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She sat up at the noise of twigs snapping underfoot, the random sounds of someone rummaging through the tangled vines and branches that littered the forest floor. Had someone followed her? It sounded like more than one person. She tried twisting around to see who was coming, but with her leg still buried nearly up to the calf, there was no way to escape. She pressed her back to the ground again, watching and waiting for the trespassers to come into view. When they did, the two pairs of plaintive, dark eyes observing her did not belong to anything human, but to a white-tailed doe and her fawn. The young deer, not yet grown out of his spots, had a twist of vine caught on his slender hind leg. The noise she’d heard was the crashing of his hobble through the underbrush. As they passed in front of her, the mother looked straight at her. Nora didn’t dare blink or breathe. The doe stood still, too, sniffing the air as her offspring flailed his leg in an effort to break free. Finally the vine came loose, and they bounded off together, disappearing silently into the undergrowth.

Relieved to be alone again, she tried pulling her foot from the ground, slow and steady, until at last it came free. She started to climb to her feet, considering that if she hadn’t been out on all those Irish bogs she wouldn’t have known what to do—and no doubt would have lost the shoe.

All at once, a slow, horrible knowledge, a formless cloud of recognition began moving through her, thinking about Tríona’s missing shoe. No one had ever thought to dig for it.

She fell to her knees and began to claw at the earth, not thinking, just scrabbling at the soft peat. She stopped suddenly, holding out her hands to find the nails completely blackened, just as Tríona’s had been. Closing her eyes, she saw her sister being chased through these woods, scrambling and falling through brambles and stinging nettles, finally caught and pinned down—

Nora tried to force the images from her head, but they would not leave. She raised her eyes to take in all the loamy ridges and areas of disturbed earth. At least half a dozen within sight, and many more scattered all through the woods. Every one a perfect place to conceal a body. All those missing women in Frank’s files—how many more might be buried here? Tríona’s words came back: There are things you don’t know… about Peter, about me. I’ve done things, too. You don’t know—unspeakable things—

Nora felt a wave of panic beginning to gather inside her. She began to run, but stumbled forward and fell, waiting to be swallowed up.

8

Nora lay on the damp ground, letting the terrible knowledge rise up out of the earth and seep into her. If Tríona had been here, and if she’d been digging, it could mean that she knew where Natalie Russo’s body was buried—

Isn’t it shocking, what you’ll do when you love someone?

To think of all the times she had listened to those words repeating over and over inside her head, never understanding what they could mean.

All at once there was a commotion a short distance away. Without stopping to think, Nora made a lunge for the fallen tree beside the path, leaping behind it just as two figures, male and female, came into view.

The woman spoke first: “Here it is, Rog. Let’s get set up here—and make sure you get that crime scene tape in the shot.”

Nora recognized the voice—Janelle Joyner, one of the local television reporters who had covered Tríona’s murder. Janelle had boasted to more than a few people that Tríona Hallett was going to be her ticket out of the Twin Cities, maybe even her springboard to national cable news. Evidently not everything had gone according to plan.

Janelle must have come here to tape one of her awful teasers for the evening news. Nora couldn’t bear to listen. She looked down the length of the massive tree trunk, hoping to find a way to escape without being seen, and found herself staring into a pair of dark eyes about ten feet away. A slender Asian man of indeterminate age had concealed himself behind the twisted roots of the same fallen tree. He eyed her warily, no doubt hoping that she wouldn’t raise an alarm. He had a basket slung around him, and a fishing pole in his left hand—could this be the fisherman who’d found Natalie Russo?

Nora raised herself to peer over the log, watching Janelle check her makeup in a compact. When the shot was set, the cameraman gave the signal to go, and Janelle’s face was suddenly transformed. If Nora hadn’t watched her put it on, the look of concern might have seemed real.

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False Mermaid
False Mermaid

AWARD-WINNING AUTHOR ERIN HART DELIVERS A SEARING NEW NOVEL OF SUSPENSE, BRILLIANTLY MELDING MODERN FORENSICS AND IRISH MYTH AND MYSTERY IN THIS CHARGED THRILLER.American pathologist Nora Gavin fled to Ireland three years ago, hoping that distance from home would bring her peace. Though she threw herself into the study of bog bodies and the mysteries of their circumstances, she was ultimately led back to the one mystery she was unable to solve: the murder of her sister, Tríona. Nora can't move forward until she goes back—back to her home, to the scene of the crime, to the source of her nightmares and her deepest regrets.Determined to put her sister's case to rest and anxious about her eleven-year-old niece, Elizabeth, Nora returns to Saint Paul, Minnesota, to find that her brother-in-law, Peter Hallett, is about to remarry and has plans to leave the country with his new bride. Nora has long suspected Hallett in Tríona's murder, though there has never been any proof of his involvement, and now she believes that his new wife and Elizabeth may both be in danger. Time is short, and as Nora begins reinvestigating her sister's death, missed clues and ever-more disturbing details come to light. What is the significance of the "false mermaid" seeds found on Tríona's body? Why was her behavior so erratic in the days before her murder?Is there a link between Tríona's death and that of another young woman?Nora's search for answers takes her from the banks of the Mississippi to the cliffs of Ireland, where the eerie story of a fisherman's wife who vanished more than a century ago offers up uncanny parallels. As painful secrets come to light, Nora is drawn deeper into a past that still threatens to engulf her and must determine how much she is prepared to sacrifice to put one tragedy to rest… and to make sure that history doesn't repeat itself.

Эрин Харт

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— Адель, милая, у нас тут проблема: другу надо настроение поднять. Невеста укатила без обратного билета, — Михаил отрывается от телефона и обращается к приятелям: — Брюнетку или блондинку?— Брюнетку! - требует Степан. — Или блондинку. А двоих можно?— Ади, у нас глаза разбежались. Что-то бы особенное для лучшего друга. О! А такие бывают?Михаил возвращается к гостям:— У них есть студентка юрфака, отличница. Чиста как слеза, в глазах ум, попа орех. Занималась балетом. Либо она, либо две блондинки. В паре девственница не работает. Стесняется, — ржет громко.— Петь, ты лучше всего Артёма знаешь. Целку или двух?— Студентку, — Петр делает движение рукой, дескать, гори всё огнем.— Мы выбрали девицу, Ади. Там перевяжи ее бантом или в коробку посади, — хохот. — Да-да, подарочек же.

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