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"I noticed her making a play for you," Flick said. "She's pretty."

"Not my type, though."

"Why not?"

"Candidly? She's not smart enough."

"Good," Flick said. "I'm glad."

He raised an eyebrow at her. "Why?"

"I would have thought less of you otherwise."

He thought this was a little condescending. "I'm glad to have your approval," he said.

"Don't be ironic," she reprimanded him. "I was paying you a compliment."

He grinned. He could not help liking her, even when she was being high-handed. "Then I'll quit while I'm ahead," he said.

They passed close to the two women, and heard Diana say, "So the contessa said, 'Keep your painted claws off my husband,' then poured a glass of champagne over Jennifer's head, whereupon Jennifer pulled the contessa's hair-and it came off in her hand, because it was a wig!"

Maude laughed. "I wish I'd been there!"

Paul said to Flick, "They all seem to be making friends."

"I'm pleased. I need them to work as a team."

The garden merged gradually with the forest, and they found themselves walking through woodland. It was only half light under the canopy of leaves. "Why is it called the New Forest?" Paul said. "It looks old."

"Do you still expect English names to be logical?"

He laughed. "I guess I don't."

They walked in silence for a while. Paul felt quite romantic. He wanted to kiss her, but she was wearing a wedding ring.

"When I was four years old, I met the King," Flick said.

"The present king?"

"No, his father, George V. He came to Somersholme. I was kept out of his way, of course, but he wandered into the kitchen garden on Sunday morning and saw me. He said, 'Good morning, little girl, are you ready for church?' He was a small man, but he had a booming voice."

"What did you say?"

"I said, 'Who are you?' He replied, 'I'm the King.' And then, according to family legend, I said, 'You can't be, you're not big enough.' Fortunately, he laughed."

"Even as a child, you had no respect for authority."

"So it seems."

Paul heard a low moan. Frowning, he looked toward the sound and saw Ruby Romam with Jim Cardwell, the firearms instructor. Ruby had her back to a tree and Jim was embracing her. They were kissing passionately. Ruby moaned again.

They were not just embracing, Paul realized, and he felt both embarrassed and aroused. Jim's hands were busy inside Ruby's blouse. Her skirt was up around her waist. Paul could see all of one brown leg and a thick patch of dark hair at her groin. The other leg was raised and bent at the knee, and Ruby's foot rested high on Jim's hip. The movement they were making together was unmistakable.

Paul looked at Flick. She had seen the same thing. She stared for a moment, her expression showing shock and something else. Then she turned quickly away. Paul followed suit, and they went back the way they had come, walking as quietly as they could.

When they were out of earshot, he said, "I'm terribly sorry about that."

"Not your fault," she said.

"Still, I'm sorry I led you that way."

"I really don't mind. I've never seen anyone... doing that. It was rather sweet."

"Sweet?" It was not the word he would have chosen. "You know, you're kind of unpredictable."

"Have you only just noticed?"

"Don't be ironic, I was paying you a compliment," he said, repeating her own words.

She laughed. "Then I'll quit while I'm ahead."

They emerged from the woods. Daylight was fading fast, and the blackout curtains were drawn in the house. Maude and Diana had gone from their seat under the copper beech. "Let's sit here for a minute," Paul said. He was in no hurry to go inside.

Flick complied without speaking.

He sat sideways, looking at her. She bore his scrutiny without comment, but she was thoughtful. He took her hand and stroked her fingers. She looked at him, her face unreadable, but she did not pull away her hand. He said, "I know I shouldn't, but I really want to kiss you." She made no reply but continued to look at him with that enigmatic expression, half amused and half sad. He took silence for assent, and kissed her.

Her mouth was soft and moist. He closed his eyes, concentrating on the sensation. To his surprise, her lips parted, and he felt the tip of her tongue. He opened his mouth.

He put his arms around her and pulled her to him, but she slipped out of his embrace and stood up. "Enough," she said. She turned away and walked toward the house.

He watched her go in the fading light. Her small, neat body suddenly seemed the most desirable thing in the world.

When she had disappeared inside, he followed. In the drawing room, Diana sat alone, smoking a cigarette, looking thoughtful. On impulse, Paul sat close to her and said, "You've known Flick since you were kids."

Diana smiled with surprising warmth. "She's adorable, isn't she?"

Paul did not want to give away too much of what was in his heart. "I like her a lot, and I wish I knew more about her."

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Захар Прилепин — прозаик, публицист, музыкант, обладатель премий «Большая книга», «Национальный бестселлер» и «Ясная Поляна». Автор романов «Обитель», «Санькя», «Патологии», «Чёрная обезьяна», сборников рассказов «Восьмёрка», «Грех», «Ботинки, полные горячей водкой» и «Семь жизней», сборников публицистики «К нам едет Пересвет», «Летучие бурлаки», «Не чужая смута», «Всё, что должно разрешиться. Письма с Донбасса», «Взвод».«И мысли не было сочинять эту книжку.Сорок раз себе пообещал: пусть всё отстоится, отлежится — что запомнится и не потеряется, то и будет самым главным.Сам себя обманул.Книжка сама рассказалась, едва перо обмакнул в чернильницу.Известны случаи, когда врачи, не теряя сознания, руководили сложными операциями, которые им делали. Или записывали свои ощущения в момент укуса ядовитого гада, получения травмы.Здесь, прости господи, жанр в чём-то схожий.…Куда делась из меня моя жизнь, моя вера, моя радость?У поэта ещё точнее: "Как страшно, ведь душа проходит, как молодость и как любовь"».Захар Прилепин

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