Читаем Play Dead полностью

“The U.S. marshals have declined to provide any information about the woman we know as Stacy Harriman,” he says. “They cited a long-standing principle of confidentiality and cautioned that we not read anything into their position concerning whether or not Ms. Harriman was in the program. According to them, their position would be the same whether or not she was in fact under their protection.”

I’m not at all surprised to hear this. “Your Honor, we would request that you convene a hearing to consider an order to comply.”

He nods. “I already have. Ten o’clock tomorrow morning.”


* * * * *


WHENEVER SOMEBODY SAYS “U.S. marshal,” I’m thinking Wyatt Earp or Tommy Lee Jones.

I’m definitely not thinking Captain Alice Massengale, the attorney within the agency who leads a contingent of four into court for our hearing. Captain Massengale is all of five feet four and a hundred and ten pounds, one of the few lawyers I have ever gone up against whom I would be willing to arm wrestle to settle our dispute.

The physical structure of the hearing is a strange one. Kevin, Richard, and I occupy the defense table, Hawpe and his team are in their traditional place at the prosecution table, and a third table has been brought in for Captain Massengale and her group.

Hawpe is in the middle between us, and he’s uncomfortably in the legal middle here as well. When Judge Gordon petitions the U.S. Marshals Service for documents, he is doing so on behalf of the State of New Jersey. Hawpe is an employee of that state and therefore bound to advocate its position. However, as the prosecuting attorney, he is opposed to Judge Gordon’s, and my, request.

Suffice it to say, I don’t think we’ll be hearing much from Hawpe today.

Judge Gordon sets the parameters of the hearing and summarizes the situation to date. He then asks Massengale to state the position of the U.S. Marshals Service.

“Thank you, Your Honor. For over two hundred years, the United States Marshals Service has served as the instruments of civil authority for all three branches of the U.S. government. It is easily the federal government’s oldest and most versatile law enforcement agency.”

She thus launches into a fifteen-minute speech, without notes, about the glories of the Marshals Service. It’s a stirring rendition, and I’m sure I would be moved to tears if not for the fact that I doze off three or four times during it. I would object as to relevance, but I can use the snooze time.

She finally seems to be getting near the point by saying that the Marshals Service “provides for the security, health, and safety of government witnesses and their immediate dependents, whose lives are in danger as a result of their testimony against drug traffickers, terrorists, organized crime members, and other major criminals.”

It’s a false alarm, because she goes on talking about the tremendous importance of the program, the remarkable people that run it, and the extraordinary success it has had.

Finally she gets to the matter at hand. “Any breach in the secrecy of this program, no matter how small, can imperil the entire operation. It is for that reason that we must regretfully decline to comply with the court’s request.”

“Any documents you would hand over would be under seal,” says Judge Gordon.

“Even to confirm that such documents exist-and I am not saying that they do-would be to breach confidentiality by revealing whether this particular subject was in the program.”

“Mr. Carpenter?”

“Your Honor, no one is disputing the need for secrecy in this program. It is crucial that witnesses be protected. But it is considerably less crucial when the witness is already dead. For that reason, secrecy should in this case give way to the defendant’s right to a fair trial.”

Massengale comes back at me. “A precedent would be established.”

I nod. “Right. The precedent would be that dead witnesses no longer need to be protected from the revelation that they were witnesses. I think our system could survive such a precedent. And if you are able to keep your future witnesses alive, it will never come up again.”

“Our methods and procedures could be compromised,” she says. “If it is known that someone was in our system-even after they are deceased-an enterprising criminal might be able to learn how we go about protecting our people.”

It’s a good point, and I don’t have a great comeback for it, but I give it a shot. “Your method is to provide the witness with an apparently normal background. There is no way to penetrate that unless someone first identifies the person they suspect is in the program, as we did with Stacy Harriman. Additionally, everything you present will be under seal, and the court can protect your methods and procedures.”

Judge Gordon gives Hawpe the chance to intervene, and he speaks for about a minute without saying anything of consequence. Then Massengale and I kick it around for a while more, without breaking much in the way of new ground.

Перейти на страницу:

Все книги серии Andy Carpenter

Похожие книги

Алчность
Алчность

Тара Мосс — топ-модель и один из лучших современных авторов детективных романов. Ее книги возглавляют списки бестселлеров в США, Канаде, Австралии, Новой Зеландии, Японии и Бразилии. Чтобы уверенно себя чувствовать в криминальном жанре, она прошла стажировку в Академии ФБР, полицейском управлении Лос-Анджелеса, была участницей многочисленных конференций по криминалистике и психоанализу.Благодаря своему обаянию и проницательному уму известная фотомодель Макейди смогла раскрыть серию преступлений и избежать собственной смерти. Однако ей предстоит еще одна встреча с жестоким убийцей — в зале суда. Станет ли эта встреча последней? Ведь девушка даже не подозревает, что чистосердечное признание обвиняемого лишь продуманный шаг на пути к свободе и осуществлению его преступных планов…

Александр Иванович Алтунин , Андрей Истомин , Дмитрий Давыдов , Дмитрий Иванович Живодворов , Никки Ром , Тара Мосс

Фантастика / Детективы / Триллер / Фантастика: прочее / Криминальные детективы / Маньяки / Триллеры / Современная проза / Карьера, кадры
Сходство
Сходство

«Сходство» – один из лучших детективов из знаменитой серии Таны Френч о работе дублинского отдела убийств. Однажды в уединенном полуразрушенном коттедже находят тело молодой женщины, жившей по соседству в усадьбе «Боярышник». На место убийства вызывают Кэсси Мэддокс, бывшего детектива из отдела убийств. Кэсси в недоумении, она уже давно ушла из Убийств и работает теперь в отделе домашнего насилия. Но, оказавшись на месте, она понимает, в чем дело: убитая – ее полный двойник, то же лицо, фигура, волосы. Как такое возможно? И возможно ли вообще?.. Однако бывшему боссу Кэсси, легендарному агенту Фрэнку Мэкки, нет дела до таких загадок, для него похожесть детектива на жертву – отличная возможность внедрить своего человека в окружение жертвы и изнутри выяснить, кто стоит за преступлением. Так начинается погружение детектива в чужую жизнь, и вскоре Кэсси понимает, что ее с жертвой объединяет не только внешнее сходство, но и глубинное сродство.

Тана Френч

Триллер