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As she spoke, Nora felt a wave of exhaustion verging on dizziness. She reached up and touched the bandage on her forehead. More than anything in the world, she longed to sleep, but a host of worries pressed down on her. Around the next curve, they came to a Y-junction. Turning to the left, Nora coaxed the car along a rough patch of road. There it was, ahead on the left, a hill with a house tucked under it, just as the barman had said. Nora had never been so glad to arrive anywhere. The long dusk was beginning to settle. There were two cars parked outside, and she could see a light through the windows. Cormac was home, then. She pulled in behind his Jeep and turned to Elizabeth.

“Let me go in first—” She saw trepidation in her niece’s face. “Don’t worry. I’ll be right back, I promise.”

Elizabeth didn’t look up. She picked at the zipper on her backpack, and Nora noticed for the first time how the skin around her nails was chewed ragged. And the child never let go of that bloody pack—what on earth was she carrying around in there?

The door of the house was open as Nora rounded the corner, and the tinny noise of an old fiddle recording trickled out through the open door. She peered inside and saw the back of Cormac’s head, and felt a breaker of homesickness so strong it threatened to knock her down. He was sitting on an old leather sofa in front of the fireplace. She was just about to call out when a mop of ginger hair lifted from the crook of his shoulder. “Please don’t, Roz,” she heard him say. “Don’t cry. Everything’s going to be all right.”

The ground seemed to roil under her feet, and the music grew louder. She gripped the doorjamb, trying to remain upright, but felt her knees buckle. The floor came up abruptly to meet her.


Nora felt herself drifting in and out of consciousness for what seemed like a very long time. A damp cloth against her face, the sound of whispering voices. She had the same sensation as when she was a child, riding in the backseat when the adults thought she was asleep. The image of a car pricked her into alertness, and she sat up abruptly.

“Where’s Elizabeth? I left her in the car—”

Cormac’s voice was near, mingled notes of worry and relief: “Elizabeth is right here, Nora.” The child’s face loomed close as he continued. “You’ve only been out for a minute or two. We just got you inside the house.” His fingers brushed her face. “Rest awhile.”

Nora felt small, cold fingers press into her hand. No sign of the ginger-haired female. Maybe she was imagining things. She seemed to be drifting away again on the tide.

It must have been some time later when the chiming of a clock awakened her. Elizabeth was curled up at the other end of the sofa, draped in a blanket and fast asleep. Nora felt someone stir in the chair beside her. She looked up to find the ginger-haired woman, the one who’d been crying on Cormac’s shoulder. She was dry-eyed now, and spoke in a whisper: “How are you feeling?”

“Better.” Nora tried to sit up without disturbing Elizabeth. Her muscles were still stiff and sore from the impact of the crash. “How long was I asleep?”

“About an hour and a quarter,” the woman said. “I’m Roz Byrne, by the way—colleague of Cormac’s from UCD, and extraneous houseguest. He’s just gone into the kitchen—I’ll send him out to you, shall I?” She retreated through the sitting-room door, and Cormac emerged a second later.

“Nora—” He knelt on the floor and brought his face close. “How are you?”

“I’m all right. You must wonder what we’re doing here.”

“You’ve hardly had a chance to explain anything. Including that—” He gestured to the bandage on her head. “I was beginning to think you might have a concussion.”

“No—it’s just a scratch. Really.” Nora glanced back at Elizabeth, still slumbering deeply. It was amazing how much younger children could look while they were asleep. “It’s a very long story. Any chance of a cup of tea?”

Cormac helped her up, circling an arm around her waist as they moved across the room. Out in the hall, he stopped, pressing her against the wall with the length of his body, cradling the back of her head, kissing her with gently parted lips until she was floating, breathless with desire. He pressed his forehead against hers. “Sorry. But God, how I missed you, Nora. It seems like decades since you left.”

She raised a hand to touch his face. “I know. Lifetimes.”

4

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False Mermaid
False Mermaid

AWARD-WINNING AUTHOR ERIN HART DELIVERS A SEARING NEW NOVEL OF SUSPENSE, BRILLIANTLY MELDING MODERN FORENSICS AND IRISH MYTH AND MYSTERY IN THIS CHARGED THRILLER.American pathologist Nora Gavin fled to Ireland three years ago, hoping that distance from home would bring her peace. Though she threw herself into the study of bog bodies and the mysteries of their circumstances, she was ultimately led back to the one mystery she was unable to solve: the murder of her sister, Tríona. Nora can't move forward until she goes back—back to her home, to the scene of the crime, to the source of her nightmares and her deepest regrets.Determined to put her sister's case to rest and anxious about her eleven-year-old niece, Elizabeth, Nora returns to Saint Paul, Minnesota, to find that her brother-in-law, Peter Hallett, is about to remarry and has plans to leave the country with his new bride. Nora has long suspected Hallett in Tríona's murder, though there has never been any proof of his involvement, and now she believes that his new wife and Elizabeth may both be in danger. Time is short, and as Nora begins reinvestigating her sister's death, missed clues and ever-more disturbing details come to light. What is the significance of the "false mermaid" seeds found on Tríona's body? Why was her behavior so erratic in the days before her murder?Is there a link between Tríona's death and that of another young woman?Nora's search for answers takes her from the banks of the Mississippi to the cliffs of Ireland, where the eerie story of a fisherman's wife who vanished more than a century ago offers up uncanny parallels. As painful secrets come to light, Nora is drawn deeper into a past that still threatens to engulf her and must determine how much she is prepared to sacrifice to put one tragedy to rest… and to make sure that history doesn't repeat itself.

Эрин Харт

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