Читаем Mudfog And Other Sketches полностью

Strange tricks—very strange tricks—are also performed by the harlequin who holds for the time being the magic wand which we have just mentioned. The mere waving it before a man's eyes will dispossess his brains of all the notions previously stored there, and fill it with an entirely new set of ideas; one gentle tap on the back will alter the colour of a man's coat completely; and there are some expert performers, who, having this wand held first on one side and then on the other, will change from side to side, turning their coats at every evolution, with so much rapidity and dexterity, that the quickest eye can scarcely detect their motions. Occasionally, the genius who confers the wand, wrests it from the hand of the temporary possessor, and consigns it to some new performer; on which occasions all the characters change sides, and then the race and the hard knocks begin anew.

We might have extended this chapter to a much greater length—we might have carried the comparison into the liberal professions—we might have shown, as was in fact our original purpose, that each is in itself a little pantomime with scenes and characters of its own, complete; but, as we fear we have been quite lengthy enough already, we shall leave this chapter just where it is. A gentleman, not altogether unknown as a dramatic poet, wrote thus a year or two ago—

“All the world's a stage, And all the men and women merely players:”

and we, tracking out his footsteps at the scarcely-worth-mentioning little distance of a few millions of leagues behind, venture to add, by way of new reading, that he meant a Pantomime, and that we are all actors in The Pantomime of Life.

<p>SOME PARTICULARS CONCERNING A LION</p>

We have a great respect for lions in the abstract. In common with most other people, we have heard and read of many instances of their bravery and generosity. We have duly admired that heroic self-denial and charming philanthropy which prompts them never to eat people except when they are hungry, and we have been deeply impressed with a becoming sense of the politeness they are said to display towards unmarried ladies of a certain state. All natural histories teem with anecdotes illustrative of their excellent qualities; and one old spelling-book in particular recounts a touching instance of an old lion, of high moral dignity and stern principle, who felt it his imperative duty to devour a young man who had contracted a habit of swearing, as a striking example to the rising generation.

All this is extremely pleasant to reflect upon, and, indeed, says a very great deal in favour of lions as a mass. We are bound to state, however, that such individual lions as we have happened to fall in with have not put forth any very striking characteristics, and have not acted up to the chivalrous character assigned them by their chroniclers. We never saw a lion in what is called his natural state, certainly; that is to say, we have never met a lion out walking in a forest, or crouching in his lair under a tropical sun, waiting till his dinner should happen to come by, hot from the baker's. But we have seen some under the influence of captivity, and the pressure of misfortune; and we must say that they appeared to us very apathetic, heavy-headed fellows.

The lion at the Zoological Gardens, for instance. He is all very well; he has an undeniable mane, and looks very fierce; but, Lord bless us! what of that? The lions of the fashionable world look just as ferocious, and are the most harmless creatures breathing. A box-lobby lion or a Regent-street animal will put on a most terrible aspect, and roar, fearfully, if you affront him; but he will never bite, and, if you offer to attack him manfully, will fairly turn tail and sneak off. Doubtless these creatures roam about sometimes in herds, and, if they meet any especially meeklooking and peaceably-disposed fellow, will endeavour to frighten him; but the faintest show of a vigorous resistance is sufficient to scare them even then. These are pleasant characteristics, whereas we make it matter of distinct charge against the Zoological lion and his brethren at the fairs, that they are sleepy, dreamy, sluggish quadrupeds.

We do not remember to have ever seen one of them perfectly awake, except at feeding-time. In every respect we uphold the biped lions against their four-footed namesakes, and we boldly challenge controversy upon the subject.

With these opinions it may be easily imagined that our curiosity and interest were very much excited the other day, when a lady of our acquaintance called on us and resolutely declined to accept our refusal of her invitation to an evening party; “for,” said she, “I have got a lion coming.” We at once retracted our plea of a prior engagement, and became as anxious to go, as we had previously been to stay away.

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Великий французский писатель Виктор Гюго — один из самых ярких представителей прогрессивно-романтической литературы XIX века. Вот уже более ста лет во всем мире зачитываются его блестящими романами, со сцен театров не сходят его драмы. В данном томе представлен один из лучших романов Гюго — «Отверженные». Это громадная эпопея, представляющая целую энциклопедию французской жизни начала XIX века. Сюжет романа чрезвычайно увлекателен, судьбы его героев удивительно связаны между собой неожиданными и таинственными узами. Его основная идея — это путь от зла к добру, моральное совершенствование как средство преобразования жизни.Перевод под редакцией Анатолия Корнелиевича Виноградова (1931).

Виктор Гюго , Вячеслав Александрович Егоров , Джордж Оливер Смит , Лаванда Риз , Марина Колесова , Оксана Сергеевна Головина

Проза / Классическая проза / Классическая проза ХIX века / Историческая литература / Образование и наука