Gulag

Yet Khrushchev did not, in the end, publish any such documents in the course of his struggle against the Stalinists who opposed his reforms. Perhaps he was not really powerful enough to do so—or perhaps such documents would have revealed his own role in Stalinist repressions as well. Instead, Khrushchev deployed a new tactic: he widened the public discussion of Stalinism even further, broadening it beyond internal Party debates—spreading it to the literary world. Although Khrushchev probably was not much interested in Soviet poets and novelists for their own sake, he had seen, by the early 1960s, that they could play a role in his bid for power. Slowly, vanished names began to reappear in official publications, without explanation of why they had gone and why they were being allowed back. Characters hitherto unacceptable in Soviet fiction—greedy bureaucrats, returning camp inmates—began to appear in published novels.⁶⁰

Khrushchev saw that such publications could conduct his propaganda for him: literary writers could discredit his enemies by tarring them with the crimes of the past. That, at any rate, appears to have been the reasoning behind his decision to allow the publication of Alexander Solzhenitsyn’s One Day in the Life of Ivan Denisovich, the most famous of all Gulag novels.

For his literary significance, as well as for the role he played in publicizing the existence of the Gulag in the West, Alexander Solzhenitsyn would certainly deserve special mention in any history of the Soviet camp system. But his brief career as a famous, widely published, “official” Soviet author is also worth telling because it marks an important moment of transition. When Ivan Denisovich first appeared in print, in 1962, the Thaw was at its height, political prisoners were few, and the Gulag seemed a thing of the past. By the summer of 1965, when a Party journal described Ivan Denisovich as “an undoubtedly controversial work, both ideologically and artistically,” Khrushchev had been ousted, the backlash had begun, and the number of political prisoners was rising with ominous speed. By 1974, when The Gulag Archipelago—Solzhenitsyn’s massive, three-volume history of the camp system—had appeared in English, Solzhenitsyn had been expelled from the country, and his books could only be published abroad. The institution of the Soviet prison camp had been firmly reestablished, and the dissident movement was in full swing.⁶¹

Solzhenitsyn’s prison career had begun in a manner typical for zeks of his generation. After entering officers’ training school in 1941, he fought across the western front throughout the autumn and winter of 1943, penned some poorly disguised criticism of Stalin in a letter to a friend in 1945—and was arrested soon after. Hitherto a more or less true communist believer, the young officer was stunned by the brutality and crudity with which he was treated. Later, he would be even more shocked by the harsh treatment meted out to Red Army soldiers who had fallen into Nazi captivity. These, he felt, were men who should have returned home as heroes.

His subsequent camp career was perhaps slightly less than typical, only because—thanks to some undergraduate math and physics—he served some of his time in a sharashka, an experience he later recorded in his novel The First Circle. Other than that, it is fair to say that he served in a series of unremarkable lagpunkts, including one in Moscow, and one in a special camp complex in Karaganda. He was also an unremarkable prisoner. He flirted with the authorities, served as an informer before seeing the light, and wound up working as a bricklayer. Bricklaying was the career he later gave to Ivan Denisovich, the zek “Everyman” who was the hero of his first novel. After his release, he went to teach at a school in Ryazan, and began to write about his experiences. That too was not unusual: the many hundreds of Gulag memoirs that have been published since the 1980s are ample testimony to the eloquence and talent of Soviet ex-prisoners, many of whom wrote in secret for years. What made Solzhenitsyn truly unique, in the end, was the simple fact that his work appeared in print, in the Soviet Union, while Khrushchev was still in power.