Though she threw herself into the study of bog bodies and the mysteries of their circumstances, she was ultimately led back to the one mystery she was unable to solve: the murder of her sister, Tríona. Nora can't move forward until she goes back—back to her home, to the scene of the crime, to the source of her nightmares and her deepest regrets.Determined to put her sister's case to rest and anxious about her eleven-year-old niece, Elizabeth, Nora returns to Saint Paul, Minnesota, to find that her brother-in-law, Peter Hallett, is about to remarry and has plans to leave the country with his new bride. Nora has long suspected Hallett in Tríona's murder, though there has never been any proof of his involvement, and now she believes that his new wife and Elizabeth may both be in danger. Time is short, and as Nora begins reinvestigating her sister's death, missed clues and ever-more disturbing details come to light. What is the significance of the "false mermaid" seeds found on Tríona's body? Why was her behavior so erratic in the days before her murder?Is there a link between Tríona's death and that of another young woman?Nora's search for answers takes her from the banks of the Mississippi to the cliffs of Ireland, where the eerie story of a fisherman's wife who vanished more than a century ago offers up uncanny parallels. As painful secrets come to light, Nora is drawn deeper into a past that still threatens to engulf her and must determine how much she is prepared to sacrifice to put one tragedy to rest… and to make sure that history doesn't repeat itself.

Эрин Харт

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— Адель, милая, у нас тут проблема: другу надо настроение поднять. Невеста укатила без обратного билета, — Михаил отрывается от телефона и обращается к приятелям: — Брюнетку или блондинку?— Брюнетку! - требует Степан. — Или блондинку. А двоих можно?— Ади, у нас глаза разбежались. Что-то бы особенное для лучшего друга. О! А такие бывают?Михаил возвращается к гостям:— У них есть студентка юрфака, отличница. Чиста как слеза, в глазах ум, попа орех. Занималась балетом. Либо она, либо две блондинки. В паре девственница не работает. Стесняется, — ржет громко.— Петь, ты лучше всего Артёма знаешь. Целку или двух?— Студентку, — Петр делает движение рукой, дескать, гори всё огнем.— Мы выбрали девицу, Ади. Там перевяжи ее бантом или в коробку посади, — хохот. — Да-да, подарочек же.

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