Читаем I Know What I Saw полностью

‘I’m kidding,’ he says and then to fill in the space, he adds, ‘The Gamay then.’

‘Any of the reds will do.’ Her tone is rich and velvety. Loud. She’s near. Then her voice drops and becomes shaded as if she too has crouched down. ‘What about Jack T?’ she asks.

‘Bit bluesy,’ the man says, his voice getting louder now as he walks back towards her. There is a clink of glass and then silence. A hiss, then suddenly the room fills with sound, in stereo.

Then came the night they cameThat was the night they took you …

The music masks my presence here which is good for all kinds of reasons, not least that I need to move. My thighs are beginning to burn from crouching so long, so I wait till the music builds to a chorus and then I shift to lie flat, wedged in. I stare at a ceiling that is now bathed in light. The bass beats through the floorboards into my flesh. And then as the sound of their voices murmuring through the music filters down to me, I begin to relax. They are close to one another. Their voices are soft and intimate.

At least they are not on this sofa.

The album continues to play.

Naming birds in our treeWhen you were with meListing all the things they’d see …

Then that same hiss, like waves throwing up surf. Every few minutes a spray of words reaches me, distinct before ebbing away.

‘Wait,’ she says. ‘Let me flip it over. Still haven’t worked out where that smell’s coming from.’

A few seconds of silence. I hold my breath before the music comes again and I can breathe again. That smell – does she mean me?

Another song plays but now gives me a rush of memory. From before. Grace.

We were in the bowl of a boat. It was dark but there was warmth in the air. It was summer and we had found a small rowing boat on the edge of the Thames as we were walking back from somewhere near Kingston. Laughing, we dipped the boat gently into the water and kicked off from the bank quietly. She had a half-drunk bottle of rosé in her hand and giggled at the idea that we were in someone else’s boat. Stealing, she said. We weren’t stealing but borrowing, I told her as seriously I could. And she sang it then, that song.

There’s trouble on the uptrackAnd trouble going backAnd quite clearly not one train will move today …

‘Your train is ready to depart, ma’am,’ I said, mock-bowing.

I close my eyes and the rhythm rocks and lulls me back and forth. I weave between flashes of what might be dreams or some long-gone reality until I drift further and further away. When I open my eyes again, the couple are still murmuring but the light has now dimmed to an orange flicker across the ceiling. A warmth begins to rise over me and I realise that somebody has lit a fire.

All I can do is wait this out. At some point soon, the couple will leave. Then I can slip out of the door, along the hall and out again into the air.

This song. It’s that song I think. The one that has something to do with a film we watched once. The one she liked. Her face now comes into my mind but I clench my eyes to shut her out. Not now, I can’t indulge this now. I need my wits about me. I have to be ready to move.

The record has ended and is hissing in its orbit. As soon as they go, I’ll go.

‘Not again,’ he says when, after a pause, the music starts up once more.

‘So grouchy!’ she says and laughs. In my imagination, she is young and blonde and is nestled under his arm.

‘Not again, I said,’ says the man. There’s an undercurrent of something, bristling.

‘Just once more,’ she replies and her laugh tinkles under the bristle.

A beat.

‘It’s like you deliberately ignore me,’ he says. ‘Fuck’s sake.’ Then a scrape as the record is wrenched from the player.

‘Careful! You know how much—’

‘How much what?’ The wine is in evidence in his vowels.

‘Nothing. Forget it.’

There is a sharp snapping sound and a light thud.

‘What did you do?’ she exclaims. Her voice is shrill. Indignant.

‘Accident,’ he says bitterly.

‘You broke it!’ She shifts on the sofa. ‘You broke it. Idiot!’

‘I’m an idiot? It’s a fucking record. Get over it. I’ll get you another one.’

‘Yes, but it wouldn’t be that record,’ she says, her voice dropping at the end.

‘What? You mean it wouldn’t be his?’

She sighs, deflating as if she is tired of this.

‘Oh, just forget it,’ she says, and as she does her voice trails off, as if she’s moved across to the dining area. She seems disembodied without the sound of her feet to tether her voice.

‘No, no, no. Not forget it,’ he says, his voice pursuing her, breathy and urgent.

‘Get off me.’ Her voice is distant. She is deep in the other end of the double room, from the sound of it.

Перейти на страницу:

Похожие книги

Тайное место
Тайное место

В дорогой частной школе для девочек на доске объявлений однажды появляется снимок улыбающегося парня из соседней мужской школы. Поверх лица мальчишки надпись из вырезанных букв: Я ЗНАЮ, КТО ЕГО УБИЛ. Крис был убит уже почти год назад, его тело нашли на идиллической лужайке школы для девочек. Как он туда попал? С кем там встречался? Кто убийца? Все эти вопросы так и остались без ответа. Пока однажды в полицейском участке не появляется девушка и не вручает детективу Стивену Морану этот снимок с надписью. Стивен уже не первый год ждет своего шанса, чтобы попасть в отдел убийств дублинской полиции. И этот шанс сам приплыл ему в руки. Вместе с Антуанеттой Конвей, записной стервой отдела убийств, он отправляется в школу Святой Килды, чтобы разобраться. Они не понимают, что окажутся в настоящем осином гнезде, где юные девочки, такие невинные и милые с виду, на самом деле опаснее самых страшных преступников. Новый детектив Таны Френч, за которой закрепилась характеристика «ирландская Донна Тартт», – это большой психологический роман, выстроенный на превосходном детективном каркасе. Это и психологическая драма, и роман взросления, и, конечно, классический детектив с замкнутым кругом подозреваемых и развивающийся в странном мире частной школы.

Михаил Шуклин , Павел Волчик , Стив Трей , Тана Френч

Фантастика / Детективы / Триллер / Фэнтези / Прочие Детективы