Как мы писали роман

the figure to her. Its right arm was screwed round her waist, and held her firmly; its delicately jointed left hand was made to fasten itself upon her right. The old toymaker showed her how to regulate its speed, and how to stop it, and release herself. "'It will take you round in a complete circle,' he explained; 'be careful that no one knocks against you, and alters its course.' "The music struck up. Old Geibel put the current in motion, and Annette and her strange partner began to dance. "For a while every one stood watching them. The figure performed its purpose admirably. Keeping perfect time and step, and holding its little partner tightly clasped in an unyielding embrace, it revolved steadily, pouring forth at the same time a constant flow of squeaky conversation, broken by brief intervals of grinding silence. "'How charming you are looking to-night,' it remarked in its thin, far- away voice. 'What a lovely day it has been. Do you like dancing? How well our steps agree. You will give me another, won't you? Oh, don't be so cruel. What a charming

gown you have on. Isn't waltzing delightful? I could go on dancing for ever--with you. Have you had supper?' "As she grew more familiar with the uncanny creature, the girl's nervousness wore off, and she entered into the fun of the thing. "'Oh, he's just lovely,' she cried, laughing, 'I could go on dancing with him all my life.' "Couple after couple now joined them, and soon all the dancers in the room were whirling round behind them. Nicholaus Geibel stood looking on, beaming with childish delight at his success, "Old Wenzel approached him, and whispered something in his ear. Geibel laughed and nodded, and the two worked their way quietly towards the door. "'This is the young people's house to-night,' said Wenzel, as soon as they were outside; 'you and I will have a quiet pipe and a glass of hock, over in the counting-house.' "Meanwhile the dancing grew more fast and furious. Little Annette loosened the screw regulating her partner's rate of progress, and the figure flew round with her swifter and swifter. Couple after couple dropped out exhausted, but they only went the faster, till at length they were the only pair left dancing. "Madder and madder became the waltz. The music lagged behind: the musicians, unable to keep pace, ceased, and sat staring. The younger guests applauded, but the older faces began to grow anxious. "'Hadn't you better stop, dear,' said one of the women, 'You'll make yourself so tired.' "But Annette did not answer. "'I believe she's fainted,' cried out a girl, who had caught sight of her face as it was swept by. "One of the men sprang forward and clutched at the figure, but its impetus threw him down on to the floor, where its steel-cased feet laid bare his cheek. The thing evidently did not intend to part with its prize easily. "Had any one retained a cool head, the figure, one cannot help thinking, might easily have been stopped. Two or three men, acting in concert, might have lifted it bodily off the floor, or have jammed it into a corner. But few human heads are capable of remaining cool under excitement. Those who are not present think how stupid must have been those who were; those who are, reflect afterwards how simple it would have been to do this, that, or the other, if only they had thought of it at the time. "The women grew hysterical. The men shouted contradictory directions to one another. Two of them made a bungling rush at the figure, which had the result of forcing it out of its orbit in the centre of the room, and sending it crashing against the walls and furniture. A stream of blood showed itself down the girl's white frock, and followed her along the floor. The affair was becoming horrible. The women rushed screaming from the room. The men followed them. "One sensible suggestion was made: 'Find Geibel--fetch

Geibel.' "No one had noticed him leave the room,