London: The Biography

From its earliest foundation London rang with the hammers of artisans and the cries of tradesmen; it produced more noise than any other part of the country, and in certain quarters, like those of the smiths and the barrel-makers, the clamour was almost insupportable. But there were other noises. In the early medieval city, the clatter of manufacturing trades and crafts would have been accompanied by the sound of bells, among them secular bells, church bells, convent bells, the bell of the curfew and the bell of the watchman.

It might be surmised that the effect of the bells ended with the Reformation, when London ceased to be a notably pious Catholic city, but all the evidence suggests that the citizens continued to be addicted to them. A German duke entered London on the evening of 12 September 1602, and was astonished by the unique character of the city’s sound. “On arriving in London we heard a great ringing of bells in almost all the churches going on very late in the evening, also on the following days until 7 or 8 o’clock in the evening. We were informed that the young people do that for the sake of exercise and amusement, and sometimes they lay considerable sums of money as a wager, who will pull a bell longest or ring it in the most approved fashion. Parishes spend much money in harmoniously-sounding bells, that one being preferred which has the best bells. The old Queen is said to have been pleased very much by this exercise, considering it as a sign of the health of the people.” This account is taken from The Acoustic World of Early Modern England by Bruce R. Smith, which offers an intimate version of London’s history. There is some suggestion here that the harmony of the bells is in some sense intended to demonstrate the harmony of the city, with the attendant “health” of its citizens, but there is also an element of theatricality or bravura intrinsic to London and Londoners. Indeed there is almost a kind of violence attached to their liking of loud sound. Another German traveller, of 1598, wrote that Londoners are “vastly fond of great noises that fill the ear, such as the firing of cannon, drums, and the ringing of bells, so that it is common for a number of them … to go up into some belfry, and ring the bells for hours together for the sake of exercise.” A chaplain to the Venetian ambassador similarly reported that London boys made bets “who can make the parish bells be heard at the greatest distance.” To the element of display are added aggression and competition.

It is perhaps not surprising, therefore, that the very definition of the Londoner should be adduced in terms of loud noise. A Cockney was one who was born within the sound of the bell of St. Mary-le-Bow, in Cheapside, which according to John Stow was “more famous than any other Parish Church of the whole Cittie or suburbs.” Fynes Moryson, in 1617, announced that “Londiners, and all within the sound of Bow-Bell, are in reproach called Cocknies, and eaters of buttered tostes.” Bruce R. Smith has suggested that “cockney” in fact derives from the “cock-shaped weathervane” which once surmounted the belfry of St. Mary-le-Bow and that the Londoners’ identification with the sound came from their own “loud loquaciousness” or “boastfulness.”

As the city grew, so did its level of noise. By the beginning of the fifteenth century, according to Walter Besant’s London, “there was no noisier city in the whole world”; it could be heard from Highgate and from the Surrey hills. Dekker in The Seven deadly Sinnes of London evokes something of the incessant din-“hammers are beating in one place; Tubs hooping in another, Pots clinking in a third, water-tankards running at tilt in a fourth.” Here noise itself is associated with energy, and specifically with the making of money. Sound was intrinsic to the trades of the carpenters and the coopers, the blacksmiths and the armourers. Other occupations, such as dockers and porters, the loaders and unloaders by the wharves, actively employed noise as an agent of business; it was the only way of affirming or expressing their role within the commercial city.