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The game of forfeits went on. Zinaïda sat me down beside her. She invented all sorts of extraordinary forfeits! She had among other things to represent a ‘statue,’ and she chose as a pedestal the hideous Nirmatsky, told him to bow down in an arch, and bend his head down on his breast. The laughter never paused for an instant. For me, a boy constantly brought up in the seclusion of a dignified manor-house, all this noise and uproar, this unceremonious, almost riotous gaiety, these relations with unknown persons, were simply intoxicating. My head went round, as though from wine. I began laughing and talking louder than the others, so much so that the old princess, who was sitting in the next room with some sort of clerk from the Tversky gate, invited by her for consultation on business, positively came in to look at me. But I felt so happy that I did not mind anything, I didn’t care a straw for any one’s jeers, or dubious looks. Zinaïda continued to show me a preference, and kept me at her side. In one forfeit, I had to sit by her, both hidden under one silk handkerchief: I was to tell her my secret. I remember our two heads being all at once in a warm, half-transparent, fragrant darkness, the soft, close brightness of her eyes in the dark, and the burning breath from her parted lips, and the gleam of her teeth and the ends of her hair tickling me and setting me on fire. I was silent. She smiled slyly and mysteriously, and at last whispered to me, ‘Well, what is it?’ but I merely blushed and laughed, and turned away, catching my breath. We got tired of forfeits – we began to play a game with a string. My God! what were my transports when, for not paying attention, I got a sharp and vigorous slap on my fingers from her, and how I tried afterwards to pretend that I was absent-minded, and she teased me, and would not touch the hands I held out to her! What didn’t we do that evening! We played the piano, and sang and danced and acted a gypsy encampment. Nirmatsky was dressed up as a bear, and made to drink salt water. Count Malevsky showed us several sorts of card tricks, and finished, after shuffling the cards, by dealing himself all the trumps at whist, on which Lushin ‘had the honour of congratulating him.’ Meidanov recited portions from his poem ‘The Manslayer’ (romanticism was at its height at this period), which he intended to bring out in a black cover with the title in blood-red letters; they stole the clerk’s cap off his knee, and made him dance a Cossack dance by way of ransom for it; they dressed up old Vonifaty in a woman’s cap, and the young princess put on a man’s hat… . I could not enumerate all we did. Only Byelovzorov kept more and more in the background, scowling and angry… . Sometimes his eyes looked bloodshot, he flushed all over, and it seemed every minute as though he would rush out upon us all and scatter us like shavings in all directions; but the young princess would glance at him, and shake her finger at him, and he would retire into his corner again.

We were quite worn out at last. Even the old princess, though she was ready for anything, as she expressed it, and no noise wearied her, felt tired at last, and longed for peace and quiet. At twelve o’clock at night, supper was served, consisting of a piece of stale dry cheese, and some cold turnovers of minced ham, which seemed to me more delicious than any pastry I had ever tasted; there was only one bottle of wine, and that was a strange one; a dark-coloured bottle with a wide neck, and the wine in it was of a pink hue; no one drank it, however. Tired out and faint with happiness, I left the lodge; at parting Zinaïda pressed my hand warmly, and again smiled mysteriously.

The night air was heavy and damp in my heated face; a storm seemed to be gathering; black stormclouds grew and crept across the sky, their smoky outlines visibly changing. A gust of wind shivered restlessly in the dark trees, and somewhere, far away on the horizon, muffled thunder angrily muttered as it were to itself.

I made my way up to my room by the back stairs. My old man-nurse was asleep on the floor, and I had to step over him; he waked up, saw me, and told me that my mother had again been very angry with me, and had wished to send after me again, but that my father had prevented her. (I had never gone to bed without saying good-night to my mother, and asking her blessing. There was no help for it now!)

I told my man that I would undress and go to bed by myself, and I put out the candle. But I did not undress, and did not go to bed.

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Иммануил Кант – самый влиятельный философ Европы, создатель грандиозной метафизической системы, основоположник немецкой классической философии.Книга содержит три фундаментальные работы Канта, затрагивающие философскую, эстетическую и нравственную проблематику.В «Критике способности суждения» Кант разрабатывает вопросы, посвященные сущности искусства, исследует темы прекрасного и возвышенного, изучает феномен творческой деятельности.«Критика чистого разума» является основополагающей работой Канта, ставшей поворотным событием в истории философской мысли.Труд «Основы метафизики нравственности» включает исследование, посвященное основным вопросам этики.Знакомство с наследием Канта является общеобязательным для людей, осваивающих гуманитарные, обществоведческие и технические специальности.

Иммануил Кант

Философия / Проза / Классическая проза ХIX века / Русская классическая проза / Прочая справочная литература / Образование и наука / Словари и Энциклопедии