Gone Tomorrow

THE LEAD SHEATH AROUND THE TRAPDOOR HAD BEEN beaten with felt hammers into gentle curves. No sharp corners. I got my gloved fingers under the edge opposite the hinge and yanked hard. No result. So I got serious. Two hands, eight fingers, bent legs, deep breath. I closed my eyes. I didn’t want to think about Peter Molina. So instead I pictured Lila Hoth’s insane smile at the camera right after she checked the Kabul taxi driver’s departed pulse.

I jerked the lid.

And the night started to unravel, right there and then.

I had hoped that the hasp’s screws would pull out of either the door or the frame. But they pulled out of both together. The padlock with the hasp still attached free-fell ten feet and thumped hard on the bare wooden floor below. A loud, emphatic, tympanic sound. Deep, resonant, and clear, followed immediately by the tinkle of the hasp itself and the patter of six separate screws.

Not good.

Not good at all.

I laid the trapdoor lid back and squatted on the roof and watched and listened.

Nothing happened for a second.

Then I heard a door open down on the fourth floor.

I aimed the MP5.

Nothing happened for another second. Then a head came into view up the stairs. Dark hair. A man. He had a gun in his hand. He saw the padlock on the floor. I saw the wheels turning in his head. Padlock, floor, screws, vertical fall. He peered upward. I saw his face. Number eleven on Springfield’s list. He saw me. The cloud above me was all lit up by the city’s glow. I guessed I was silhouetted quite clearly. He hesitated. I didn’t. I shot him more or less vertically through the top of his head. A burst of three. A triple tap. A brief muted purr. He went down with a loud clatter of shoes and hands and limbs, with two final big thumps as first the remains of his head and then his gun hit the boards. I watched the stairs for another long second and then vaulted through the open trapdoor and fell through the air and landed feet first next to the guy, which made another loud noise.

We were all through with secrecy.

Eleven rounds gone, nineteen remaining, four men down, two still up.

Plus the Hoths.

The phone vibrated in my pocket.

Not now, Lila.

I picked up the guy’s gun and opened the door to the front room on the left and backed into the shadow. Rested my shoulder on the wall and looked out at the stairs.

No one came up.

Stalemate.

The gun I had taken from the dead guy was a Sig-Sauer P220, with a fat silencer on it. Swiss manufacture. Nine-millimetre Parabellum, nine rounds in a detachable box magazine. The same ammunition I was using. I thumbed the rounds out and dropped them loose into my pocket. I put the empty gun on the floor. Then I stepped back to the hallway and ducked into the front room on the right. It was bare and empty. I paced out the studio layout as I remembered it from below. Closet, bathroom, kitchen, living room. I made it to what I guessed was the centre of the living room and stamped down hard. One man’s ceiling is another man’s floor. I figured Lila was directly below me, listening. I wanted to shake her up, way back in the lizard part of her brain. The scariest feeling of all. There’s something up there.

I stamped again.

I got a response.

The response came in the form of a bullet smashing up through the boards three feet to my right. It tore a splintered hole and buried itself in the ceiling above me and left dust and traces of smoke in the air.

No gunshot. They all had silencers.

I fired back, a triple tap vertically downward, straight through the same hole. Then I stepped away to where I guessed their kitchen was.

Fourteen rounds gone. Sixteen remaining. Nine loose in my pocket.

Another shot came up through the floor. Seven feet from me. I fired back. They fired back. I fired back one more time and figured they were starting to understand the pattern, so I crept out to the hallway and the head of the stairs.

Where I found that they had been figuring exactly the same thing: that I was getting into the rhythm. A guy was sneaking up on me. Number two on Springfield’s list. He had another Sig P220 in his hand. With a silencer. He saw me first. Fired once, and missed. I didn’t. I put a triple tap into the bridge of his nose and it climbed to the middle of his forehead and blood and brain spattered on the wall behind him and he went back down where he had come from in a heap.

His gun went with him.

My spent brass tinkled away across the pine.

Twenty-three rounds gone. Seven left, plus nine loose.

One guy up, plus the Hoths themselves.

The phone vibrated in my pocket.

Too late for bargains, Lila.